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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 203 144 it is the complementary color RGB 34 52 111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 203 144. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 203 144: RGB 226 203 139, RGB 243 221 158, RGB 255 239 177, RGB 255 255 196 and RGB 255 255 215

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 203 144. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 203 144: RGB 221 203 144, RGB 204 185 125, RGB 187 167 106, RGB 170 149 87 and RGB 153 131 68

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

Complementary color

CMYK 69 / 53 / 0 / 56

HEX #22346F

RGB 34 52 111

HSL 225.97, 0.53%, 0.28%

LAB 23.48, 14.07, -36.46

 

CMYK 0 / 10 / 38 / 11

HEX #E2CB8B

RGB 226 203 139

HSL 44.14, 0.6%, 0.72%

LAB 82.24, -0.87, 34.87

 

CMYK 0 / 9 / 35 / 5

HEX #F3DD9E

RGB 243 221 158

HSL 44.47, 0.78%, 0.79%

LAB 88.56, -1.34, 33.72

 

CMYK 0 / 6 / 31 / 0

HEX #FFEFB1

RGB 255 239 177

HSL 47.69, 1%, 0.85%

LAB 94.38, -3.62, 32

 

CMYK 0 / 0 / 23 / 0

HEX #FFFFC4

RGB 255 255 196

HSL 60, 1%, 0.88%

LAB 98.74, -9.15, 28.29

 

CMYK 0 / 0 / 16 / 0

HEX #FFFFD7

RGB 255 255 215

HSL 60, 1%, 0.92%

LAB 99.1, -6.46, 19.16

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 0 / 9 / 39 / 20

HEX #CCB97D

RGB 204 185 125

HSL 45.57, 0.44%, 0.65%

LAB 75.46, -1.8, 32.91

 

CMYK 0 / 11 / 43 / 27

HEX #BBA76A

RGB 187 167 106

HSL 45.19, 0.37%, 0.57%

LAB 68.93, -1.27, 34.15

 

CMYK 0 / 12 / 49 / 33

HEX #AA9557

RGB 170 149 87

HSL 44.82, 0.33%, 0.5%

LAB 62.28, -0.62, 35.44

 

CMYK 0 / 14 / 56 / 40

HEX #998344

RGB 153 131 68

HSL 44.47, 0.38%, 0.43%

LAB 55.5, 0.16, 36.76

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 0 / 3 / 34 / 13

HEX #DDD791

RGB 221 215 145

HSL 55.26, 0.53%, 0.72%

LAB 85.01, -8.29, 35.33

 

CMYK 3 / 0 / 34 / 13

HEX #D7DD91

RGB 215 221 145

HSL 64.74, 0.53%, 0.72%

LAB 86.11, -13.62, 36.68

 

CMYK 9 / 0 / 34 / 13

HEX #CADD91

RGB 202 221 145

HSL 75, 0.53%, 0.72%

LAB 85.16, -18.54, 35.26

 

CMYK 14 / 0 / 34 / 13

HEX #BDDD91

RGB 189 221 145

HSL 85.26, 0.53%, 0.72%

LAB 84.26, -23.36, 33.92

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 0 / 6 / 35 / 93

HEX #11100B

RGB 17 16 11

HSL 50, 0.21%, 0.05%

LAB 4.64, -0.48, 2.42

 

CMYK 0 / 9 / 35 / 73

HEX #443E2C

RGB 68 62 44

HSL 45, 0.21%, 0.22%

LAB 26.32, -0.72, 12.03

 

CMYK 0 / 8 / 34 / 53

HEX #776D4E

RGB 119 109 78

HSL 45.37, 0.21%, 0.39%

LAB 46.19, -1.19, 18.77

 

CMYK 0 / 8 / 35 / 33

HEX #AA9C6F

RGB 170 156 111

HSL 45.76, 0.26%, 0.55%

LAB 64.54, -1.75, 25.46

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 33 / 0 / 34 / 13

HEX #95DD91

RGB 149 221 145

HSL 116.84, 0.53%, 0.72%

LAB 81.92, -37.15, 30.38

 

CMYK 22 / 34 / 0 / 13

HEX #AC91DD

RGB 172 145 221

HSL 261.32, 0.53%, 0.72%

LAB 65.15, 25.48, -35.04

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 34 / 0 / 9 / 13

HEX #91DDCA

RGB 145 221 202

HSL 165, 0.53%, 0.72%

LAB 82.91, -27.64, 1.87

 

CMYK 9 / 34 / 0 / 13

HEX #CA91DD

RGB 202 145 221

HSL 285, 0.53%, 0.72%

LAB 68.04, 34.63, -30.34

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 33 / 0 / 34 / 13

HEX #95DD91

RGB 149 221 145

HSL 116.84, 0.53%, 0.72%

LAB 81.92, -37.15, 30.38

 

CMYK 34 / 26 / 0 / 13

HEX #91A4DD

RGB 145 164 221

HSL 225, 0.53%, 0.72%

LAB 67.87, 6.86, -31

 

CMYK 2 / 34 / 0 / 13

HEX #D991DD

RGB 217 145 221

HSL 296.84, 0.53%, 0.72%

LAB 69.63, 39.31, -27.76

 

CMYK 0 / 8 / 35 / 13

HEX #DDCB90

RGB 221 203 144

HSL 45.97, 0.53%, 0.72%

LAB 81.89, -2.26, 31.74

 

CMYK 34 / 0 / 26 / 13

HEX #91DDA4

RGB 145 221 164

HSL 135, 0.53%, 0.72%

LAB 82.06, -35.21, 20.71

 

CMYK 34 / 26 / 0 / 13

HEX #91A4DD

RGB 145 164 221

HSL 225, 0.53%, 0.72%

LAB 67.87, 6.86, -31

 

CMYK 0 / 34 / 9 / 13

HEX #DD91CA

RGB 221 145 202

HSL 315, 0.53%, 0.72%

LAB 69.39, 37.19, -17.57

 

Description

Color code: RGB 221 203 144 | qconv.com Color code: RGB 221 203 144 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 203 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 203 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 8 magenta, 35 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 8% 35% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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