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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 97 117 it is the complementary color RGB 234 158 138. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 97 117. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 21 97 117: RGB 26 97 112, RGB 43 115 131, RGB 60 133 150, RGB 77 151 169 and RGB 94 169 188

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 97 117. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 21 97 117: RGB 21 97 117, RGB 4 79 98, RGB 0 61 79, RGB 0 43 60 and RGB 0 25 41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

Complementary color

CMYK 0 / 32 / 41 / 8

HEX #EA9E8A

RGB 234 158 138

HSL 12.5, 0.7%, 0.73%

LAB 72.08, 25.96, 21.98

 

CMYK 77 / 13 / 0 / 56

HEX #1A6170

RGB 26 97 112

HSL 190.47, 0.62%, 0.27%

LAB 37.73, -15.96, -14.73

 

CMYK 67 / 12 / 0 / 49

HEX #2B7383

RGB 43 115 131

HSL 190.91, 0.51%, 0.34%

LAB 44.82, -16.85, -15.38

 

CMYK 60 / 11 / 0 / 41

HEX #3C8596

RGB 60 133 150

HSL 191.33, 0.43%, 0.41%

LAB 51.77, -17.43, -15.96

 

CMYK 54 / 11 / 0 / 34

HEX #4D97A9

RGB 77 151 169

HSL 191.74, 0.37%, 0.48%

LAB 58.58, -17.81, -16.47

 

CMYK 50 / 10 / 0 / 26

HEX #5EA9BC

RGB 94 169 188

HSL 192.13, 0.41%, 0.55%

LAB 65.27, -18.07, -16.96

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 96 / 19 / 0 / 62

HEX #044F62

RGB 4 79 98

HSL 192.13, 0.92%, 0.2%

LAB 30.64, -13.05, -16.9

 

CMYK 100 / 23 / 0 / 69

HEX #003D4F

RGB 0 61 79

HSL 193.67, 1%, 0.15%

LAB 23.34, -10.18, -15.89

 

CMYK 100 / 28 / 0 / 76

HEX #002B3C

RGB 0 43 60

HSL 197, 1%, 0.12%

LAB 15.77, -6.7, -14.8

 

CMYK 100 / 39 / 0 / 84

HEX #001929

RGB 0 25 41

HSL 203.41, 1%, 0.08%

LAB 7.73, -2.67, -13.76

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 83 / 31 / 0 / 54

HEX #145175

RGB 20 81 117

HSL 202.27, 0.71%, 0.27%

LAB 32.52, -5.28, -25.91

 

CMYK 83 / 44 / 0 / 54

HEX #144175

RGB 20 65 117

HSL 212.16, 0.71%, 0.27%

LAB 27.34, 5.3, -34.13

 

CMYK 83 / 58 / 0 / 54

HEX #143175

RGB 20 49 117

HSL 222.06, 0.71%, 0.27%

LAB 22.41, 16.63, -42.08

 

CMYK 83 / 72 / 0 / 54

HEX #142175

RGB 20 33 117

HSL 231.96, 0.71%, 0.27%

LAB 18.01, 27.94, -49.27

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 82 / 17 / 0 / 34

HEX #1E8BA8

RGB 30 139 168

HSL 192.61, 0.7%, 0.39%

LAB 53.57, -19.05, -23.68

 

CMYK 82 / 17 / 0 / 14

HEX #27B6DB

RGB 39 182 219

HSL 192.33, 0.71%, 0.51%

LAB 68.75, -23.56, -28.88

 

CMYK 80 / 20 / 0 / 94

HEX #030C0F

RGB 3 12 15

HSL 195, 0.67%, 0.04%

LAB 2.86, -1.88, -2.21

 

CMYK 82 / 17 / 0 / 74

HEX #0C3742

RGB 12 55 66

HSL 192.22, 0.69%, 0.15%

LAB 20.84, -10.08, -11.04

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 50 / 83 / 0 / 54

HEX #3B1475

RGB 59 20 117

HSL 264.12, 0.71%, 0.27%

LAB 18.86, 40.33, -47.75

 

CMYK 0 / 17 / 83 / 54

HEX #756114

RGB 117 97 20

HSL 47.63, 0.71%, 0.27%

LAB 41.82, -0.22, 43.35

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 0 / 83 / 17 / 54

HEX #751461

RGB 117 20 97

HSL 312.37, 0.71%, 0.27%

LAB 27.14, 48.04, -20.94

 

CMYK 17 / 0 / 83 / 54

HEX #617514

RGB 97 117 20

HSL 72.37, 0.71%, 0.27%

LAB 46.06, -20.8, 46.49

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 50 / 83 / 0 / 54

HEX #3B1475

RGB 59 20 117

HSL 264.12, 0.71%, 0.27%

LAB 18.86, 40.33, -47.75

 

CMYK 0 / 67 / 83 / 54

HEX #752714

RGB 117 39 20

HSL 11.75, 0.71%, 0.27%

LAB 27.53, 33.21, 29.93

 

CMYK 33 / 0 / 83 / 54

HEX #4E7514

RGB 78 117 20

HSL 84.12, 0.71%, 0.27%

LAB 44.79, -28.94, 44.86

 

CMYK 82 / 17 / 0 / 54

HEX #156175

RGB 21 97 117

HSL 192.5, 0.7%, 0.27%

LAB 37.83, -14.79, -17.66

 

CMYK 25 / 83 / 0 / 54

HEX #581475

RGB 88 20 117

HSL 282.06, 0.71%, 0.27%

LAB 23.2, 45.35, -40.49

 

CMYK 0 / 67 / 83 / 54

HEX #752714

RGB 117 39 20

HSL 11.75, 0.71%, 0.27%

LAB 27.53, 33.21, 29.93

 

CMYK 58 / 0 / 83 / 54

HEX #317514

RGB 49 117 20

HSL 102.06, 0.71%, 0.27%

LAB 43.4, -39.17, 43.07

 

Description

Color code: RGB 21 97 117 | qconv.com Color code: RGB 21 97 117 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 97 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 97 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 82 cyan, 17 magenta, none yellow and 54 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
82% 17% 0% 54% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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