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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 88 18 it is the complementary color RGB 234 167 237. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 88 18. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 21 88 18: RGB 26 88 13, RGB 43 106 32, RGB 60 124 51, RGB 77 142 70 and RGB 94 160 89

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 88 18. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 21 88 18: RGB 21 88 18, RGB 4 70 0, RGB 0 52 0, RGB 0 34 0 and RGB 0 16 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

Complementary color

CMYK 1 / 30 / 0 / 7

HEX #EAA7ED

RGB 234 167 237

HSL 297.43, 0.66%, 0.79%

LAB 76.83, 35.92, -25.32

 

CMYK 70 / 0 / 85 / 65

HEX #1A580D

RGB 26 88 13

HSL 109.6, 0.74%, 0.2%

LAB 32.32, -34.53, 34.68

 

CMYK 59 / 0 / 70 / 58

HEX #2B6A20

RGB 43 106 32

HSL 111.08, 0.54%, 0.27%

LAB 39.46, -35.5, 34.3

 

CMYK 52 / 0 / 59 / 51

HEX #3C7C33

RGB 60 124 51

HSL 112.6, 0.42%, 0.34%

LAB 46.47, -35.84, 33.16

 

CMYK 46 / 0 / 51 / 44

HEX #4D8E46

RGB 77 142 70

HSL 114.17, 0.34%, 0.42%

LAB 53.35, -35.87, 31.84

 

CMYK 41 / 0 / 44 / 37

HEX #5EA059

RGB 94 160 89

HSL 115.77, 0.29%, 0.49%

LAB 60.11, -35.75, 30.51

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 94 / 0 / 100 / 73

HEX #044600

RGB 4 70 0

HSL 116.57, 1%, 0.14%

LAB 24.97, -33.24, 32.58

 

CMYK 100 / 0 / 100 / 80

HEX #003400

RGB 0 52 0

HSL 120, 1%, 0.1%

LAB 17.72, -28.01, 24.69

 

CMYK 100 / 0 / 100 / 87

HEX #002200

RGB 0 34 0

HSL 120, 1%, 0.07%

LAB 10.14, -20.27, 14.75

 

CMYK 100 / 0 / 100 / 94

HEX #001000

RGB 0 16 0

HSL 120, 1%, 0.03%

LAB 3.35, -6.84, 4.89

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 80 / 0 / 70 / 65

HEX #12581A

RGB 18 88 26

HSL 126.86, 0.66%, 0.21%

LAB 32.22, -35.01, 29.02

 

CMYK 80 / 0 / 57 / 65

HEX #125826

RGB 18 88 38

HSL 137.14, 0.66%, 0.21%

LAB 32.36, -33.27, 22.87

 

CMYK 80 / 0 / 43 / 65

HEX #125832

RGB 18 88 50

HSL 147.43, 0.66%, 0.21%

LAB 32.57, -30.97, 16.12

 

CMYK 80 / 0 / 31 / 65

HEX #12583D

RGB 18 88 61

HSL 156.86, 0.66%, 0.21%

LAB 32.8, -28.37, 9.71

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 76 / 0 / 80 / 45

HEX #218B1C

RGB 33 139 28

HSL 117.3, 0.66%, 0.33%

LAB 50.54, -50.21, 47.09

 

CMYK 76 / 0 / 79 / 25

HEX #2DBE27

RGB 45 190 39

HSL 117.62, 0.66%, 0.45%

LAB 67.67, -63.95, 60.09

 

CMYK 76 / 0 / 80 / 5

HEX #3AF131

RGB 58 241 49

HSL 117.19, 0.87%, 0.57%

LAB 83.98, -76.88, 72.69

 

CMYK 76 / 0 / 78 / 85

HEX #092508

RGB 9 37 8

HSL 117.93, 0.64%, 0.09%

LAB 11.95, -17.99, 14.07

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 80 / 11 / 0 / 65

HEX #124E58

RGB 18 78 88

HSL 188.57, 0.66%, 0.21%

LAB 30.11, -14.78, -11.31

 

CMYK 0 / 80 / 43 / 65

HEX #581232

RGB 88 18 50

HSL 332.57, 0.66%, 0.21%

LAB 18.96, 34.33, -2.03

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 80 / 76 / 0 / 65

HEX #121558

RGB 18 21 88

HSL 237.43, 0.66%, 0.21%

LAB 11.75, 24.56, -40.47

 

CMYK 0 / 80 / 76 / 65

HEX #581215

RGB 88 18 21

HSL 357.43, 0.66%, 0.21%

LAB 18.19, 31.82, 17.45

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 80 / 11 / 0 / 65

HEX #124E58

RGB 18 78 88

HSL 188.57, 0.66%, 0.21%

LAB 30.11, -14.78, -11.31

 

CMYK 3 / 80 / 0 / 65

HEX #551258

RGB 85 18 88

HSL 297.43, 0.66%, 0.21%

LAB 20.32, 39.45, -26.16

 

CMYK 0 / 68 / 80 / 65

HEX #581C12

RGB 88 28 18

HSL 8.57, 0.66%, 0.21%

LAB 19.84, 27.06, 21.31

 

CMYK 76 / 0 / 80 / 65

HEX #155812

RGB 21 88 18

HSL 117.43, 0.66%, 0.21%

LAB 32.22, -35.26, 32.64

 

CMYK 80 / 35 / 0 / 65

HEX #123958

RGB 18 57 88

HSL 206.57, 0.66%, 0.21%

LAB 22.86, -1.56, -22.55

 

CMYK 3 / 80 / 0 / 65

HEX #551258

RGB 85 18 88

HSL 297.43, 0.66%, 0.21%

LAB 20.32, 39.45, -26.16

 

CMYK 0 / 43 / 80 / 65

HEX #583212

RGB 88 50 18

HSL 27.43, 0.66%, 0.21%

LAB 24.95, 14.2, 26.81

 

Description

Color code: RGB 21 88 18 | qconv.com Color code: RGB 21 88 18 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 88 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 88 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 76 cyan, none magenta, 80 yellow and 65 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
76% 0% 80% 65% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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