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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 21 194 44 it is the complementary color RGB 234 61 211. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 21 194 44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 21 194 44: RGB 26 194 39, RGB 43 212 58, RGB 60 230 77, RGB 77 248 96 and RGB 94 255 115

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 21 194 44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 21 194 44: RGB 21 194 44, RGB 4 176 25, RGB 0 158 6, RGB 0 140 0 and RGB 0 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

Complementary color

CMYK 0 / 74 / 10 / 8

HEX #EA3DD3

RGB 234 61 211

HSL 307.98, 0.8%, 0.58%

LAB 57.59, 79.19, -40.71

 

CMYK 87 / 0 / 80 / 24

HEX #1AC227

RGB 26 194 39

HSL 124.64, 0.76%, 0.43%

LAB 68.71, -67.34, 60.99

 

CMYK 80 / 0 / 73 / 17

HEX #2BD43A

RGB 43 212 58

HSL 125.33, 0.66%, 0.5%

LAB 74.77, -69.58, 60.83

 

CMYK 74 / 0 / 67 / 10

HEX #3CE64D

RGB 60 230 77

HSL 126, 0.77%, 0.57%

LAB 80.79, -71.18, 60.09

 

CMYK 69 / 0 / 61 / 3

HEX #4DF860

RGB 77 248 96

HSL 126.67, 0.92%, 0.64%

LAB 86.78, -72.3, 59.05

 

CMYK 63 / 0 / 55 / 0

HEX #5EFF73

RGB 94 255 115

HSL 127.83, 1%, 0.68%

LAB 89.46, -69.33, 53.99

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 98 / 0 / 86 / 31

HEX #04B019

RGB 4 176 25

HSL 127.33, 0.96%, 0.35%

LAB 62.63, -64.29, 59.04

 

CMYK 100 / 0 / 96 / 38

HEX #009E06

RGB 0 158 6

HSL 122.28, 1%, 0.31%

LAB 56.55, -60.1, 57.25

 

CMYK 100 / 0 / 100 / 45

HEX #008C00

RGB 0 140 0

HSL 120, 1%, 0.27%

LAB 50.4, -55.17, 53.24

 

CMYK 100 / 0 / 100 / 52

HEX #007A00

RGB 0 122 0

HSL 120, 1%, 0.24%

LAB 44.12, -49.94, 48.2

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 89 / 0 / 64 / 25

HEX #15C045

RGB 21 192 69

HSL 136.84, 0.8%, 0.42%

LAB 68.23, -64.53, 49.46

 

CMYK 89 / 0 / 49 / 25

HEX #15C062

RGB 21 192 98

HSL 147.02, 0.8%, 0.42%

LAB 68.56, -60.49, 36.22

 

CMYK 89 / 0 / 34 / 25

HEX #15C07F

RGB 21 192 127

HSL 157.19, 0.8%, 0.42%

LAB 69.03, -54.99, 21.79

 

CMYK 89 / 0 / 19 / 25

HEX #15C09B

RGB 21 192 155

HSL 167.02, 0.8%, 0.42%

LAB 69.63, -48.41, 7.5

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 89 / 0 / 77 / 4

HEX #1BF538

RGB 27 245 56

HSL 127.98, 0.92%, 0.53%

LAB 84.91, -80.64, 71.46

 

CMYK 90 / 0 / 78 / 84

HEX #042909

RGB 4 41 9

HSL 128.11, 0.82%, 0.09%

LAB 13.42, -21.33, 15.61

 

CMYK 89 / 0 / 77 / 64

HEX #0A5C15

RGB 10 92 21

HSL 128.05, 0.8%, 0.2%

LAB 33.51, -38.21, 32.63

 

CMYK 90 / 0 / 78 / 44

HEX #0F8F20

RGB 15 143 32

HSL 127.97, 0.81%, 0.31%

LAB 51.67, -53.45, 46.73

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 89 / 28 / 0 / 25

HEX #158AC0

RGB 21 138 192

HSL 198.95, 0.8%, 0.42%

LAB 54.18, -10.59, -36.48

 

CMYK 0 / 89 / 64 / 25

HEX #C01545

RGB 192 21 69

HSL 343.16, 0.8%, 0.42%

LAB 41.49, 64.14, 19.91

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 79 / 89 / 0 / 25

HEX #2915C0

RGB 41 21 192

HSL 247.02, 0.8%, 0.42%

LAB 26.2, 59.52, -81.79

 

CMYK 0 / 79 / 89 / 25

HEX #C02915

RGB 192 41 21

HSL 7.02, 0.8%, 0.42%

LAB 42.53, 57.78, 48.19

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 89 / 28 / 0 / 25

HEX #158AC0

RGB 21 138 192

HSL 198.95, 0.8%, 0.42%

LAB 54.18, -10.59, -36.48

 

CMYK 0 / 89 / 10 / 25

HEX #C015AC

RGB 192 21 172

HSL 307.02, 0.8%, 0.42%

LAB 45.25, 74.34, -38.02

 

CMYK 0 / 61 / 89 / 25

HEX #C04B15

RGB 192 75 21

HSL 18.95, 0.8%, 0.42%

LAB 47.36, 44.64, 51.87

 

CMYK 89 / 0 / 77 / 24

HEX #15C22C

RGB 21 194 44

HSL 127.98, 0.8%, 0.42%

LAB 68.7, -67.4, 59.43

 

CMYK 89 / 55 / 0 / 25

HEX #1557C0

RGB 21 87 192

HSL 216.84, 0.8%, 0.42%

LAB 39.21, 21.16, -60.39

 

CMYK 0 / 89 / 10 / 25

HEX #C015AC

RGB 192 21 172

HSL 307.02, 0.8%, 0.42%

LAB 45.25, 74.34, -38.02

 

CMYK 0 / 34 / 89 / 25

HEX #C07F15

RGB 192 127 21

HSL 37.19, 0.8%, 0.42%

LAB 58.45, 17.48, 60.47

 

Description

Color code: RGB 21 194 44 | qconv.com Color code: RGB 21 194 44 | qconv.com - big

With this color, green stands out from the other colors. The value that represents the green hue is greater than the other two values. It stands out far from the value for the red and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 21 red, 194 green and 44 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
21 194 44 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 89 cyan, none magenta, 77 yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
89% 0% 77% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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