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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8AA4 it is the complementary color #53755B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8AA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #AC8AA4: #B18A9F, #C29CB2, #D3AEC5, #E4C0D8 and #F5D2EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8AA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #AC8AA4: #AC8AA4, #9B7891, #8A667E, #79546B and #684258

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

Complementary color

CMYK 29 / 0 / 22 / 54

HEX #53755B

RGB 83 117 91

HSL 134.12, 0.17%, 0.39%

LAB 46.07, -17.97, 10.51

 

CMYK 0 / 22 / 10 / 31

HEX #B18A9F

RGB 177 138 159

HSL 327.69, 0.2%, 0.62%

LAB 61.68, 18.29, -5.43

 

CMYK 0 / 20 / 8 / 24

HEX #C29CB2

RGB 194 156 178

HSL 325.26, 0.24%, 0.69%

LAB 68.36, 17.74, -6.05

 

CMYK 0 / 18 / 7 / 17

HEX #D3AEC5

RGB 211 174 197

HSL 322.7, 0.3%, 0.75%

LAB 74.92, 17.24, -6.64

 

CMYK 0 / 16 / 5 / 11

HEX #E4C0D8

RGB 228 192 216

HSL 320, 0.4%, 0.82%

LAB 81.37, 16.78, -7.2

 

CMYK 0 / 14 / 4 / 4

HEX #F5D2EB

RGB 245 210 235

HSL 317.14, 0.64%, 0.89%

LAB 87.73, 16.36, -7.74

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 23 / 6 / 39

HEX #9B7891

RGB 155 120 145

HSL 317.14, 0.15%, 0.54%

LAB 54.5, 17.96, -8.28

 

CMYK 0 / 26 / 9 / 46

HEX #8A667E

RGB 138 102 126

HSL 320, 0.15%, 0.47%

LAB 47.51, 18.59, -7.69

 

CMYK 0 / 31 / 12 / 53

HEX #79546B

RGB 121 84 107

HSL 322.7, 0.18%, 0.4%

LAB 40.36, 19.3, -7.04

 

CMYK 0 / 37 / 15 / 59

HEX #684258

RGB 104 66 88

HSL 325.26, 0.22%, 0.33%

LAB 33.01, 20.11, -6.3

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 20 / 8 / 33

HEX #AC8A9E

RGB 172 138 158

HSL 324.71, 0.17%, 0.61%

LAB 61.15, 16.29, -5.7

 

CMYK 0 / 20 / 11 / 33

HEX #AC8A99

RGB 172 138 153

HSL 333.53, 0.17%, 0.61%

LAB 61, 15.4, -3.07

 

CMYK 0 / 20 / 15 / 33

HEX #AC8A93

RGB 172 138 147

HSL 344.12, 0.17%, 0.61%

LAB 60.83, 14.37, 0.11

 

CMYK 0 / 20 / 17 / 33

HEX #AC8A8E

RGB 172 138 142

HSL 352.94, 0.17%, 0.61%

LAB 60.69, 13.54, 2.76

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 20 / 4 / 13

HEX #DFB3D5

RGB 223 179 213

HSL 313.64, 0.41%, 0.79%

LAB 77.72, 21.51, -11.07

 

CMYK 0 / 21 / 5 / 93

HEX #130F12

RGB 19 15 18

HSL 315, 0.12%, 0.07%

LAB 4.73, 2.08, -1.06

 

CMYK 0 / 20 / 4 / 73

HEX #463843

RGB 70 56 67

HSL 312.86, 0.11%, 0.25%

LAB 25.37, 8.45, -4.46

 

CMYK 0 / 20 / 5 / 53

HEX #796173

RGB 121 97 115

HSL 315, 0.11%, 0.43%

LAB 44.02, 13.01, -6.46

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 11 / 20 / 33

HEX #AC998A

RGB 172 153 138

HSL 26.47, 0.17%, 0.61%

LAB 64.47, 4.52, 10.44

 

CMYK 20 / 0 / 3 / 33

HEX #8AACA6

RGB 138 172 166

HSL 169.41, 0.17%, 0.61%

LAB 67.77, -12.82, -0.75

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 5 / 0 / 20 / 33

HEX #A4AC8A

RGB 164 172 138

HSL 74.12, 0.17%, 0.61%

LAB 68.92, -8.85, 16.57

 

CMYK 20 / 5 / 0 / 33

HEX #8AA4AC

RGB 138 164 172

HSL 194.12, 0.17%, 0.61%

LAB 65.7, -7.22, -7.15

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 11 / 20 / 33

HEX #AC998A

RGB 172 153 138

HSL 26.47, 0.17%, 0.61%

LAB 64.47, 4.52, 10.44

 

CMYK 20 / 0 / 15 / 33

HEX #8AAC92

RGB 138 172 146

HSL 134.12, 0.17%, 0.61%

LAB 67.26, -16.88, 9.59

 

CMYK 20 / 9 / 0 / 33

HEX #8A9DAC

RGB 138 157 172

HSL 206.47, 0.17%, 0.61%

LAB 63.75, -3.38, -10.05

 

CMYK 0 / 20 / 5 / 33

HEX #AC8AA4

RGB 172 138 164

HSL 314.12, 0.17%, 0.61%

LAB 61.33, 17.39, -8.84

 

CMYK 0 / 5 / 20 / 33

HEX #ACA38A

RGB 172 163 138

HSL 44.12, 0.17%, 0.61%

LAB 67.13, -0.96, 14.17

 

CMYK 20 / 0 / 15 / 33

HEX #8AAC92

RGB 138 172 146

HSL 134.12, 0.17%, 0.61%

LAB 67.26, -16.88, 9.59

 

CMYK 20 / 15 / 0 / 33

HEX #8A93AC

RGB 138 147 172

HSL 224.12, 0.17%, 0.61%

LAB 61, 2.22, -14.18

 

Description

Color code: HEX #AC8AA4 | qconv.com Color code: HEX #AC8AA4 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 138 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 138 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 5 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 5% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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