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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 221 104 69 it is the complementary color RGB 34 151 186. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 221 104 69. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 221 104 69: RGB 226 104 64, RGB 243 122 83, RGB 255 140 102, RGB 255 158 121 and RGB 255 176 140

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 221 104 69. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 221 104 69: RGB 221 104 69, RGB 204 86 50, RGB 187 68 31, RGB 170 50 12 and RGB 153 32 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

Complementary color

CMYK 82 / 19 / 0 / 27

HEX #2297BA

RGB 34 151 186

HSL 193.82, 0.69%, 0.43%

LAB 58.05, -18.91, -27.02

 

CMYK 0 / 54 / 72 / 11

HEX #E26840

RGB 226 104 64

HSL 14.81, 0.74%, 0.57%

LAB 58.45, 44.96, 44.63

 

CMYK 0 / 50 / 66 / 5

HEX #F37A53

RGB 243 122 83

HSL 14.63, 0.87%, 0.64%

LAB 64.64, 43.49, 42.43

 

CMYK 0 / 45 / 60 / 0

HEX #FF8C66

RGB 255 140 102

HSL 14.9, 1%, 0.7%

LAB 70.16, 40.21, 39.43

 

CMYK 0 / 38 / 53 / 0

HEX #FF9E79

RGB 255 158 121

HSL 16.57, 1%, 0.74%

LAB 74.25, 32.44, 34.49

 

CMYK 0 / 31 / 45 / 0

HEX #FFB08C

RGB 255 176 140

HSL 18.78, 1%, 0.77%

LAB 78.58, 24.79, 30.05

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 0 / 58 / 75 / 20

HEX #CC5632

RGB 204 86 50

HSL 14.03, 0.61%, 0.5%

LAB 51.52, 44.81, 43.36

 

CMYK 0 / 64 / 83 / 27

HEX #BB441F

RGB 187 68 31

HSL 14.23, 0.72%, 0.43%

LAB 45.36, 46.24, 45.71

 

CMYK 0 / 71 / 93 / 33

HEX #AA320C

RGB 170 50 12

HSL 14.43, 0.87%, 0.36%

LAB 39.33, 47.48, 47.4

 

CMYK 0 / 79 / 100 / 40

HEX #992000

RGB 153 32 0

HSL 12.55, 1%, 0.3%

LAB 33.57, 48.18, 46.63

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 0 / 43 / 69 / 13

HEX #DD7F45

RGB 221 127 69

HSL 22.89, 0.69%, 0.57%

LAB 62.49, 31.57, 46.37

 

CMYK 0 / 31 / 69 / 13

HEX #DD9845

RGB 221 152 69

HSL 32.76, 0.69%, 0.57%

LAB 68.21, 18.23, 52.63

 

CMYK 0 / 19 / 69 / 13

HEX #DDB245

RGB 221 178 69

HSL 43.03, 0.69%, 0.57%

LAB 74.6, 4.35, 59.37

 

CMYK 0 / 8 / 69 / 13

HEX #DDCB45

RGB 221 203 69

HSL 52.89, 0.69%, 0.57%

LAB 81.02, -8.61, 65.93

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 0 / 53 / 71 / 93

HEX #110805

RGB 17 8 5

HSL 15, 0.55%, 0.04%

LAB 2.74, 2.32, 2.1

 

CMYK 0 / 53 / 69 / 73

HEX #442015

RGB 68 32 21

HSL 14.04, 0.53%, 0.17%

LAB 17.07, 16.12, 15.17

 

CMYK 0 / 53 / 69 / 53

HEX #773825

RGB 119 56 37

HSL 13.9, 0.53%, 0.31%

LAB 31.54, 25.94, 24.48

 

CMYK 0 / 53 / 69 / 33

HEX #AA5035

RGB 170 80 53

HSL 13.85, 0.52%, 0.44%

LAB 45, 34.91, 33

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 29 / 0 / 69 / 13

HEX #9DDD45

RGB 157 221 69

HSL 85.26, 0.69%, 0.57%

LAB 81.46, -42.81, 64.91

 

CMYK 69 / 56 / 0 / 13

HEX #4561DD

RGB 69 97 221

HSL 228.95, 0.69%, 0.57%

LAB 45.68, 30.43, -66.48

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 69 / 0 / 54 / 13

HEX #45DD66

RGB 69 221 102

HSL 133.03, 0.69%, 0.57%

LAB 78.43, -63.91, 46.59

 

CMYK 54 / 69 / 0 / 13

HEX #6645DD

RGB 102 69 221

HSL 253.03, 0.69%, 0.57%

LAB 41.69, 51.96, -72.89

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 29 / 0 / 69 / 13

HEX #9DDD45

RGB 157 221 69

HSL 85.26, 0.69%, 0.57%

LAB 81.46, -42.81, 64.91

 

CMYK 69 / 15 / 0 / 13

HEX #45BCDD

RGB 69 188 221

HSL 193.03, 0.69%, 0.57%

LAB 71.18, -22.63, -26.19

 

CMYK 40 / 69 / 0 / 13

HEX #8445DD

RGB 132 69 221

HSL 264.87, 0.69%, 0.57%

LAB 44.78, 57.08, -67.73

 

CMYK 0 / 53 / 69 / 13

HEX #DD6845

RGB 221 104 69

HSL 13.82, 0.69%, 0.57%

LAB 57.75, 43.33, 41.01

 

CMYK 49 / 0 / 69 / 13

HEX #70DD45

RGB 112 221 69

HSL 103.03, 0.69%, 0.57%

LAB 79.38, -57.53, 62.11

 

CMYK 69 / 15 / 0 / 13

HEX #45BCDD

RGB 69 188 221

HSL 193.03, 0.69%, 0.57%

LAB 71.18, -22.63, -26.19

 

CMYK 19 / 69 / 0 / 13

HEX #B245DD

RGB 178 69 221

HSL 283.03, 0.69%, 0.57%

LAB 50.62, 66.18, -58

 

Description

Color code: RGB 221 104 69 | qconv.com Color code: RGB 221 104 69 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 221 red, 104 green and 69 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
221 104 69 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 69 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 69% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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