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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 98 115 it is the complementary color RGB 234 157 140. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 98 115. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 21 98 115: RGB 26 98 110, RGB 43 116 129, RGB 60 134 148, RGB 77 152 167 and RGB 94 170 186

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 98 115. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 21 98 115: RGB 21 98 115, RGB 4 80 96, RGB 0 62 77, RGB 0 44 58 and RGB 0 26 39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

Complementary color

CMYK 0 / 33 / 40 / 8

HEX #EA9D8C

RGB 234 157 140

HSL 10.85, 0.69%, 0.73%

LAB 71.89, 26.71, 20.63

 

CMYK 76 / 11 / 0 / 57

HEX #1A626E

RGB 26 98 110

HSL 188.57, 0.62%, 0.27%

LAB 37.99, -17.22, -13.11

 

CMYK 67 / 10 / 0 / 49

HEX #2B7481

RGB 43 116 129

HSL 189.07, 0.5%, 0.34%

LAB 45.07, -18.06, -13.81

 

CMYK 59 / 9 / 0 / 42

HEX #3C8694

RGB 60 134 148

HSL 189.55, 0.42%, 0.41%

LAB 52.01, -18.59, -14.43

 

CMYK 54 / 9 / 0 / 35

HEX #4D98A7

RGB 77 152 167

HSL 190, 0.37%, 0.48%

LAB 58.81, -18.93, -14.99

 

CMYK 49 / 9 / 0 / 27

HEX #5EAABA

RGB 94 170 186

HSL 190.43, 0.4%, 0.55%

LAB 65.49, -19.16, -15.5

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 96 / 17 / 0 / 62

HEX #045060

RGB 4 80 96

HSL 190.43, 0.92%, 0.2%

LAB 30.9, -14.42, -15.24

 

CMYK 100 / 19 / 0 / 70

HEX #003E4D

RGB 0 62 77

HSL 191.69, 1%, 0.15%

LAB 23.61, -11.63, -14.16

 

CMYK 100 / 24 / 0 / 77

HEX #002C3A

RGB 0 44 58

HSL 194.48, 1%, 0.11%

LAB 16.04, -8.26, -12.99

 

CMYK 100 / 33 / 0 / 85

HEX #001A27

RGB 0 26 39

HSL 200, 1%, 0.08%

LAB 8, -4.33, -11.85

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 82 / 28 / 0 / 55

HEX #155474

RGB 21 84 116

HSL 200.21, 0.69%, 0.27%

LAB 33.48, -7.43, -23.78

 

CMYK 82 / 41 / 0 / 55

HEX #154474

RGB 21 68 116

HSL 210.32, 0.69%, 0.27%

LAB 28.26, 2.96, -32.02

 

CMYK 82 / 54 / 0 / 55

HEX #153574

RGB 21 53 116

HSL 219.79, 0.69%, 0.27%

LAB 23.56, 13.45, -39.57

 

CMYK 82 / 68 / 0 / 55

HEX #152574

RGB 21 37 116

HSL 229.89, 0.69%, 0.27%

LAB 18.99, 24.88, -47.02

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 82 / 15 / 0 / 35

HEX #1E8DA6

RGB 30 141 166

HSL 191.03, 0.69%, 0.38%

LAB 54.11, -20.8, -21.69

 

CMYK 82 / 15 / 0 / 15

HEX #28B9D9

RGB 40 185 217

HSL 190.85, 0.7%, 0.5%

LAB 69.58, -25.65, -26.51

 

CMYK 85 / 15 / 0 / 95

HEX #020B0D

RGB 2 11 13

HSL 190.91, 0.73%, 0.03%

LAB 2.54, -2.05, -1.68

 

CMYK 81 / 14 / 0 / 75

HEX #0C3740

RGB 12 55 64

HSL 190.38, 0.68%, 0.15%

LAB 20.75, -10.86, -9.82

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 52 / 82 / 0 / 55

HEX #381574

RGB 56 21 116

HSL 262.11, 0.69%, 0.27%

LAB 18.53, 39.14, -47.66

 

CMYK 0 / 19 / 82 / 55

HEX #745E15

RGB 116 94 21

HSL 46.11, 0.69%, 0.27%

LAB 40.85, 1.1, 42.07

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 0 / 82 / 14 / 55

HEX #741564

RGB 116 21 100

HSL 310.11, 0.69%, 0.27%

LAB 27.21, 47.97, -22.8

 

CMYK 14 / 0 / 82 / 55

HEX #647415

RGB 100 116 21

HSL 70.11, 0.69%, 0.27%

LAB 45.98, -18.88, 46.19

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 52 / 82 / 0 / 55

HEX #381574

RGB 56 21 116

HSL 262.11, 0.69%, 0.27%

LAB 18.53, 39.14, -47.66

 

CMYK 0 / 68 / 82 / 55

HEX #742515

RGB 116 37 21

HSL 10.11, 0.69%, 0.27%

LAB 26.99, 33.81, 28.76

 

CMYK 30 / 0 / 82 / 55

HEX #517415

RGB 81 116 21

HSL 82.11, 0.69%, 0.27%

LAB 44.65, -27.18, 44.48

 

CMYK 82 / 15 / 0 / 55

HEX #156273

RGB 21 98 115

HSL 190.85, 0.69%, 0.27%

LAB 38.08, -16.08, -16.05

 

CMYK 28 / 82 / 0 / 55

HEX #541574

RGB 84 21 116

HSL 279.79, 0.69%, 0.27%

LAB 22.59, 44, -40.86

 

CMYK 0 / 68 / 82 / 55

HEX #742515

RGB 116 37 21

HSL 10.11, 0.69%, 0.27%

LAB 26.99, 33.81, 28.76

 

CMYK 54 / 0 / 82 / 55

HEX #357415

RGB 53 116 21

HSL 99.79, 0.69%, 0.27%

LAB 43.21, -37.5, 42.62

 

Description

Color code: RGB 21 98 115 | qconv.com Color code: RGB 21 98 115 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 98 green and 115 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 98 115 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 15 magenta, none yellow and 55 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 15% 0% 55% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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