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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 222 201 206 it is the complementary color RGB 33 54 49. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 222 201 206. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 222 201 206: RGB 227 201 201, RGB 244 219 220, RGB 255 237 239, RGB 255 255 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 222 201 206. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 222 201 206: RGB 222 201 206, RGB 205 183 187, RGB 188 165 168, RGB 171 147 149 and RGB 154 129 130

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

Complementary color

CMYK 39 / 0 / 9 / 79

HEX #213631

RGB 33 54 49

HSL 165.71, 0.24%, 0.17%

LAB 20.76, -9.75, 0.48

 

CMYK 0 / 11 / 11 / 11

HEX #E3C9C9

RGB 227 201 201

HSL 0, 0.32%, 0.84%

LAB 83.08, 9.11, 3.33

 

CMYK 0 / 10 / 10 / 4

HEX #F4DBDC

RGB 244 219 220

HSL 357.6, 0.53%, 0.91%

LAB 89.42, 8.77, 2.64

 

CMYK 0 / 7 / 6 / 0

HEX #FFEDEF

RGB 255 237 239

HSL 353.33, 1%, 0.96%

LAB 95.19, 6.41, 1.22

 

CMYK 0 / 0 / 0 / 0

HEX #FFFFFF

RGB 255 255 255

HSL 0, 0%, 1%

LAB 100, 0.01, -0.01

RAL® 9010

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 0 / 11 / 9 / 20

HEX #CDB7BB

RGB 205 183 187

HSL 349.09, 0.18%, 0.76%

LAB 76.33, 8.52, 0.83

 

CMYK 0 / 12 / 11 / 26

HEX #BCA5A8

RGB 188 165 168

HSL 352.17, 0.15%, 0.69%

LAB 69.77, 8.88, 1.52

 

CMYK 0 / 14 / 13 / 33

HEX #AB9395

RGB 171 147 149

HSL 355, 0.13%, 0.62%

LAB 63.09, 9.28, 2.25

 

CMYK 0 / 16 / 16 / 40

HEX #9A8182

RGB 154 129 130

HSL 357.6, 0.11%, 0.55%

LAB 56.27, 9.73, 3.03

 

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 0 / 9 / 9 / 13

HEX #DEC9CA

RGB 222 201 202

HSL 357.14, 0.24%, 0.83%

LAB 82.68, 7.51, 2.16

 

CMYK 0 / 9 / 9 / 13

HEX #DECAC9

RGB 222 202 201

HSL 2.86, 0.24%, 0.83%

LAB 82.91, 6.81, 3.02

 

CMYK 0 / 7 / 9 / 13

HEX #DECEC9

RGB 222 206 201

HSL 14.29, 0.24%, 0.83%

LAB 83.91, 4.71, 4.47

 

CMYK 0 / 6 / 9 / 13

HEX #DED1C9

RGB 222 209 201

HSL 22.86, 0.24%, 0.83%

LAB 84.66, 3.14, 5.56

 

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 0 / 11 / 6 / 93

HEX #121011

RGB 18 16 17

HSL 330, 0.06%, 0.07%

LAB 4.87, 0.94, -0.27

 

CMYK 0 / 10 / 7 / 73

HEX #453E40

RGB 69 62 64

HSL 342.86, 0.05%, 0.26%

LAB 26.96, 3.43, -0.13

 

CMYK 0 / 9 / 8 / 53

HEX #786D6F

RGB 120 109 111

HSL 349.09, 0.05%, 0.45%

LAB 47.08, 4.67, 0.44

 

CMYK 0 / 9 / 7 / 33

HEX #AB9B9F

RGB 171 155 159

HSL 345, 0.09%, 0.64%

LAB 65.44, 6.58, 0.04

 

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 0 / 0 / 9 / 13

HEX #DEDDC9

RGB 222 221 201

HSL 57.14, 0.24%, 0.83%

LAB 87.71, -3.09, 9.93

 

CMYK 9 / 4 / 0 / 13

HEX #C9D6DE

RGB 201 214 222

HSL 202.86, 0.24%, 0.83%

LAB 84.89, -2.82, -5.45

 

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 7 / 0 / 9 / 13

HEX #CEDEC9

RGB 206 222 201

HSL 105.71, 0.24%, 0.83%

LAB 86.79, -9.16, 8.47

 

CMYK 9 / 7 / 0 / 13

HEX #C9CEDE

RGB 201 206 222

HSL 225.71, 0.24%, 0.83%

LAB 82.83, 1.38, -8.5

 

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 0 / 0 / 9 / 13

HEX #DEDDC9

RGB 222 221 201

HSL 57.14, 0.24%, 0.83%

LAB 87.71, -3.09, 9.93

 

CMYK 9 / 0 / 3 / 13

HEX #C9DED8

RGB 201 222 216

HSL 162.86, 0.24%, 0.83%

LAB 86.81, -8.11, 0.55

 

CMYK 9 / 9 / 0 / 13

HEX #C9CADE

RGB 201 202 222

HSL 237.14, 0.24%, 0.83%

LAB 81.8, 3.5, -10.02

 

CMYK 0 / 9 / 7 / 13

HEX #DEC9CE

RGB 222 201 206

HSL 345.71, 0.24%, 0.83%

LAB 82.79, 8.19, 0.18

 

CMYK 3 / 0 / 9 / 13

HEX #D8DEC9

RGB 216 222 201

HSL 77.14, 0.24%, 0.83%

LAB 87.51, -5.7, 9.6

 

CMYK 9 / 0 / 3 / 13

HEX #C9DED8

RGB 201 222 216

HSL 162.86, 0.24%, 0.83%

LAB 86.81, -8.11, 0.55

 

CMYK 7 / 9 / 0 / 13

HEX #CEC9DE

RGB 206 201 222

HSL 254.29, 0.24%, 0.83%

LAB 81.93, 5.67, -9.79

 

Description

Color code: RGB 222 201 206 | qconv.com Color code: RGB 222 201 206 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 222 red, 201 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
222 201 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 9 magenta, 7 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 9% 7% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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