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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 185 155 it is the complementary color RGB 34 70 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 185 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 185 155: RGB 226 185 150, RGB 243 203 169, RGB 255 221 188, RGB 255 239 207 and RGB 255 255 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 185 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 185 155: RGB 221 185 155, RGB 204 167 136, RGB 187 149 117, RGB 170 131 98 and RGB 153 113 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

Complementary color

CMYK 66 / 30 / 0 / 61

HEX #224664

RGB 34 70 100

HSL 207.27, 0.49%, 0.26%

LAB 28.49, -2.55, -21.46

 

CMYK 0 / 18 / 34 / 11

HEX #E2B996

RGB 226 185 150

HSL 27.63, 0.57%, 0.74%

LAB 77.92, 9.86, 23.32

 

CMYK 0 / 16 / 30 / 5

HEX #F3CBA9

RGB 243 203 169

HSL 27.57, 0.76%, 0.81%

LAB 84.29, 9.3, 22.24

 

CMYK 0 / 13 / 26 / 0

HEX #FFDDBC

RGB 255 221 188

HSL 29.55, 1%, 0.87%

LAB 90.14, 6.94, 20.55

 

CMYK 0 / 6 / 19 / 0

HEX #FFEFCF

RGB 255 239 207

HSL 40, 1%, 0.91%

LAB 94.95, 0.39, 17.43

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 0 / 18 / 33 / 20

HEX #CCA788

RGB 204 167 136

HSL 27.35, 0.4%, 0.67%

LAB 71.04, 9.13, 21.14

 

CMYK 0 / 20 / 37 / 27

HEX #BB9575

RGB 187 149 117

HSL 27.43, 0.34%, 0.6%

LAB 64.44, 9.78, 22.31

 

CMYK 0 / 23 / 42 / 33

HEX #AA8362

RGB 170 131 98

HSL 27.5, 0.3%, 0.53%

LAB 57.71, 10.54, 23.59

 

CMYK 0 / 26 / 48 / 40

HEX #99714F

RGB 153 113 79

HSL 27.57, 0.32%, 0.45%

LAB 50.86, 11.44, 24.99

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 0 / 11 / 29 / 13

HEX #DDC49C

RGB 221 196 156

HSL 36.92, 0.49%, 0.74%

LAB 80.32, 2.89, 23.34

 

CMYK 0 / 6 / 29 / 13

HEX #DDCF9C

RGB 221 207 156

HSL 47.08, 0.49%, 0.74%

LAB 83.12, -2.84, 27.15

 

CMYK 0 / 2 / 29 / 13

HEX #DDD99C

RGB 221 217 156

HSL 56.31, 0.49%, 0.74%

LAB 85.7, -7.96, 30.62

 

CMYK 4 / 0 / 29 / 13

HEX #D5DD9C

RGB 213 221 156

HSL 67.38, 0.49%, 0.74%

LAB 86.14, -13, 31.09

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 0 / 18 / 29 / 93

HEX #110E0C

RGB 17 14 12

HSL 24, 0.17%, 0.06%

LAB 4.15, 0.72, 1.26

 

CMYK 0 / 16 / 29 / 73

HEX #443930

RGB 68 57 48

HSL 27, 0.17%, 0.23%

LAB 24.85, 3.17, 7.41

 

CMYK 0 / 16 / 30 / 53

HEX #776453

RGB 119 100 83

HSL 28.33, 0.18%, 0.4%

LAB 43.74, 4.82, 12.48

 

CMYK 0 / 16 / 30 / 33

HEX #AA8E77

RGB 170 142 119

HSL 27.06, 0.23%, 0.57%

LAB 60.98, 7.03, 16.2

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 19 / 0 / 29 / 13

HEX #B2DD9C

RGB 178 221 156

HSL 99.69, 0.49%, 0.74%

LAB 83.75, -25.73, 27.46

 

CMYK 28 / 29 / 0 / 13

HEX #9F9CDD

RGB 159 156 221

HSL 242.77, 0.49%, 0.74%

LAB 66.8, 15.4, -32.57

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 29 / 0 / 16 / 13

HEX #9CDDB9

RGB 156 221 185

HSL 146.77, 0.49%, 0.74%

LAB 83.06, -27.93, 11.16

 

CMYK 16 / 29 / 0 / 13

HEX #B99CDD

RGB 185 156 221

HSL 266.77, 0.49%, 0.74%

LAB 68.98, 23.27, -29.03

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 19 / 0 / 29 / 13

HEX #B2DD9C

RGB 178 221 156

HSL 99.69, 0.49%, 0.74%

LAB 83.75, -25.73, 27.46

 

CMYK 29 / 14 / 0 / 13

HEX #9CBFDD

RGB 156 191 221

HSL 207.69, 0.49%, 0.74%

LAB 75.79, -4.83, -18.82

 

CMYK 10 / 29 / 0 / 13

HEX #C69CDD

RGB 198 156 221

HSL 278.77, 0.49%, 0.74%

LAB 70.18, 27.35, -27.08

 

CMYK 0 / 16 / 30 / 13

HEX #DDB99B

RGB 221 185 155

HSL 27.27, 0.49%, 0.74%

LAB 77.54, 8.57, 20.06

 

CMYK 28 / 0 / 29 / 13

HEX #9FDD9C

RGB 159 221 156

HSL 117.23, 0.49%, 0.74%

LAB 82.64, -32.16, 25.77

 

CMYK 29 / 14 / 0 / 13

HEX #9CBFDD

RGB 156 191 221

HSL 207.69, 0.49%, 0.74%

LAB 75.79, -4.83, -18.82

 

CMYK 2 / 29 / 0 / 13

HEX #D99CDD

RGB 217 156 221

HSL 296.31, 0.49%, 0.74%

LAB 72.06, 33.4, -24.04

 

Description

Color code: RGB 221 185 155 | qconv.com Color code: RGB 221 185 155 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 185 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 185 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 30 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 30% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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