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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 154 52 it is the complementary color RGB 34 101 203. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 154 52. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 154 52: RGB 226 154 47, RGB 243 172 66, RGB 255 190 85, RGB 255 208 104 and RGB 255 226 123

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 154 52. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 154 52: RGB 221 154 52, RGB 204 136 33, RGB 187 118 14, RGB 170 100 0 and RGB 153 82 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

Complementary color

CMYK 83 / 50 / 0 / 20

HEX #2265CB

RGB 34 101 203

HSL 216.21, 0.71%, 0.46%

LAB 44.17, 17.24, -58.7

 

CMYK 0 / 32 / 79 / 11

HEX #E29A2F

RGB 226 154 47

HSL 35.87, 0.76%, 0.54%

LAB 69.1, 18.3, 62.88

 

CMYK 0 / 29 / 73 / 5

HEX #F3AC42

RGB 243 172 66

HSL 35.93, 0.88%, 0.61%

LAB 75.42, 16.7, 62.2

 

CMYK 0 / 25 / 67 / 0

HEX #FFBE55

RGB 255 190 85

HSL 37.06, 1%, 0.67%

LAB 81.15, 13.23, 60.44

 

CMYK 0 / 18 / 59 / 0

HEX #FFD068

RGB 255 208 104

HSL 41.32, 1%, 0.7%

LAB 85.69, 5.1, 56.9

 

CMYK 0 / 11 / 52 / 0

HEX #FFE27B

RGB 255 226 123

HSL 46.82, 1%, 0.74%

LAB 90.36, -2.63, 53.49

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 0 / 33 / 84 / 20

HEX #CC8821

RGB 204 136 33

HSL 36.14, 0.72%, 0.46%

LAB 62.13, 18.1, 60.57

 

CMYK 0 / 37 / 93 / 27

HEX #BB760E

RGB 187 118 14

HSL 36.07, 0.86%, 0.39%

LAB 55.64, 20.11, 59.7

 

CMYK 0 / 41 / 100 / 33

HEX #AA6400

RGB 170 100 0

HSL 35.29, 1%, 0.33%

LAB 49.08, 22.39, 56.96

 

CMYK 0 / 46 / 100 / 40

HEX #995200

RGB 153 82 0

HSL 32.16, 1%, 0.3%

LAB 42.47, 24.93, 51.62

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 0 / 17 / 75 / 14

HEX #DCB636

RGB 220 182 54

HSL 46.27, 0.7%, 0.54%

LAB 75.41, 1.11, 66

 

CMYK 0 / 5 / 75 / 14

HEX #DCD136

RGB 220 209 54

HSL 56.02, 0.7%, 0.54%

LAB 82.42, -12.74, 72.52

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC36

RGB 204 220 54

HSL 65.78, 0.7%, 0.54%

LAB 84.12, -24.81, 73.62

 

CMYK 20 / 0 / 75 / 14

HEX #B0DC36

RGB 176 220 54

HSL 75.9, 0.7%, 0.54%

LAB 82.21, -36.04, 71.16

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 0 / 29 / 76 / 93

HEX #110C04

RGB 17 12 4

HSL 36.92, 0.62%, 0.04%

LAB 3.53, 0.53, 3.66

 

CMYK 0 / 31 / 76 / 73

HEX #442F10

RGB 68 47 16

HSL 35.77, 0.62%, 0.16%

LAB 21.21, 5.88, 23.07

 

CMYK 0 / 30 / 76 / 53

HEX #77531C

RGB 119 83 28

HSL 36.26, 0.62%, 0.29%

LAB 38.19, 9.44, 36.65

 

CMYK 0 / 31 / 76 / 33

HEX #AA7628

RGB 170 118 40

HSL 36, 0.62%, 0.41%

LAB 53.66, 13.29, 48.71

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 60 / 0 / 75 / 14

HEX #57DC36

RGB 87 220 54

HSL 108.07, 0.7%, 0.54%

LAB 78.16, -64.7, 65.86

 

CMYK 60 / 75 / 0 / 14

HEX #5736DC

RGB 87 54 220

HSL 251.93, 0.7%, 0.54%

LAB 37.54, 57.25, -79.19

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 75 / 0 / 30 / 14

HEX #36DC9A

RGB 54 220 154

HSL 156.14, 0.7%, 0.54%

LAB 78.64, -56.69, 20.75

 

CMYK 30 / 75 / 0 / 14

HEX #9A36DC

RGB 154 54 220

HSL 276.14, 0.7%, 0.54%

LAB 45.19, 67.22, -66.37

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 60 / 0 / 75 / 14

HEX #57DC36

RGB 87 220 54

HSL 108.07, 0.7%, 0.54%

LAB 78.16, -64.7, 65.86

 

CMYK 75 / 45 / 0 / 14

HEX #3679DC

RGB 54 121 220

HSL 215.78, 0.7%, 0.54%

LAB 51.41, 13.03, -56.7

 

CMYK 15 / 75 / 0 / 14

HEX #BB36DC

RGB 187 54 220

HSL 288.07, 0.7%, 0.54%

LAB 49.94, 73.23, -58.45

 

CMYK 0 / 30 / 76 / 13

HEX #DD9A34

RGB 221 154 52

HSL 36.21, 0.71%, 0.54%

LAB 68.56, 16.35, 60.27

 

CMYK 75 / 0 / 68 / 14

HEX #36DC47

RGB 54 220 71

HSL 126.14, 0.7%, 0.54%

LAB 77.53, -69.48, 58.92

 

CMYK 75 / 45 / 0 / 14

HEX #3679DC

RGB 54 121 220

HSL 215.78, 0.7%, 0.54%

LAB 51.41, 13.03, -56.7

 

CMYK 0 / 75 / 7 / 14

HEX #DC36CC

RGB 220 54 204

HSL 305.78, 0.7%, 0.54%

LAB 54.25, 77.22, -42.12

 

Description

Color code: RGB 221 154 52 | qconv.com Color code: RGB 221 154 52 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 154 green and 52 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 154 52 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 76% 13% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

76% - Huron Mobiliario
Link: http://exormainpc.no-ip.info

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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