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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 152 41 it is the complementary color RGB 34 103 214. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 152 41. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 152 41: RGB 226 152 36, RGB 243 170 55, RGB 255 188 74, RGB 255 206 93 and RGB 255 224 112

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 152 41. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 152 41: RGB 221 152 41, RGB 204 134 22, RGB 187 116 3, RGB 170 98 0 and RGB 153 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

Complementary color

CMYK 84 / 52 / 0 / 16

HEX #2267D6

RGB 34 103 214

HSL 217, 0.73%, 0.49%

LAB 45.49, 20.2, -62.87

 

CMYK 0 / 33 / 84 / 11

HEX #E29824

RGB 226 152 36

HSL 36.63, 0.77%, 0.51%

LAB 68.57, 19.04, 66.12

 

CMYK 0 / 30 / 77 / 5

HEX #F3AA37

RGB 243 170 55

HSL 36.7, 0.89%, 0.58%

LAB 74.88, 17.3, 65.99

 

CMYK 0 / 26 / 71 / 0

HEX #FFBC4A

RGB 255 188 74

HSL 37.79, 1%, 0.65%

LAB 80.58, 13.7, 64.55

 

CMYK 0 / 19 / 64 / 0

HEX #FFCE5D

RGB 255 206 93

HSL 41.85, 1%, 0.68%

LAB 85.09, 5.41, 61.2

 

CMYK 0 / 12 / 56 / 0

HEX #FFE070

RGB 255 224 112

HSL 46.99, 1%, 0.72%

LAB 89.74, -2.48, 57.89

 

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 0 / 34 / 89 / 20

HEX #CC8616

RGB 204 134 22

HSL 36.92, 0.81%, 0.44%

LAB 61.61, 18.93, 63.3

 

CMYK 0 / 38 / 98 / 27

HEX #BB7403

RGB 187 116 3

HSL 36.85, 0.97%, 0.37%

LAB 55.14, 21.07, 61.4

 

CMYK 0 / 42 / 100 / 33

HEX #AA6200

RGB 170 98 0

HSL 34.59, 1%, 0.33%

LAB 48.61, 23.51, 56.67

 

CMYK 0 / 48 / 100 / 40

HEX #995000

RGB 153 80 0

HSL 31.37, 1%, 0.3%

LAB 42.01, 26.04, 51.34

NCS® S4550-Y40R

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 0 / 18 / 83 / 13

HEX #DDB526

RGB 221 181 38

HSL 46.89, 0.73%, 0.51%

LAB 75.18, 1.52, 70.91

 

CMYK 0 / 4 / 83 / 13

HEX #DDD426

RGB 221 212 38

HSL 57.05, 0.73%, 0.51%

LAB 83.23, -14.34, 77.7

 

CMYK 10 / 0 / 83 / 13

HEX #C7DD26

RGB 199 221 38

HSL 67.21, 0.73%, 0.51%

LAB 83.96, -27.9, 77.64

 

CMYK 24 / 0 / 83 / 13

HEX #A9DD26

RGB 169 221 38

HSL 77.05, 0.73%, 0.51%

LAB 81.99, -39.84, 75.17

 

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 0 / 29 / 82 / 93

HEX #110C03

RGB 17 12 3

HSL 38.57, 0.7%, 0.04%

LAB 3.51, 0.39, 4.03

 

CMYK 0 / 31 / 81 / 73

HEX #442F0D

RGB 68 47 13

HSL 37.09, 0.68%, 0.16%

LAB 21.17, 5.69, 24.59

 

CMYK 0 / 31 / 82 / 53

HEX #775216

RGB 119 82 22

HSL 37.11, 0.69%, 0.28%

LAB 37.87, 9.76, 39.03

 

CMYK 0 / 31 / 81 / 33

HEX #AA7520

RGB 170 117 32

HSL 36.96, 0.68%, 0.4%

LAB 53.36, 13.53, 51.63

 

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 67 / 0 / 83 / 13

HEX #48DD26

RGB 72 221 38

HSL 108.85, 0.73%, 0.51%

LAB 78.01, -69.08, 70.12

 

CMYK 65 / 83 / 0 / 13

HEX #4E26DD

RGB 78 38 221

HSL 253.11, 0.73%, 0.51%

LAB 34.45, 63.63, -84.89

 

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 83 / 0 / 32 / 13

HEX #26DD97

RGB 38 221 151

HSL 157.05, 0.73%, 0.51%

LAB 78.67, -59.35, 22.33

 

CMYK 32 / 83 / 0 / 13

HEX #9726DD

RGB 151 38 221

HSL 277.05, 0.73%, 0.51%

LAB 43.04, 72.18, -70.45

 

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 67 / 0 / 83 / 13

HEX #48DD26

RGB 72 221 38

HSL 108.85, 0.73%, 0.51%

LAB 78.01, -69.08, 70.12

 

CMYK 83 / 51 / 0 / 13

HEX #266CDD

RGB 38 108 221

HSL 217.05, 0.73%, 0.51%

LAB 47.44, 19.99, -63.69

 

CMYK 15 / 83 / 0 / 13

HEX #BB26DD

RGB 187 38 221

HSL 288.85, 0.73%, 0.51%

LAB 48.48, 77.85, -61.38

 

CMYK 0 / 31 / 81 / 13

HEX #DD9829

RGB 221 152 41

HSL 37, 0.73%, 0.51%

LAB 68.01, 17.04, 63.8

 

CMYK 83 / 0 / 73 / 13

HEX #26DD3C

RGB 38 221 60

HSL 127.21, 0.73%, 0.51%

LAB 77.55, -72.65, 62.93

 

CMYK 83 / 51 / 0 / 13

HEX #266CDD

RGB 38 108 221

HSL 217.05, 0.73%, 0.51%

LAB 47.44, 19.99, -63.69

 

CMYK 0 / 83 / 10 / 13

HEX #DD26C7

RGB 221 38 199

HSL 307.21, 0.73%, 0.51%

LAB 52.82, 80.6, -41.5

 

Description

Color code: RGB 221 152 41 | qconv.com Color code: RGB 221 152 41 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 152 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 152 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 81 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 81% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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