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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 127 57 it is the complementary color RGB 35 128 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 127 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 127 57: RGB 225 127 52, RGB 242 145 71, RGB 255 163 90, RGB 255 181 109 and RGB 255 199 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 127 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 127 57: RGB 220 127 57, RGB 203 109 38, RGB 186 91 19, RGB 169 73 0 and RGB 152 55 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

Complementary color

CMYK 82 / 35 / 0 / 22

HEX #2380C6

RGB 35 128 198

HSL 205.77, 0.7%, 0.46%

LAB 51.69, -1.47, -43.8

 

CMYK 0 / 44 / 77 / 12

HEX #E17F34

RGB 225 127 52

HSL 26.01, 0.74%, 0.54%

LAB 62.87, 32.4, 54.94

 

CMYK 0 / 40 / 71 / 5

HEX #F29147

RGB 242 145 71

HSL 25.96, 0.87%, 0.61%

LAB 69.17, 30.72, 53.48

 

CMYK 0 / 36 / 65 / 0

HEX #FFA35A

RGB 255 163 90

HSL 26.55, 1%, 0.68%

LAB 74.95, 27.61, 51.23

 

CMYK 0 / 29 / 57 / 0

HEX #FFB56D

RGB 255 181 109

HSL 29.59, 1%, 0.71%

LAB 79.28, 19.48, 46.96

 

CMYK 0 / 22 / 50 / 0

HEX #FFC780

RGB 255 199 128

HSL 33.54, 1%, 0.75%

LAB 83.79, 11.64, 43

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 0 / 46 / 81 / 20

HEX #CB6D26

RGB 203 109 38

HSL 25.82, 0.68%, 0.47%

LAB 55.86, 32.37, 53.16

 

CMYK 0 / 51 / 90 / 27

HEX #BA5B13

RGB 186 91 19

HSL 25.87, 0.81%, 0.4%

LAB 49.46, 34.36, 53.73

 

CMYK 0 / 57 / 100 / 34

HEX #A94900

RGB 169 73 0

HSL 25.92, 1%, 0.33%

LAB 43.06, 36.46, 53.26

 

CMYK 0 / 64 / 100 / 40

HEX #983700

RGB 152 55 0

HSL 21.71, 1%, 0.3%

LAB 36.76, 38.62, 48.24

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 0 / 31 / 75 / 14

HEX #DB9737

RGB 219 151 55

HSL 35.12, 0.69%, 0.54%

LAB 67.63, 17.23, 58.08

 

CMYK 0 / 19 / 75 / 14

HEX #DBB237

RGB 219 178 55

HSL 45, 0.69%, 0.54%

LAB 74.3, 2.82, 64.55

 

CMYK 0 / 6 / 75 / 14

HEX #DBCE37

RGB 219 206 55

HSL 55.24, 0.69%, 0.54%

LAB 81.55, -11.62, 71.37

 

CMYK 6 / 0 / 75 / 14

HEX #CEDB37

RGB 206 219 55

HSL 64.76, 0.69%, 0.54%

LAB 84, -23.47, 73.26

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 0 / 44 / 75 / 94

HEX #100904

RGB 16 9 4

HSL 25, 0.6%, 0.04%

LAB 2.84, 1.42, 2.64

 

CMYK 0 / 42 / 75 / 74

HEX #432711

RGB 67 39 17

HSL 26.4, 0.6%, 0.16%

LAB 18.73, 10.74, 19.67

 

CMYK 0 / 42 / 74 / 54

HEX #76441F

RGB 118 68 31

HSL 25.52, 0.58%, 0.29%

LAB 34.16, 18.14, 30.87

 

CMYK 0 / 42 / 74 / 34

HEX #A9622C

RGB 169 98 44

HSL 25.92, 0.59%, 0.42%

LAB 48.7, 24.27, 41.82

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 46 / 0 / 75 / 14

HEX #76DB37

RGB 118 219 55

HSL 96.95, 0.69%, 0.54%

LAB 78.92, -55.98, 66.65

 

CMYK 74 / 75 / 0 / 14

HEX #3A37DB

RGB 58 55 219

HSL 241.1, 0.69%, 0.54%

LAB 35.49, 53.54, -82.07

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 75 / 0 / 43 / 14

HEX #37DB7C

RGB 55 219 124

HSL 145.24, 0.69%, 0.54%

LAB 77.83, -61.97, 35.09

 

CMYK 43 / 75 / 0 / 14

HEX #7C37DB

RGB 124 55 219

HSL 265.24, 0.69%, 0.54%

LAB 41.43, 61.62, -72.09

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 46 / 0 / 75 / 14

HEX #76DB37

RGB 118 219 55

HSL 96.95, 0.69%, 0.54%

LAB 78.92, -55.98, 66.65

 

CMYK 75 / 31 / 0 / 14

HEX #3797DB

RGB 55 151 219

HSL 204.88, 0.69%, 0.54%

LAB 59.94, -5.16, -42.57

 

CMYK 29 / 75 / 0 / 14

HEX #9C37DB

RGB 156 55 219

HSL 276.95, 0.69%, 0.54%

LAB 45.52, 66.99, -65.25

 

CMYK 0 / 42 / 74 / 14

HEX #DC7F39

RGB 220 127 57

HSL 25.77, 0.7%, 0.54%

LAB 62.24, 30.57, 51.84

 

CMYK 68 / 0 / 75 / 14

HEX #45DB37

RGB 69 219 55

HSL 114.88, 0.69%, 0.54%

LAB 77.4, -68.03, 64.65

 

CMYK 75 / 31 / 0 / 14

HEX #3797DB

RGB 55 151 219

HSL 204.88, 0.69%, 0.54%

LAB 59.94, -5.16, -42.57

 

CMYK 6 / 75 / 0 / 14

HEX #CE37DB

RGB 206 55 219

HSL 295.24, 0.69%, 0.54%

LAB 52.92, 76.41, -52.95

 

Description

Color code: RGB 220 127 57 | qconv.com Color code: RGB 220 127 57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 127 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 127 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 42 magenta, 74 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 42% 74% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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