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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 220 105 25 it is the complementary color RGB 35 150 230. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 220 105 25. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 220 105 25: RGB 225 105 20, RGB 242 123 39, RGB 255 141 58, RGB 255 159 77 and RGB 255 177 96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 220 105 25. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 220 105 25: RGB 220 105 25, RGB 203 87 6, RGB 186 69 0, RGB 169 51 0 and RGB 152 33 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

Complementary color

CMYK 85 / 35 / 0 / 10

HEX #2396E6

RGB 35 150 230

HSL 204.62, 0.8%, 0.52%

LAB 59.78, -2.57, -48.96

 

CMYK 0 / 53 / 91 / 12

HEX #E16914

RGB 225 105 20

HSL 24.88, 0.84%, 0.48%

LAB 58.19, 42.75, 62.54

 

CMYK 0 / 49 / 84 / 5

HEX #F27B27

RGB 242 123 39

HSL 24.83, 0.89%, 0.55%

LAB 64.31, 40.8, 62.35

 

CMYK 0 / 45 / 77 / 0

HEX #FF8D3A

RGB 255 141 58

HSL 25.28, 1%, 0.61%

LAB 69.91, 37.42, 60.58

 

CMYK 0 / 38 / 70 / 0

HEX #FF9F4D

RGB 255 159 77

HSL 27.64, 1%, 0.65%

LAB 73.93, 28.98, 56.27

 

CMYK 0 / 31 / 62 / 0

HEX #FFB160

RGB 255 177 96

HSL 30.57, 1%, 0.69%

LAB 78.2, 20.67, 52.06

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 0 / 57 / 97 / 20

HEX #CB5706

RGB 203 87 6

HSL 24.67, 0.94%, 0.41%

LAB 51.3, 42.89, 59.48

 

CMYK 0 / 63 / 100 / 27

HEX #BA4500

RGB 186 69 0

HSL 22.26, 1%, 0.36%

LAB 45.21, 44.89, 55.98

 

CMYK 0 / 70 / 100 / 34

HEX #A93300

RGB 169 51 0

HSL 18.11, 1%, 0.33%

LAB 39.25, 46.57, 51.24

 

CMYK 0 / 78 / 100 / 40

HEX #982100

RGB 152 33 0

HSL 13.03, 1%, 0.3%

LAB 33.48, 47.53, 46.47

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 0 / 39 / 89 / 14

HEX #DC8718

RGB 220 135 24

HSL 33.98, 0.8%, 0.48%

LAB 63.84, 25.3, 65.39

 

CMYK 0 / 24 / 89 / 14

HEX #DCA818

RGB 220 168 24

HSL 44.08, 0.8%, 0.48%

LAB 71.75, 7.63, 71.49

 

CMYK 0 / 9 / 89 / 14

HEX #DCC818

RGB 220 200 24

HSL 53.88, 0.8%, 0.48%

LAB 79.95, -9.05, 77.88

 

CMYK 6 / 0 / 89 / 14

HEX #CFDC18

RGB 207 220 24

HSL 63.98, 0.8%, 0.48%

LAB 84.23, -24.45, 80.8

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 0 / 50 / 88 / 94

HEX #100802

RGB 16 8 2

HSL 25.71, 0.78%, 0.04%

LAB 2.6, 1.54, 3.11

 

CMYK 0 / 52 / 88 / 74

HEX #432008

RGB 67 32 8

HSL 24.41, 0.79%, 0.15%

LAB 16.72, 14.76, 21.51

 

CMYK 0 / 53 / 89 / 54

HEX #76380D

RGB 118 56 13

HSL 24.57, 0.8%, 0.26%

LAB 31.13, 24.37, 36.71

 

CMYK 0 / 52 / 89 / 34

HEX #A95113

RGB 169 81 19

HSL 24.8, 0.8%, 0.37%

LAB 44.75, 32.63, 48.94

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 54 / 0 / 89 / 14

HEX #66DC18

RGB 102 220 24

HSL 96.12, 0.8%, 0.48%

LAB 78.51, -62.31, 73.75

 

CMYK 89 / 89 / 0 / 14

HEX #1818DC

RGB 24 24 220

HSL 240, 0.8%, 0.48%

LAB 29.45, 65.75, -92.72

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 89 / 0 / 54 / 14

HEX #18DC66

RGB 24 220 102

HSL 143.88, 0.8%, 0.48%

LAB 77.48, -68.8, 45.3

 

CMYK 54 / 89 / 0 / 14

HEX #6618DC

RGB 102 24 220

HSL 263.88, 0.8%, 0.48%

LAB 35.29, 69.85, -82.85

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 54 / 0 / 89 / 14

HEX #66DC18

RGB 102 220 24

HSL 96.12, 0.8%, 0.48%

LAB 78.51, -62.31, 73.75

 

CMYK 89 / 36 / 0 / 14

HEX #188DDC

RGB 24 141 220

HSL 204.18, 0.8%, 0.48%

LAB 56.5, -1.73, -48.62

 

CMYK 36 / 89 / 0 / 14

HEX #8D18DC

RGB 141 24 220

HSL 275.82, 0.8%, 0.48%

LAB 40.38, 74, -74.29

 

CMYK 0 / 52 / 89 / 14

HEX #DC6919

RGB 220 105 25

HSL 24.62, 0.8%, 0.48%

LAB 57.45, 40.89, 60.22

 

CMYK 80 / 0 / 89 / 14

HEX #2CDC18

RGB 44 220 24

HSL 113.88, 0.8%, 0.48%

LAB 77.15, -73.67, 72.07

 

CMYK 89 / 36 / 0 / 14

HEX #188DDC

RGB 24 141 220

HSL 204.18, 0.8%, 0.48%

LAB 56.5, -1.73, -48.62

 

CMYK 9 / 89 / 0 / 14

HEX #C818DC

RGB 200 24 220

HSL 293.88, 0.8%, 0.48%

LAB 49.62, 82.46, -58.86

 

Description

Color code: RGB 220 105 25 | qconv.com Color code: RGB 220 105 25 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue.

The breakdown of the color into the RGB color system: of 255 maximum color components, 220 red, 105 green and 25 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
220 105 25 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 89 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 89% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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