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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone CMYK 7 / 16 / 0 / 13 it is the complementary color CMYK 29 / 0 / 52 / 73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color CMYK 7 / 16 / 0 / 13. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone CMYK 7 / 16 / 0 / 13: CMYK 3 / 14 / 0 / 15, CMYK 3 / 14 / 0 / 7, CMYK 4 / 13 / 0 / 0, CMYK 0 / 6 / 0 / 0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color CMYK 7 / 16 / 0 / 13. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone CMYK 7 / 16 / 0 / 13: CMYK 7 / 16 / 0 / 13, CMYK 7 / 17 / 0 / 20, CMYK 7 / 18 / 0 / 28, CMYK 6 / 20 / 0 / 35 and CMYK 5 / 22 / 0 / 43

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

Complementary color

CMYK 29 / 0 / 52 / 73

HEX #314521

RGB 49 69 33

HSL 93.33, 0.35%, 0.2%

LAB 26.79, -15.45, 19.18

 

CMYK 3 / 14 / 0 / 15

HEX #D3BAD9

RGB 211 186 217

HSL 288.39, 0.29%, 0.79%

LAB 78.45, 14.41, -12.25

 

CMYK 3 / 14 / 0 / 7

HEX #E4CCEC

RGB 228 204 236

HSL 285, 0.46%, 0.86%

LAB 84.86, 14.03, -12.7

 

CMYK 4 / 13 / 0 / 0

HEX #F5DEFF

RGB 245 222 255

HSL 281.82, 1%, 0.94%

LAB 91.18, 13.68, -13.13

 

CMYK 0 / 6 / 0 / 0

HEX #FFF0FF

RGB 255 240 255

HSL 300, 1%, 0.97%

LAB 96.33, 7.63, -5.4

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 7 / 17 / 0 / 20

HEX #BDA8CB

RGB 189 168 203

HSL 276, 0.25%, 0.73%

LAB 71.65, 14.11, -15.02

 

CMYK 7 / 18 / 0 / 28

HEX #AC96B8

RGB 172 150 184

HSL 278.82, 0.19%, 0.65%

LAB 65, 14.54, -14.64

 

CMYK 6 / 20 / 0 / 35

HEX #9B84A5

RGB 155 132 165

HSL 281.82, 0.15%, 0.58%

LAB 58.21, 15.01, -14.26

 

CMYK 5 / 22 / 0 / 43

HEX #8A7292

RGB 138 114 146

HSL 285, 0.13%, 0.51%

LAB 51.28, 15.52, -13.87

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 5 / 16 / 0 / 13

HEX #D3BADD

RGB 211 186 221

HSL 282.86, 0.34%, 0.8%

LAB 78.57, 15.18, -14.23

 

CMYK 2 / 16 / 0 / 13

HEX #D9BADD

RGB 217 186 221

HSL 293.14, 0.34%, 0.8%

LAB 79.09, 17.18, -13.39

 

CMYK 0 / 16 / 0 / 13

HEX #DDBADC

RGB 221 186 220

HSL 301.71, 0.34%, 0.8%

LAB 79.42, 18.34, -12.33

 

CMYK 0 / 16 / 3 / 13

HEX #DDBAD6

RGB 221 186 214

HSL 312, 0.34%, 0.8%

LAB 79.24, 17.24, -9.36

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 6 / 17 / 0 / 93

HEX #110F12

RGB 17 15 18

HSL 280, 0.09%, 0.06%

LAB 4.56, 1.3, -1.34

 

CMYK 7 / 16 / 0 / 73

HEX #403A45

RGB 64 58 69

HSL 272.73, 0.09%, 0.25%

LAB 25.4, 5.1, -5.81

 

CMYK 8 / 16 / 0 / 53

HEX #6F6578

RGB 111 101 120

HSL 271.58, 0.09%, 0.43%

LAB 44.29, 7.88, -9.18

 

CMYK 7 / 16 / 0 / 33

HEX #9F8FAB

RGB 159 143 171

HSL 274.29, 0.14%, 0.62%

LAB 61.62, 11.36, -12.52

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 0 / 16 / 12 / 13

HEX #DDBAC3

RGB 221 186 195

HSL 344.57, 0.34%, 0.8%

LAB 78.71, 13.97, 0.13

 

CMYK 16 / 0 / 14 / 13

HEX #BADDBF

RGB 186 221 191

HSL 128.57, 0.34%, 0.8%

LAB 84.95, -17.2, 10.92

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 0 / 7 / 16 / 13

HEX #DDCDBA

RGB 221 205 186

HSL 32.57, 0.34%, 0.8%

LAB 83.22, 2.46, 11.46

 

CMYK 16 / 0 / 7 / 13

HEX #BADDCD

RGB 186 221 205

HSL 152.57, 0.34%, 0.8%

LAB 85.28, -14.6, 4.01

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 0 / 16 / 12 / 13

HEX #DDBAC3

RGB 221 186 195

HSL 344.57, 0.34%, 0.8%

LAB 78.71, 13.97, 0.13

 

CMYK 9 / 0 / 16 / 13

HEX #CADDBA

RGB 202 221 186

HSL 92.57, 0.34%, 0.8%

LAB 85.91, -12.58, 15.06

 

CMYK 16 / 0 / 4 / 13

HEX #BADDD4

RGB 186 221 212

HSL 164.57, 0.34%, 0.8%

LAB 85.46, -13.24, 0.57

 

CMYK 7 / 16 / 0 / 13

HEX #CEBADE

RGB 206 186 222

HSL 273.33, 0.35%, 0.8%

LAB 78.18, 13.72, -15.41

 

CMYK 0 / 15 / 16 / 13

HEX #DDBBBA

RGB 221 187 186

HSL 1.71, 0.34%, 0.8%

LAB 78.73, 11.98, 5.02

 

CMYK 9 / 0 / 16 / 13

HEX #CADDBA

RGB 202 221 186

HSL 92.57, 0.34%, 0.8%

LAB 85.91, -12.58, 15.06

 

CMYK 16 / 0 / 0 / 13

HEX #BADCDD

RGB 186 220 221

HSL 181.71, 0.34%, 0.8%

LAB 85.43, -10.92, -4.24

 

Description

Color code: CMYK 7 / 16 / 0 / 13 | qconv.com Color code: CMYK 7 / 16 / 0 / 13 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 206 red, 186 green and 222 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
206 186 222 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, 16 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 16% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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