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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 223 182 243 it is the complementary color RGB 32 73 12. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 223 182 243. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 223 182 243: RGB 228 182 238, RGB 245 200 255, RGB 255 218 255, RGB 255 236 255 and RGB 255 254 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 223 182 243. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 223 182 243: RGB 223 182 243, RGB 206 164 224, RGB 189 146 205, RGB 172 128 186 and RGB 155 110 167

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

Complementary color

CMYK 56 / 0 / 84 / 71

HEX #20490C

RGB 32 73 12

HSL 100.33, 0.72%, 0.17%

LAB 27.01, -26.61, 30.01

 

CMYK 4 / 24 / 0 / 7

HEX #E4B6EE

RGB 228 182 238

HSL 289.29, 0.62%, 0.82%

LAB 79.68, 26.17, -21.56

 

CMYK 4 / 22 / 0 / 0

HEX #F5C8FF

RGB 245 200 255

HSL 289.09, 1%, 0.89%

LAB 85.98, 25.26, -20.95

 

CMYK 0 / 15 / 0 / 0

HEX #FFDAFF

RGB 255 218 255

HSL 300, 1%, 0.93%

LAB 91.06, 19.03, -13.21

 

CMYK 0 / 7 / 0 / 0

HEX #FFECFF

RGB 255 236 255

HSL 300, 1%, 0.96%

LAB 95.36, 9.69, -6.83

 

CMYK 0 / 0 / 0 / 0

HEX #FFFEFF

RGB 255 254 255

HSL 300, 1%, 1%

LAB 99.75, 0.51, -0.37

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 8 / 27 / 0 / 12

HEX #CEA4E0

RGB 206 164 224

HSL 282, 0.49%, 0.76%

LAB 72.93, 26.11, -24.45

 

CMYK 8 / 29 / 0 / 20

HEX #BD92CD

RGB 189 146 205

HSL 283.73, 0.37%, 0.69%

LAB 66.35, 26.72, -24.17

 

CMYK 8 / 31 / 0 / 27

HEX #AC80BA

RGB 172 128 186

HSL 285.52, 0.3%, 0.62%

LAB 59.67, 27.38, -23.88

 

CMYK 7 / 34 / 0 / 35

HEX #9B6EA7

RGB 155 110 167

HSL 287.37, 0.24%, 0.54%

LAB 52.85, 28.09, -23.59

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 4 / 26 / 0 / 5

HEX #E8B4F2

RGB 232 180 242

HSL 290.32, 0.7%, 0.83%

LAB 79.73, 29.29, -23.61

 

CMYK 0 / 26 / 0 / 5

HEX #F2B4F2

RGB 242 180 242

HSL 300, 0.7%, 0.83%

LAB 80.7, 32.49, -22.04

 

CMYK 0 / 26 / 4 / 5

HEX #F2B4E8

RGB 242 180 232

HSL 309.68, 0.7%, 0.83%

LAB 80.37, 30.7, -17.16

 

CMYK 0 / 26 / 8 / 5

HEX #F2B4DE

RGB 242 180 222

HSL 319.35, 0.7%, 0.83%

LAB 80.06, 28.97, -12.24

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 8 / 26 / 0 / 85

HEX #241D27

RGB 36 29 39

HSL 282, 0.15%, 0.13%

LAB 11.96, 5.82, -5.51

 

CMYK 8 / 26 / 0 / 65

HEX #53435A

RGB 83 67 90

HSL 281.74, 0.15%, 0.31%

LAB 30.86, 11.72, -11.08

 

CMYK 9 / 25 / 0 / 45

HEX #816A8D

RGB 129 106 141

HSL 279.43, 0.14%, 0.48%

LAB 48.13, 16, -15.79

 

CMYK 8 / 25 / 0 / 25

HEX #B090C0

RGB 176 144 192

HSL 280, 0.28%, 0.66%

LAB 64.15, 20.91, -20.38

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 0 / 26 / 22 / 5

HEX #F2B4BC

RGB 242 180 188

HSL 352.26, 0.7%, 0.83%

LAB 79.13, 23.64, 4.78

 

CMYK 26 / 0 / 19 / 5

HEX #B4F2C5

RGB 180 242 197

HSL 136.45, 0.7%, 0.83%

LAB 90.43, -28.29, 15.5

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 0 / 8 / 26 / 5

HEX #F2DEB4

RGB 242 222 180

HSL 40.65, 0.7%, 0.83%

LAB 89.12, 0.53, 23.12

 

CMYK 26 / 0 / 8 / 5

HEX #B4F2DE

RGB 180 242 222

HSL 160.65, 0.7%, 0.83%

LAB 91, -23.51, 3.34

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 0 / 26 / 22 / 5

HEX #F2B4BC

RGB 242 180 188

HSL 352.26, 0.7%, 0.83%

LAB 79.13, 23.64, 4.78

 

CMYK 17 / 0 / 26 / 5

HEX #C9F2B4

RGB 201 242 180

HSL 99.68, 0.7%, 0.83%

LAB 91.33, -24.22, 25.68

 

CMYK 26 / 0 / 3 / 5

HEX #B4F2EA

RGB 180 242 234

HSL 172.26, 0.7%, 0.83%

LAB 91.3, -21.03, -2.47

 

CMYK 8 / 25 / 0 / 5

HEX #DFB6F3

RGB 223 182 243

HSL 280.33, 0.72%, 0.83%

LAB 79.39, 25.54, -24.73

 

CMYK 0 / 21 / 26 / 5

HEX #F2BEB4

RGB 242 190 180

HSL 9.68, 0.7%, 0.83%

LAB 81.29, 17.21, 12.18

 

CMYK 17 / 0 / 26 / 5

HEX #C9F2B4

RGB 201 242 180

HSL 99.68, 0.7%, 0.83%

LAB 91.33, -24.22, 25.68

 

CMYK 26 / 4 / 0 / 5

HEX #B4E8F2

RGB 180 232 242

HSL 189.68, 0.7%, 0.83%

LAB 88.84, -14.33, -10.28

 

Description

Color code: RGB 223 182 243 | qconv.com Color code: RGB 223 182 243 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 223 red, 182 green and 243 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
223 182 243 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, 25 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 25% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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