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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 128 216 it is the complementary color RGB 35 127 39. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 128 216. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 128 216: RGB 225 128 211, RGB 242 146 230, RGB 255 164 249, RGB 255 182 255 and RGB 255 200 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 128 216. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 128 216: RGB 220 128 216, RGB 203 110 197, RGB 186 92 178, RGB 169 74 159 and RGB 152 56 140

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

Complementary color

CMYK 72 / 0 / 69 / 50

HEX #237F27

RGB 35 127 39

HSL 122.61, 0.57%, 0.32%

LAB 46.56, -44.74, 38.75

 

CMYK 0 / 43 / 6 / 12

HEX #E180D3

RGB 225 128 211

HSL 308.66, 0.62%, 0.69%

LAB 66.63, 48.86, -26.74

 

CMYK 0 / 40 / 5 / 5

HEX #F292E6

RGB 242 146 230

HSL 307.5, 0.79%, 0.76%

LAB 72.99, 48.14, -27.31

 

CMYK 0 / 36 / 2 / 0

HEX #FFA4F9

RGB 255 164 249

HSL 303.96, 1%, 0.82%

LAB 78.84, 46.19, -28.53

 

CMYK 0 / 29 / 0 / 0

HEX #FFB6FF

RGB 255 182 255

HSL 300, 1%, 0.86%

LAB 82.88, 37.91, -25.57

 

CMYK 0 / 22 / 0 / 0

HEX #FFC8FF

RGB 255 200 255

HSL 300, 1%, 0.89%

LAB 86.89, 28.47, -19.48

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 0 / 46 / 3 / 20

HEX #CB6EC5

RGB 203 110 197

HSL 303.87, 0.47%, 0.61%

LAB 59.78, 48.94, -29.66

 

CMYK 0 / 51 / 4 / 27

HEX #BA5CB2

RGB 186 92 178

HSL 305.11, 0.41%, 0.55%

LAB 53.28, 49.6, -29.01

 

CMYK 0 / 56 / 6 / 34

HEX #A94A9F

RGB 169 74 159

HSL 306.32, 0.39%, 0.48%

LAB 46.76, 50.14, -28.19

 

CMYK 0 / 63 / 8 / 40

HEX #98388C

RGB 152 56 140

HSL 307.5, 0.46%, 0.41%

LAB 40.24, 50.43, -27.12

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 0 / 42 / 8 / 14

HEX #DB7EC9

RGB 219 126 201

HSL 311.61, 0.56%, 0.68%

LAB 65.12, 46.34, -23.53

 

CMYK 0 / 42 / 16 / 14

HEX #DB7EB9

RGB 219 126 185

HSL 321.94, 0.56%, 0.68%

LAB 64.55, 43.73, -15.39

 

CMYK 0 / 42 / 22 / 14

HEX #DB7EAA

RGB 219 126 170

HSL 331.61, 0.56%, 0.68%

LAB 64.07, 41.47, -7.61

 

CMYK 0 / 42 / 30 / 14

HEX #DB7E9A

RGB 219 126 154

HSL 341.94, 0.56%, 0.68%

LAB 63.6, 39.25, 0.81

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 0 / 44 / 0 / 94

HEX #100910

RGB 16 9 16

HSL 300, 0.28%, 0.05%

LAB 3.1, 3.23, -2.31

 

CMYK 0 / 42 / 1 / 74

HEX #432742

RGB 67 39 66

HSL 302.14, 0.26%, 0.21%

LAB 20.19, 18.25, -11.66

 

CMYK 0 / 42 / 2 / 54

HEX #764574

RGB 118 69 116

HSL 302.45, 0.26%, 0.37%

LAB 36.68, 28.88, -18.23

 

CMYK 0 / 42 / 2 / 34

HEX #A962A6

RGB 169 98 166

HSL 302.54, 0.29%, 0.52%

LAB 51.75, 39.12, -24.57

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 0 / 32 / 42 / 14

HEX #DB947E

RGB 219 148 126

HSL 14.19, 0.56%, 0.68%

LAB 67.83, 24.17, 22.52

 

CMYK 42 / 0 / 16 / 14

HEX #7EDBB9

RGB 126 219 185

HSL 158.06, 0.56%, 0.68%

LAB 81.07, -35.49, 8.12

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 1 / 0 / 42 / 14

HEX #D8DB7E

RGB 216 219 126

HSL 61.94, 0.56%, 0.68%

LAB 85.39, -14.34, 45.24

 

CMYK 42 / 1 / 0 / 14

HEX #7ED8DB

RGB 126 216 219

HSL 181.94, 0.56%, 0.68%

LAB 81.11, -26.15, -9.93

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 0 / 32 / 42 / 14

HEX #DB947E

RGB 219 148 126

HSL 14.19, 0.56%, 0.68%

LAB 67.83, 24.17, 22.52

 

CMYK 42 / 0 / 41 / 14

HEX #7EDB81

RGB 126 219 129

HSL 121.94, 0.56%, 0.68%

LAB 80, -45.79, 35.79

 

CMYK 42 / 10 / 0 / 14

HEX #7EC6DB

RGB 126 198 219

HSL 193.55, 0.56%, 0.68%

LAB 76.03, -17.11, -17.53

 

CMYK 0 / 42 / 2 / 14

HEX #DC80D8

RGB 220 128 216

HSL 302.61, 0.57%, 0.68%

LAB 66.22, 48.22, -30.21

 

CMYK 0 / 20 / 42 / 14

HEX #DBB07E

RGB 219 176 126

HSL 32.26, 0.56%, 0.68%

LAB 74.58, 9.12, 31.51

 

CMYK 42 / 0 / 41 / 14

HEX #7EDB81

RGB 126 219 129

HSL 121.94, 0.56%, 0.68%

LAB 80, -45.79, 35.79

 

CMYK 42 / 22 / 0 / 14

HEX #7EAADB

RGB 126 170 219

HSL 211.61, 0.56%, 0.68%

LAB 68.24, -2.13, -29.42

 

Description

Color code: RGB 220 128 216 | qconv.com Color code: RGB 220 128 216 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 128 green and 216 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 128 216 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 2 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 2% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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