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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 170 131 it is the complementary color RGB 35 85 124. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 170 131. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 170 131: RGB 225 170 126, RGB 242 188 145, RGB 255 206 164, RGB 255 224 183 and RGB 255 242 202

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 170 131. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 170 131: RGB 220 170 131, RGB 203 152 112, RGB 186 134 93, RGB 169 116 74 and RGB 152 98 55

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

Complementary color

CMYK 72 / 31 / 0 / 51

HEX #23557C

RGB 35 85 124

HSL 206.29, 0.56%, 0.31%

LAB 34.62, -2.97, -26.93

 

CMYK 0 / 24 / 44 / 12

HEX #E1AA7E

RGB 225 170 126

HSL 26.67, 0.62%, 0.69%

LAB 73.72, 14.73, 30.48

 

CMYK 0 / 22 / 40 / 5

HEX #F2BC91

RGB 242 188 145

HSL 26.6, 0.79%, 0.76%

LAB 80.12, 13.94, 29.21

 

CMYK 0 / 19 / 36 / 0

HEX #FFCEA4

RGB 255 206 164

HSL 27.69, 1%, 0.82%

LAB 86.05, 11.7, 27.44

 

CMYK 0 / 12 / 28 / 0

HEX #FFE0B7

RGB 255 224 183

HSL 34.17, 1%, 0.86%

LAB 90.78, 4.74, 24.02

 

CMYK 0 / 5 / 21 / 0

HEX #FFF2CA

RGB 255 242 202

HSL 45.28, 1%, 0.9%

LAB 95.59, -1.84, 20.9

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 25 / 45 / 20

HEX #CB9870

RGB 203 152 112

HSL 26.37, 0.47%, 0.62%

LAB 66.77, 14.1, 28.45

 

CMYK 0 / 28 / 50 / 27

HEX #BA865D

RGB 186 134 93

HSL 26.45, 0.4%, 0.55%

LAB 60.14, 15.06, 29.87

 

CMYK 0 / 31 / 56 / 34

HEX #A9744A

RGB 169 116 74

HSL 26.53, 0.39%, 0.48%

LAB 53.41, 16.18, 31.41

 

CMYK 0 / 36 / 64 / 40

HEX #986237

RGB 152 98 55

HSL 26.6, 0.47%, 0.41%

LAB 46.56, 17.51, 33.08

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 16 / 40 / 14

HEX #DCB883

RGB 220 184 131

HSL 35.73, 0.56%, 0.69%

LAB 76.76, 5.81, 31.75

 

CMYK 0 / 10 / 40 / 14

HEX #DCC783

RGB 220 199 131

HSL 45.84, 0.56%, 0.69%

LAB 80.57, -2.05, 36.71

 

CMYK 0 / 3 / 40 / 14

HEX #DCD683

RGB 220 214 131

HSL 55.96, 0.56%, 0.69%

LAB 84.46, -9.74, 41.67

 

CMYK 4 / 0 / 40 / 14

HEX #D3DC83

RGB 211 220 131

HSL 66.07, 0.56%, 0.69%

LAB 85.34, -16.26, 42.64

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 0 / 25 / 38 / 94

HEX #100C0A

RGB 16 12 10

HSL 20, 0.23%, 0.05%

LAB 3.57, 1, 1.26

 

CMYK 0 / 22 / 40 / 74

HEX #433428

RGB 67 52 40

HSL 26.67, 0.25%, 0.21%

LAB 23.01, 4.7, 10.15

 

CMYK 0 / 23 / 41 / 54

HEX #765B46

RGB 118 91 70

HSL 26.25, 0.26%, 0.37%

LAB 40.86, 7.95, 16.35

 

CMYK 0 / 22 / 40 / 34

HEX #A98365

RGB 169 131 101

HSL 26.47, 0.28%, 0.53%

LAB 57.66, 10.47, 21.82

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 25 / 0 / 40 / 14

HEX #A4DC83

RGB 164 220 131

HSL 97.75, 0.56%, 0.69%

LAB 82.23, -33.69, 38.04

 

CMYK 39 / 40 / 0 / 14

HEX #8683DC

RGB 134 131 220

HSL 242.02, 0.56%, 0.69%

LAB 58.48, 22.65, -45.18

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 40 / 0 / 23 / 14

HEX #83DCAA

RGB 131 220 170

HSL 146.29, 0.56%, 0.69%

LAB 81.24, -37.69, 16.32

 

CMYK 23 / 40 / 0 / 14

HEX #AA83DC

RGB 170 131 220

HSL 266.29, 0.56%, 0.69%

LAB 61.61, 32.57, -40.04

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 25 / 0 / 40 / 14

HEX #A4DC83

RGB 164 220 131

HSL 97.75, 0.56%, 0.69%

LAB 82.23, -33.69, 38.04

 

CMYK 40 / 18 / 0 / 14

HEX #83B5DC

RGB 131 181 220

HSL 206.29, 0.56%, 0.69%

LAB 71.58, -6.59, -24.82

 

CMYK 15 / 40 / 0 / 14

HEX #BB83DC

RGB 187 131 220

HSL 277.75, 0.56%, 0.69%

LAB 63.31, 37.54, -37.25

 

CMYK 0 / 23 / 40 / 14

HEX #DCAA83

RGB 220 170 131

HSL 26.29, 0.56%, 0.69%

LAB 73.29, 13.27, 27.15

 

CMYK 38 / 0 / 40 / 14

HEX #89DC83

RGB 137 220 131

HSL 115.96, 0.56%, 0.69%

LAB 80.82, -42.61, 35.94

 

CMYK 40 / 18 / 0 / 14

HEX #83B5DC

RGB 131 181 220

HSL 206.29, 0.56%, 0.69%

LAB 71.58, -6.59, -24.82

 

CMYK 3 / 40 / 0 / 14

HEX #D683DC

RGB 214 131 220

HSL 295.96, 0.56%, 0.69%

LAB 66.29, 45.59, -32.39

 

Description

Color code: RGB 220 170 131 | qconv.com Color code: RGB 220 170 131 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 170 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 170 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 23 magenta, 40 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 23% 40% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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