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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 136 54 it is the complementary color RGB 34 119 201. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 136 54. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 221 136 54 shade: RGB 226 136 49, RGB 243 154 68, RGB 255 172 87, RGB 255 190 106 and RGB 255 208 125

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 136 54. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 221 136 54 shade: RGB 221 136 54, RGB 204 118 35, RGB 187 100 16, RGB 170 82 0 and RGB 153 64 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 221 136 54 shade: RGB 220 136 54, RGB 220 91 54 and RGB 220 54 54

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 221 136 54 shade: RGB 220 136 54, RGB 220 181 54, RGB 215 220 54, RGB 171 220 54 and RGB 126 220 54

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 221 136 54 shade matches the following richer shades: RGB 220 136 54 and RGB 239 135 35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 221 136 54 shade: RGB 220 136 54, RGB 202 136 73, RGB 183 136 92, RGB 164 137 111 and RGB 145 137 130

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 221 136 54 shade: RGB 220 54 62, RGB 220 90 54, RGB 220 134 54, RGB 220 179 54 and RGB 218 220 54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 221 136 54 shade: RGB 164 95 27, RGB 200 115 33, RGB 220 136 54, RGB 226 157 89 and RGB 232 177 124

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 221 136 54 shade: RGB 221 136 54, RGB 107 220 54 and RGB 68 54 220

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 221 136 54 shade: RGB 221 136 54, RGB 54 220 134 and RGB 134 54 220

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 221 136 54 shade: RGB 221 136 54, RGB 107 220 54, RGB 54 140 220 and RGB 168 54 220

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 221 136 54 shade: RGB 221 136 54, RGB 57 220 54, RGB 54 140 220 and RGB 218 54 220

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 76 / 13

HEX #DD8836

RGB 221 136 54

HSL 29.46, 0.71%, 0.54%

LAB 64.36, 26.08, 55.36

 

Complementary color

CMYK 83 / 41 / 0 / 21

HEX #2277C9

RGB 34 119 201

HSL 209.46, 0.71%, 0.46%

LAB 49.19, 5.06, -49.49

 

CMYK 0 / 40 / 78 / 11

HEX #E28831

RGB 226 136 49

HSL 29.49, 0.75%, 0.54%

LAB 64.96, 27.96, 58.26

 

CMYK 0 / 37 / 72 / 5

HEX #F39A44

RGB 243 154 68

HSL 29.49, 0.88%, 0.61%

LAB 71.27, 26.27, 57.11

 

CMYK 0 / 33 / 66 / 0

HEX #FFAC57

RGB 255 172 87

HSL 30.36, 1%, 0.67%

LAB 76.95, 22.74, 54.93

 

CMYK 0 / 25 / 58 / 0

HEX #FFBE6A

RGB 255 190 106

HSL 33.83, 1%, 0.71%

LAB 81.36, 14.56, 50.92

 

CMYK 0 / 18 / 51 / 0

HEX #FFD07D

RGB 255 208 125

HSL 38.31, 1%, 0.75%

LAB 85.93, 6.72, 47.15

 

CMYK 0 / 38 / 76 / 13

HEX #DD8836

RGB 221 136 54

HSL 29.46, 0.71%, 0.54%

LAB 64.36, 26.08, 55.36

 

CMYK 0 / 42 / 83 / 20

HEX #CC7623

RGB 204 118 35

HSL 29.47, 0.71%, 0.47%

LAB 57.96, 27.91, 56.26

 

CMYK 0 / 47 / 91 / 27

HEX #BB6410

RGB 187 100 16

HSL 29.47, 0.84%, 0.4%

LAB 51.52, 29.96, 56.2

 

CMYK 0 / 52 / 100 / 33

HEX #AA5200

RGB 170 82 0

HSL 28.94, 1%, 0.33%

LAB 45.05, 32.21, 54.49

 

CMYK 0 / 58 / 100 / 40

HEX #994000

RGB 153 64 0

HSL 25.1, 1%, 0.3%

LAB 38.62, 34.6, 49.34

 

CMYK 0 / 38 / 75 / 14

HEX #DC8836

RGB 220 136 54

HSL 29.64, 0.7%, 0.54%

LAB 64.23, 25.66, 55.19

 

CMYK 0 / 59 / 75 / 14

HEX #DC5B36

RGB 220 91 54

HSL 13.37, 0.7%, 0.54%

LAB 55.04, 48.48, 45.8

 

CMYK 0 / 75 / 75 / 14

HEX #DC3636

RGB 220 54 54

HSL 0, 0.7%, 0.54%

LAB 49.64, 63.08, 40.03

 

CMYK 0 / 38 / 75 / 14

HEX #DC8836

RGB 220 136 54

HSL 29.64, 0.7%, 0.54%

LAB 64.23, 25.66, 55.19

 

CMYK 0 / 18 / 75 / 14

HEX #DCB536

RGB 220 181 54

HSL 45.9, 0.7%, 0.54%

LAB 75.16, 1.64, 65.76

 

CMYK 2 / 0 / 75 / 14

HEX #D7DC36

RGB 215 220 54

HSL 61.81, 0.7%, 0.54%

LAB 84.95, -20.27, 74.69

 

CMYK 22 / 0 / 75 / 14

HEX #ABDC36

RGB 171 220 54

HSL 77.71, 0.7%, 0.54%

LAB 81.9, -37.98, 70.76

 

CMYK 43 / 0 / 75 / 14

HEX #7EDC36

RGB 126 220 54

HSL 93.98, 0.7%, 0.54%

LAB 79.55, -53.94, 67.69

 

CMYK 0 / 38 / 75 / 14

HEX #DC8836

RGB 220 136 54

HSL 29.64, 0.7%, 0.54%

LAB 64.23, 25.66, 55.19

 

CMYK 0 / 44 / 85 / 6

HEX #EF8723

RGB 239 135 35

HSL 29.41, 0.86%, 0.54%

LAB 66.37, 33.41, 65.27

 

CMYK 0 / 38 / 75 / 14

HEX #DC8836

RGB 220 136 54

HSL 29.64, 0.7%, 0.54%

LAB 64.23, 25.66, 55.19

 

CMYK 0 / 33 / 64 / 21

HEX #CA8849

RGB 202 136 73

HSL 29.3, 0.55%, 0.54%

LAB 62.21, 19.1, 43.4

 

CMYK 0 / 26 / 50 / 28

HEX #B7885C

RGB 183 136 92

HSL 29.01, 0.39%, 0.54%

LAB 60.29, 12.59, 30.54

 

CMYK 0 / 16 / 32 / 36

HEX #A4896F

RGB 164 137 111

HSL 29.43, 0.23%, 0.54%

LAB 58.91, 6.3, 17.77

 

CMYK 0 / 6 / 10 / 43

HEX #918982

RGB 145 137 130

HSL 28, 0.06%, 0.54%

LAB 57.58, 1.71, 4.81

 

CMYK 0 / 75 / 72 / 14

HEX #DC363E

RGB 220 54 62

HSL 357.11, 0.7%, 0.54%

LAB 49.74, 63.4, 35.58

 

CMYK 0 / 59 / 75 / 14

HEX #DC5A36

RGB 220 90 54

HSL 13.01, 0.7%, 0.54%

LAB 54.86, 48.94, 45.62

 

CMYK 0 / 39 / 75 / 14

HEX #DC8636

RGB 220 134 54

HSL 28.92, 0.7%, 0.54%

LAB 63.78, 26.73, 54.74

 

CMYK 0 / 19 / 75 / 14

HEX #DCB336

RGB 220 179 54

HSL 45.18, 0.7%, 0.54%

LAB 74.65, 2.69, 65.28

 

CMYK 1 / 0 / 75 / 14

HEX #DADC36

RGB 218 220 54

HSL 60.72, 0.7%, 0.54%

LAB 85.18, -19.02, 74.99

 

CMYK 0 / 42 / 84 / 36

HEX #A45F1B

RGB 164 95 27

HSL 29.78, 0.72%, 0.37%

LAB 47.18, 23.08, 47.71

 

CMYK 0 / 43 / 84 / 22

HEX #C87321

RGB 200 115 33

HSL 29.46, 0.72%, 0.46%

LAB 56.73, 27.77, 55.73

 

CMYK 0 / 38 / 75 / 14

HEX #DC8836

RGB 220 136 54

HSL 29.64, 0.7%, 0.54%

LAB 64.23, 25.66, 55.19

 

CMYK 0 / 31 / 61 / 11

HEX #E29D59

RGB 226 157 89

HSL 29.78, 0.7%, 0.62%

LAB 70.18, 18.88, 45.33

 

CMYK 0 / 24 / 47 / 9

HEX #E8B17C

RGB 232 177 124

HSL 29.44, 0.7%, 0.7%

LAB 76.1, 13.61, 34.79

 

CMYK 0 / 38 / 76 / 13

HEX #DD8836

RGB 221 136 54

HSL 29.46, 0.71%, 0.54%

LAB 64.36, 26.08, 55.36

 

CMYK 51 / 0 / 75 / 14

HEX #6BDC36

RGB 107 220 54

HSL 100.84, 0.7%, 0.54%

LAB 78.8, -59.61, 66.71

 

CMYK 69 / 75 / 0 / 14

HEX #4436DC

RGB 68 54 220

HSL 245.06, 0.7%, 0.54%

LAB 36.05, 55.25, -81.69

 

CMYK 0 / 38 / 76 / 13

HEX #DD8836

RGB 221 136 54

HSL 29.46, 0.71%, 0.54%

LAB 64.36, 26.08, 55.36

 

CMYK 75 / 0 / 39 / 14

HEX #36DC86

RGB 54 220 134

HSL 148.92, 0.7%, 0.54%

LAB 78.28, -60.67, 30.61

 

CMYK 39 / 75 / 0 / 14

HEX #8636DC

RGB 134 54 220

HSL 268.92, 0.7%, 0.54%

LAB 42.57, 63.86, -70.74

 

CMYK 0 / 38 / 76 / 13

HEX #DD8836

RGB 221 136 54

HSL 29.46, 0.71%, 0.54%

LAB 64.36, 26.08, 55.36

 

CMYK 51 / 0 / 75 / 14

HEX #6BDC36

RGB 107 220 54

HSL 100.84, 0.7%, 0.54%

LAB 78.8, -59.61, 66.71

 

CMYK 75 / 36 / 0 / 14

HEX #368CDC

RGB 54 140 220

HSL 208.92, 0.7%, 0.54%

LAB 56.79, 1.48, -48.11

 

CMYK 24 / 75 / 0 / 14

HEX #A836DC

RGB 168 54 220

HSL 281.2, 0.7%, 0.54%

LAB 47.15, 69.71, -63.1

 

CMYK 0 / 38 / 76 / 13

HEX #DD8836

RGB 221 136 54

HSL 29.46, 0.71%, 0.54%

LAB 64.36, 26.08, 55.36

 

CMYK 74 / 0 / 75 / 14

HEX #39DC36

RGB 57 220 54

HSL 118.92, 0.7%, 0.54%

LAB 77.47, -70.42, 64.96

 

CMYK 75 / 36 / 0 / 14

HEX #368CDC

RGB 54 140 220

HSL 208.92, 0.7%, 0.54%

LAB 56.79, 1.48, -48.11

 

CMYK 1 / 75 / 0 / 14

HEX #DA36DC

RGB 218 54 220

HSL 299.28, 0.7%, 0.54%

LAB 54.77, 79.23, -50.44

 

Description

Color code: RGB 221 136 54 | qconv.com Color code: RGB 221 136 54 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 136 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 136 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 76 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 76% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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