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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 89 188 it is the complementary color RGB 34 166 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 89 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 89 188 shade: RGB 226 89 183, RGB 243 107 202, RGB 255 125 221, RGB 255 143 240 and RGB 255 161 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 89 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 204 71 169, RGB 187 53 150, RGB 170 35 131 and RGB 153 17 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 221 89 152, RGB 221 89 117 and RGB 221 89 89

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 218 89 221, RGB 183 89 221, RGB 147 89 221 and RGB 112 89 221

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 89 188 shade matches the following richer shades: RGB 221 89 188, RGB 237 73 196 and RGB 253 57 204

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 205 106 180, RGB 189 122 172, RGB 172 138 164 and RGB 156 154 156

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 89 188 shade: RGB 183 89 221, RGB 218 89 221, RGB 221 89 188, RGB 221 89 153 and RGB 221 89 118

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 89 188 shade: RGB 189 38 152, RGB 214 55 174, RGB 221 89 188, RGB 228 124 202 and RGB 235 158 216

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 221 148 89 and RGB 89 221 201

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 188 221 89 and RGB 89 188 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 221 148 89, RGB 89 221 122 and RGB 89 162 221

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 89 188 shade: RGB 221 89 188, RGB 221 188 89, RGB 89 221 122 and RGB 89 122 221

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

Complementary color

CMYK 80 / 0 / 60 / 35

HEX #22A643

RGB 34 166 67

HSL 135, 0.66%, 0.39%

LAB 59.9, -55.13, 40.9

 

CMYK 0 / 61 / 19 / 11

HEX #E259B7

RGB 226 89 183

HSL 318.83, 0.7%, 0.62%

LAB 58.73, 63.18, -23.03

 

CMYK 0 / 56 / 17 / 5

HEX #F36BCA

RGB 243 107 202

HSL 318.09, 0.85%, 0.69%

LAB 64.83, 62.83, -24.26

 

CMYK 0 / 51 / 13 / 0

HEX #FF7DDD

RGB 255 125 221

HSL 315.69, 1%, 0.75%

LAB 70.28, 60.86, -26.37

 

CMYK 0 / 44 / 6 / 0

HEX #FF8FF0

RGB 255 143 240

HSL 308.04, 1%, 0.78%

LAB 74.32, 55.24, -30.6

 

CMYK 0 / 37 / 0 / 0

HEX #FFA1FF

RGB 255 161 255

HSL 300, 1%, 0.82%

LAB 78.44, 48.78, -32.36

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 65 / 17 / 20

HEX #CC47A9

RGB 204 71 169

HSL 315.79, 0.57%, 0.54%

LAB 52.07, 62.62, -25.43

 

CMYK 0 / 72 / 20 / 27

HEX #BB3596

RGB 187 53 150

HSL 316.57, 0.56%, 0.47%

LAB 46.06, 62.28, -23.68

 

CMYK 0 / 79 / 23 / 33

HEX #AA2383

RGB 170 35 131

HSL 317.33, 0.66%, 0.4%

LAB 40.22, 61.24, -21.39

 

CMYK 0 / 89 / 27 / 40

HEX #991170

RGB 153 17 112

HSL 318.09, 0.8%, 0.33%

LAB 34.69, 59.1, -18.33

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 60 / 31 / 13

HEX #DD5998

RGB 221 89 152

HSL 331.36, 0.66%, 0.61%

LAB 56.86, 57.66, -7.94

 

CMYK 0 / 60 / 47 / 13

HEX #DD5975

RGB 221 89 117

HSL 347.27, 0.66%, 0.61%

LAB 55.89, 53.91, 11.22

 

CMYK 0 / 60 / 60 / 13

HEX #DD5959

RGB 221 89 89

HSL 0, 0.66%, 0.61%

LAB 55.32, 51.64, 26.85

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 1 / 60 / 0 / 13

HEX #DA59DD

RGB 218 89 221

HSL 298.64, 0.66%, 0.61%

LAB 59.22, 67, -43.96

 

CMYK 17 / 60 / 0 / 13

HEX #B759DD

RGB 183 89 221

HSL 282.73, 0.66%, 0.61%

LAB 54.48, 58.47, -51.77

 

CMYK 33 / 60 / 0 / 13

HEX #9359DD

RGB 147 89 221

HSL 266.36, 0.66%, 0.61%

LAB 50.18, 50.02, -58.91

 

CMYK 49 / 60 / 0 / 13

HEX #7059DD

RGB 112 89 221

HSL 250.45, 0.66%, 0.61%

LAB 46.72, 42.59, -64.66

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 69 / 17 / 7

HEX #ED49C4

RGB 237 73 196

HSL 315, 0.82%, 0.61%

LAB 58.75, 73.96, -30.31

 

CMYK 0 / 77 / 19 / 1

HEX #FD39CC

RGB 253 57 204

HSL 315, 0.98%, 0.61%

LAB 60.04, 83.45, -32.66

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 48 / 12 / 20

HEX #CD6AB4

RGB 205 106 180

HSL 315.15, 0.5%, 0.61%

LAB 58.59, 48.68, -21.78

 

CMYK 0 / 35 / 9 / 26

HEX #BD7AAC

RGB 189 122 172

HSL 315.22, 0.34%, 0.61%

LAB 59.63, 33.72, -15.78

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 1 / 0 / 39

HEX #9C9A9C

RGB 156 154 156

HSL 300, 0.01%, 0.61%

LAB 63.82, 1.11, -0.8

 

CMYK 17 / 60 / 0 / 13

HEX #B759DD

RGB 183 89 221

HSL 282.73, 0.66%, 0.61%

LAB 54.48, 58.47, -51.77

 

CMYK 1 / 60 / 0 / 13

HEX #DA59DD

RGB 218 89 221

HSL 298.64, 0.66%, 0.61%

LAB 59.22, 67, -43.96

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 60 / 31 / 13

HEX #DD5999

RGB 221 89 153

HSL 330.91, 0.66%, 0.61%

LAB 56.9, 57.78, -8.47

 

CMYK 0 / 60 / 47 / 13

HEX #DD5976

RGB 221 89 118

HSL 346.82, 0.66%, 0.61%

LAB 55.91, 54, 10.67

 

CMYK 0 / 80 / 20 / 26

HEX #BD2698

RGB 189 38 152

HSL 314.7, 0.67%, 0.45%

LAB 44.9, 67.58, -26.65

 

CMYK 0 / 74 / 19 / 16

HEX #D637AE

RGB 214 55 174

HSL 315.09, 0.66%, 0.53%

LAB 51.93, 71.4, -28.45

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 46 / 11 / 11

HEX #E47CCA

RGB 228 124 202

HSL 315, 0.66%, 0.69%

LAB 65.88, 50.31, -22.82

 

CMYK 0 / 33 / 8 / 8

HEX #EB9ED8

RGB 235 158 216

HSL 314.81, 0.66%, 0.77%

LAB 74.24, 37.29, -17.81

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 33 / 60 / 13

HEX #DD9459

RGB 221 148 89

HSL 26.82, 0.66%, 0.61%

LAB 67.48, 21.64, 41.99

 

CMYK 60 / 0 / 9 / 13

HEX #59DDC9

RGB 89 221 201

HSL 170.91, 0.66%, 0.61%

LAB 80.77, -40.8, -0.98

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 15 / 0 / 60 / 13

HEX #BCDD59

RGB 188 221 89

HSL 75, 0.66%, 0.61%

LAB 83.51, -29.64, 59.64

 

CMYK 60 / 15 / 0 / 13

HEX #59BCDD

RGB 89 188 221

HSL 195, 0.66%, 0.61%

LAB 71.77, -19.39, -25.24

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 33 / 60 / 13

HEX #DD9459

RGB 221 148 89

HSL 26.82, 0.66%, 0.61%

LAB 67.48, 21.64, 41.99

 

CMYK 60 / 0 / 45 / 13

HEX #59DD7A

RGB 89 221 122

HSL 135, 0.66%, 0.61%

LAB 79.18, -57.11, 37.97

 

CMYK 60 / 27 / 0 / 13

HEX #59A2DD

RGB 89 162 221

HSL 206.82, 0.66%, 0.61%

LAB 64.31, -5.39, -36.76

 

CMYK 0 / 60 / 15 / 13

HEX #DD59BC

RGB 221 89 188

HSL 315, 0.66%, 0.61%

LAB 58.18, 62.52, -26.8

 

CMYK 0 / 15 / 60 / 13

HEX #DDBC59

RGB 221 188 89

HSL 45, 0.66%, 0.61%

LAB 77.32, 0.34, 53.44

 

CMYK 60 / 0 / 45 / 13

HEX #59DD7A

RGB 89 221 122

HSL 135, 0.66%, 0.61%

LAB 79.18, -57.11, 37.97

 

CMYK 60 / 45 / 0 / 13

HEX #597ADD

RGB 89 122 221

HSL 225, 0.66%, 0.61%

LAB 53.24, 18.17, -54.25

 

Description

Color code: RGB 221 89 188 | qconv.com Color code: RGB 221 89 188 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 89 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 89 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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