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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 220 186 it is the complementary color RGB 34 35 69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 220 186. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 220 186 shade: RGB 226 220 181, RGB 243 238 200, RGB 255 255 219 and RGB 255 255 238

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 220 186. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 204 202 167, RGB 187 184 148, RGB 170 166 129 and RGB 153 148 110

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 221 210 186, RGB 221 201 186, RGB 221 192 186 and RGB 221 186 186

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 212 221 186, RGB 203 221 186, RGB 194 221 186 and RGB 186 221 188

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 220 186 shade matches the following richer shades: RGB 221 220 186, RGB 229 228 178, RGB 237 235 170, RGB 246 243 161 and RGB 254 251 153

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 213 212 194, RGB 204 204 203, RGB 196 197 211 and RGB 188 189 219

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 220 186 shade: RGB 221 201 186, RGB 221 210 186, RGB 221 220 186, RGB 213 221 186 and RGB 204 221 186

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 220 186 shade: RGB 194 192 131, RGB 207 206 159, RGB 221 220 186, RGB 234 234 214 and RGB 248 248 241

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 186 221 192 and RGB 206 186 221

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 186 221 220 and RGB 220 186 221

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 186 221 192, RGB 186 187 221 and RGB 221 186 215

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 220 186 shade: RGB 221 220 186, RGB 186 221 202, RGB 186 187 221 and RGB 221 186 205

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

Complementary color

CMYK 51 / 49 / 0 / 73

HEX #222345

RGB 34 35 69

HSL 238.29, 0.34%, 0.2%

LAB 15.34, 10.27, -21.6

 

CMYK 0 / 3 / 20 / 11

HEX #E2DCB5

RGB 226 220 181

HSL 52, 0.44%, 0.8%

LAB 87.33, -4.22, 19.93

 

CMYK 0 / 2 / 18 / 5

HEX #F3EEC8

RGB 243 238 200

HSL 53.02, 0.64%, 0.87%

LAB 93.61, -4.43, 19.03

 

CMYK 0 / 0 / 14 / 0

HEX #FFFFDB

RGB 255 255 219

HSL 60, 1%, 0.93%

LAB 99.18, -5.87, 17.23

 

CMYK 0 / 0 / 7 / 0

HEX #FFFFEE

RGB 255 255 238

HSL 60, 1%, 0.97%

LAB 99.59, -2.88, 8.11

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 0 / 1 / 18 / 20

HEX #CCCAA7

RGB 204 202 167

HSL 56.76, 0.27%, 0.73%

LAB 80.67, -5.13, 17.76

 

CMYK 0 / 2 / 21 / 27

HEX #BBB894

RGB 187 184 148

HSL 55.38, 0.22%, 0.66%

LAB 74.18, -4.93, 18.71

 

CMYK 0 / 2 / 24 / 33

HEX #AAA681

RGB 170 166 129

HSL 54.15, 0.19%, 0.59%

LAB 67.58, -4.7, 19.72

 

CMYK 0 / 3 / 28 / 40

HEX #99946E

RGB 153 148 110

HSL 53.02, 0.17%, 0.52%

LAB 60.85, -4.44, 20.81

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 0 / 5 / 16 / 13

HEX #DDD2BA

RGB 221 210 186

HSL 41.14, 0.34%, 0.8%

LAB 84.49, -0.15, 13.26

 

CMYK 0 / 9 / 16 / 13

HEX #DDC9BA

RGB 221 201 186

HSL 25.71, 0.34%, 0.8%

LAB 82.21, 4.56, 10.02

 

CMYK 0 / 13 / 16 / 13

HEX #DDC0BA

RGB 221 192 186

HSL 10.29, 0.34%, 0.8%

LAB 79.96, 9.32, 6.8

 

CMYK 0 / 16 / 16 / 13

HEX #DDBABA

RGB 221 186 186

HSL 0, 0.34%, 0.8%

LAB 78.48, 12.52, 4.67

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 4 / 0 / 16 / 13

HEX #D4DDBA

RGB 212 221 186

HSL 75.43, 0.34%, 0.8%

LAB 86.63, -9.04, 16.17

 

CMYK 8 / 0 / 16 / 13

HEX #CBDDBA

RGB 203 221 186

HSL 90.86, 0.34%, 0.8%

LAB 85.98, -12.23, 15.17

 

CMYK 12 / 0 / 16 / 13

HEX #C2DDBA

RGB 194 221 186

HSL 106.29, 0.34%, 0.8%

LAB 85.37, -15.36, 14.21

 

CMYK 16 / 0 / 15 / 13

HEX #BADDBC

RGB 186 221 188

HSL 123.43, 0.34%, 0.8%

LAB 84.89, -17.73, 12.41

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 0 / 0 / 22 / 10

HEX #E5E4B2

RGB 229 228 178

HSL 58.82, 0.5%, 0.8%

LAB 89.56, -7.61, 24.6

 

CMYK 0 / 1 / 28 / 7

HEX #EDEBAA

RGB 237 235 170

HSL 58.21, 0.65%, 0.8%

LAB 91.83, -9.22, 31.88

 

CMYK 0 / 1 / 35 / 4

HEX #F6F3A1

RGB 246 243 161

HSL 57.88, 0.83%, 0.8%

LAB 94.43, -10.9, 39.95

 

CMYK 0 / 1 / 40 / 0

HEX #FEFB99

RGB 254 251 153

HSL 58.22, 0.98%, 0.8%

LAB 96.97, -12.66, 47.26

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 0 / 0 / 9 / 16

HEX #D5D4C2

RGB 213 212 194

HSL 56.84, 0.18%, 0.8%

LAB 84.55, -2.77, 9.02

 

CMYK 0 / 0 / 0 / 20

HEX #CCCCCB

RGB 204 204 203

HSL 60, 0.01%, 0.8%

LAB 82.02, -0.18, 0.49

 

CMYK 7 / 7 / 0 / 17

HEX #C4C5D3

RGB 196 197 211

HSL 236, 0.15%, 0.8%

LAB 79.82, 2.32, -7.1

 

CMYK 14 / 14 / 0 / 14

HEX #BCBDDB

RGB 188 189 219

HSL 238.06, 0.3%, 0.8%

LAB 77.4, 5.62, -15.1

 

CMYK 0 / 9 / 16 / 13

HEX #DDC9BA

RGB 221 201 186

HSL 25.71, 0.34%, 0.8%

LAB 82.21, 4.56, 10.02

 

CMYK 0 / 5 / 16 / 13

HEX #DDD2BA

RGB 221 210 186

HSL 41.14, 0.34%, 0.8%

LAB 84.49, -0.15, 13.26

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 4 / 0 / 16 / 13

HEX #D5DDBA

RGB 213 221 186

HSL 73.71, 0.34%, 0.8%

LAB 86.7, -8.68, 16.29

 

CMYK 8 / 0 / 16 / 13

HEX #CCDDBA

RGB 204 221 186

HSL 89.14, 0.34%, 0.8%

LAB 86.05, -11.88, 15.28

 

CMYK 0 / 1 / 32 / 24

HEX #C2C083

RGB 194 192 131

HSL 58.1, 0.34%, 0.64%

LAB 76.56, -8.72, 31.06

 

CMYK 0 / 0 / 23 / 19

HEX #CFCE9F

RGB 207 206 159

HSL 58.75, 0.33%, 0.72%

LAB 81.79, -7.24, 23.58

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 0 / 0 / 9 / 8

HEX #EAEAD6

RGB 234 234 214

HSL 60, 0.32%, 0.88%

LAB 92.22, -3.41, 9.71

 

CMYK 0 / 0 / 3 / 3

HEX #F8F8F1

RGB 248 248 241

HSL 60, 0.33%, 0.96%

LAB 97.41, -1.21, 3.35

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 16 / 0 / 13 / 13

HEX #BADDC0

RGB 186 221 192

HSL 130.29, 0.34%, 0.8%

LAB 84.97, -17.02, 10.43

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADD

RGB 206 186 221

HSL 274.29, 0.34%, 0.8%

LAB 78.15, 13.52, -14.91

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 16 / 0 / 0 / 13

HEX #BADDDC

RGB 186 221 220

HSL 178.29, 0.34%, 0.8%

LAB 85.66, -11.63, -3.36

 

CMYK 0 / 16 / 0 / 13

HEX #DCBADD

RGB 220 186 221

HSL 298.29, 0.34%, 0.8%

LAB 79.36, 18.18, -12.97

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 16 / 0 / 13 / 13

HEX #BADDC0

RGB 186 221 192

HSL 130.29, 0.34%, 0.8%

LAB 84.97, -17.02, 10.43

 

CMYK 16 / 15 / 0 / 13

HEX #BABBDD

RGB 186 187 221

HSL 238.29, 0.34%, 0.8%

LAB 76.8, 6.49, -17.1

 

CMYK 0 / 16 / 3 / 13

HEX #DDBAD7

RGB 221 186 215

HSL 310.29, 0.34%, 0.8%

LAB 79.27, 17.42, -9.86

 

CMYK 0 / 0 / 16 / 13

HEX #DDDCBA

RGB 221 220 186

HSL 58.29, 0.34%, 0.8%

LAB 87.05, -5.3, 16.86

 

CMYK 16 / 0 / 9 / 13

HEX #BADDCA

RGB 186 221 202

HSL 147.43, 0.34%, 0.8%

LAB 85.21, -15.17, 5.49

 

CMYK 16 / 15 / 0 / 13

HEX #BABBDD

RGB 186 187 221

HSL 238.29, 0.34%, 0.8%

LAB 76.8, 6.49, -17.1

 

CMYK 0 / 16 / 7 / 13

HEX #DDBACD

RGB 221 186 205

HSL 327.43, 0.34%, 0.8%

LAB 78.98, 15.66, -4.88

 

Description

Color code: RGB 221 220 186 | qconv.com Color code: RGB 221 220 186 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 220 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 220 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, 16 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 16% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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