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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 89 84 it is the complementary color RGB 35 166 171. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 89 84. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 89 84: RGB 225 89 79, RGB 242 107 98, RGB 255 125 117, RGB 255 143 136 and RGB 255 161 155

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 89 84. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 89 84: RGB 220 89 84, RGB 203 71 65, RGB 186 53 46, RGB 169 35 27 and RGB 152 17 8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

Complementary color

CMYK 80 / 3 / 0 / 33

HEX #23A6AB

RGB 35 166 171

HSL 182.21, 0.66%, 0.4%

LAB 62.14, -31.32, -12.33

 

CMYK 0 / 60 / 65 / 12

HEX #E1594F

RGB 225 89 79

HSL 4.11, 0.71%, 0.6%

LAB 55.8, 52.38, 33.34

 

CMYK 0 / 56 / 60 / 5

HEX #F26B62

RGB 242 107 98

HSL 3.75, 0.85%, 0.67%

LAB 61.89, 51.29, 30.83

 

CMYK 0 / 51 / 54 / 0

HEX #FF7D75

RGB 255 125 117

HSL 3.48, 1%, 0.73%

LAB 67.44, 48.74, 27.78

 

CMYK 0 / 44 / 47 / 0

HEX #FF8F88

RGB 255 143 136

HSL 3.53, 1%, 0.77%

LAB 71.34, 41.47, 22.49

 

CMYK 0 / 37 / 39 / 0

HEX #FFA19B

RGB 255 161 155

HSL 3.6, 1%, 0.8%

LAB 75.52, 34.18, 17.82

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 0 / 65 / 68 / 20

HEX #CB4741

RGB 203 71 65

HSL 2.61, 0.57%, 0.53%

LAB 48.99, 51.92, 32.2

 

CMYK 0 / 72 / 75 / 27

HEX #BA352E

RGB 186 53 46

HSL 3, 0.6%, 0.45%

LAB 43.04, 52.6, 35.47

 

CMYK 0 / 79 / 84 / 34

HEX #A9231B

RGB 169 35 27

HSL 3.38, 0.72%, 0.38%

LAB 37.33, 52.74, 39.11

 

CMYK 0 / 89 / 95 / 40

HEX #981108

RGB 152 17 8

HSL 3.75, 0.9%, 0.31%

LAB 32.02, 51.9, 42.28

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 0 / 49 / 61 / 14

HEX #DC7055

RGB 220 112 85

HSL 12, 0.66%, 0.6%

LAB 59.4, 39.93, 34.25

 

CMYK 0 / 39 / 61 / 14

HEX #DC8755

RGB 220 135 85

HSL 22.22, 0.66%, 0.6%

LAB 64.32, 27.91, 40.25

 

CMYK 0 / 29 / 61 / 14

HEX #DC9D55

RGB 220 157 85

HSL 32, 0.66%, 0.6%

LAB 69.46, 16.11, 46.31

 

CMYK 0 / 19 / 61 / 14

HEX #DCB355

RGB 220 179 85

HSL 41.78, 0.66%, 0.6%

LAB 74.9, 4.37, 52.54

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 0 / 63 / 63 / 94

HEX #100606

RGB 16 6 6

HSL 0, 0.45%, 0.04%

LAB 2.29, 2.9, 1.02

 

CMYK 0 / 60 / 61 / 74

HEX #431B1A

RGB 67 27 26

HSL 1.46, 0.44%, 0.18%

LAB 15.76, 19.23, 9.99

 

CMYK 0 / 59 / 62 / 54

HEX #76302D

RGB 118 48 45

HSL 2.47, 0.45%, 0.32%

LAB 29.8, 30.5, 17.27

 

CMYK 0 / 60 / 62 / 34

HEX #A94441

RGB 169 68 65

HSL 1.73, 0.44%, 0.46%

LAB 42.69, 41.34, 23.11

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 15 / 0 / 61 / 14

HEX #BCDC55

RGB 188 220 85

HSL 74.22, 0.66%, 0.6%

LAB 83.2, -29.48, 60.99

 

CMYK 61 / 39 / 0 / 14

HEX #5587DC

RGB 85 135 220

HSL 217.78, 0.66%, 0.6%

LAB 56.51, 9.2, -48.48

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 61 / 0 / 59 / 14

HEX #55DC5A

RGB 85 220 90

HSL 122.22, 0.66%, 0.6%

LAB 78.38, -61.94, 52.1

 

CMYK 59 / 61 / 0 / 14

HEX #5A55DC

RGB 90 85 220

HSL 242.22, 0.66%, 0.6%

LAB 44, 40.66, -68.59

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 15 / 0 / 61 / 14

HEX #BCDC55

RGB 188 220 85

HSL 74.22, 0.66%, 0.6%

LAB 83.2, -29.48, 60.99

 

CMYK 61 / 2 / 0 / 14

HEX #55D7DC

RGB 85 215 220

HSL 182.22, 0.66%, 0.6%

LAB 79.44, -33.71, -13.09

 

CMYK 47 / 61 / 0 / 14

HEX #7555DC

RGB 117 85 220

HSL 254.22, 0.66%, 0.6%

LAB 46.24, 45.56, -64.85

 

CMYK 0 / 60 / 62 / 14

HEX #DC5954

RGB 220 89 84

HSL 2.21, 0.66%, 0.6%

LAB 55.07, 50.97, 29.39

 

CMYK 33 / 0 / 61 / 14

HEX #94DC55

RGB 148 220 85

HSL 92, 0.66%, 0.6%

LAB 80.82, -44.35, 57.69

 

CMYK 61 / 2 / 0 / 14

HEX #55D7DC

RGB 85 215 220

HSL 182.22, 0.66%, 0.6%

LAB 79.44, -33.71, -13.09

 

CMYK 29 / 61 / 0 / 14

HEX #9D55DC

RGB 157 85 220

HSL 272, 0.66%, 0.6%

LAB 50.49, 54.11, -57.78

 

Description

Color code: RGB 220 89 84 | qconv.com Color code: RGB 220 89 84 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 89 green and 84 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 89 84 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 60 magenta, 62 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 60% 62% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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