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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 25 188 it is the complementary color RGB 34 230 67. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 25 188. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 25 188: RGB 226 25 183, RGB 243 43 202, RGB 255 61 221, RGB 255 79 240 and RGB 255 97 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 25 188. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 25 188: RGB 221 25 188, RGB 204 7 169, RGB 187 0 150, RGB 170 0 131 and RGB 153 0 112

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

Complementary color

CMYK 85 / 0 / 71 / 10

HEX #22E643

RGB 34 230 67

HSL 130.1, 0.8%, 0.52%

LAB 80.37, -75.07, 63.33

 

CMYK 0 / 89 / 19 / 11

HEX #E219B7

RGB 226 25 183

HSL 312.84, 0.8%, 0.49%

LAB 52.16, 81.73, -33.2

 

CMYK 0 / 82 / 17 / 5

HEX #F32BCA

RGB 243 43 202

HSL 312.3, 0.89%, 0.56%

LAB 57.12, 84.34, -36.2

 

CMYK 0 / 76 / 13 / 0

HEX #FF3DDD

RGB 255 61 221

HSL 310.52, 1%, 0.62%

LAB 61.5, 85.03, -39.99

 

CMYK 0 / 69 / 6 / 0

HEX #FF4FF0

RGB 255 79 240

HSL 305.11, 1%, 0.65%

LAB 64.28, 82.33, -46.24

 

CMYK 0 / 62 / 0 / 0

HEX #FF61FF

RGB 255 97 255

HSL 300, 1%, 0.69%

LAB 67.3, 78.2, -49.75

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 0 / 97 / 17 / 20

HEX #CC07A9

RGB 204 7 169

HSL 310.66, 0.93%, 0.41%

LAB 46.78, 77.73, -33.67

 

CMYK 0 / 100 / 20 / 27

HEX #BB0096

RGB 187 0 150

HSL 311.87, 1%, 0.37%

LAB 42.41, 72.8, -29.36

 

CMYK 0 / 100 / 23 / 33

HEX #AA0083

RGB 170 0 131

HSL 313.76, 1%, 0.33%

LAB 38.17, 67.2, -24.58

 

CMYK 0 / 100 / 27 / 40

HEX #990070

RGB 153 0 112

HSL 316.08, 1%, 0.3%

LAB 33.86, 61.51, -19.61

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 0 / 89 / 30 / 14

HEX #DC189B

RGB 220 24 155

HSL 319.9, 0.8%, 0.48%

LAB 49.78, 77.42, -20.45

 

CMYK 0 / 89 / 45 / 14

HEX #DC187A

RGB 220 24 122

HSL 330, 0.8%, 0.48%

LAB 48.6, 74.21, -2.28

 

CMYK 0 / 89 / 60 / 14

HEX #DC1859

RGB 220 24 89

HSL 340.1, 0.8%, 0.48%

LAB 47.74, 71.81, 16.79

 

CMYK 0 / 89 / 74 / 14

HEX #DC1839

RGB 220 24 57

HSL 349.9, 0.8%, 0.48%

LAB 47.19, 70.25, 35.56

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 0 / 88 / 18 / 93

HEX #11020E

RGB 17 2 14

HSL 312, 0.79%, 0.04%

LAB 1.76, 6.04, -3.2

 

CMYK 0 / 88 / 15 / 73

HEX #44083A

RGB 68 8 58

HSL 310, 0.79%, 0.15%

LAB 13.87, 33.26, -15.87

 

CMYK 0 / 89 / 15 / 53

HEX #770D65

RGB 119 13 101

HSL 310.19, 0.8%, 0.26%

LAB 27.16, 50.81, -23.5

 

CMYK 0 / 89 / 15 / 33

HEX #AA1391

RGB 170 19 145

HSL 309.93, 0.8%, 0.37%

LAB 39.67, 66.65, -30.84

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 0 / 56 / 89 / 14

HEX #DC6018

RGB 220 96 24

HSL 22.04, 0.8%, 0.48%

LAB 55.73, 45.26, 59.23

 

CMYK 89 / 0 / 21 / 14

HEX #18DCAE

RGB 24 220 174

HSL 165.92, 0.8%, 0.48%

LAB 78.72, -54.68, 10.27

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 15 / 0 / 89 / 14

HEX #BBDC18

RGB 187 220 24

HSL 70.1, 0.8%, 0.48%

LAB 82.82, -32.65, 79.07

 

CMYK 89 / 15 / 0 / 14

HEX #18BBDC

RGB 24 187 220

HSL 190.1, 0.8%, 0.48%

LAB 70.11, -26.74, -27.35

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 0 / 56 / 89 / 14

HEX #DC6018

RGB 220 96 24

HSL 22.04, 0.8%, 0.48%

LAB 55.73, 45.26, 59.23

 

CMYK 89 / 0 / 74 / 14

HEX #18DC39

RGB 24 220 57

HSL 130.1, 0.8%, 0.48%

LAB 77.09, -73.74, 63.45

 

CMYK 89 / 33 / 0 / 14

HEX #1894DC

RGB 24 148 220

HSL 202.04, 0.8%, 0.48%

LAB 58.55, -5.8, -45.37

 

CMYK 0 / 89 / 15 / 13

HEX #DD19BC

RGB 221 25 188

HSL 310.1, 0.8%, 0.48%

LAB 51.49, 81.39, -37.22

 

CMYK 0 / 30 / 89 / 14

HEX #DC9B18

RGB 220 155 24

HSL 40.1, 0.8%, 0.48%

LAB 68.55, 14.58, 69.01

 

CMYK 89 / 0 / 74 / 14

HEX #18DC39

RGB 24 220 57

HSL 130.1, 0.8%, 0.48%

LAB 77.09, -73.74, 63.45

 

CMYK 89 / 60 / 0 / 14

HEX #1859DC

RGB 24 89 220

HSL 220.1, 0.8%, 0.48%

LAB 42.01, 30.94, -71.97

 

Description

Color code: RGB 221 25 188 | qconv.com Color code: RGB 221 25 188 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 25 green and 188 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 25 188 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 15 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 15% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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