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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 96 73 it is the complementary color RGB 36 159 182. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 96 73. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 96 73: RGB 224 96 68, RGB 241 114 87, RGB 255 132 106, RGB 255 150 125 and RGB 255 168 144

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 96 73. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 96 73: RGB 219 96 73, RGB 202 78 54, RGB 185 60 35, RGB 168 42 16 and RGB 151 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

Complementary color

CMYK 80 / 13 / 0 / 29

HEX #249FB6

RGB 36 159 182

HSL 189.45, 0.67%, 0.43%

LAB 60.38, -24.25, -21.19

 

CMYK 0 / 57 / 70 / 12

HEX #E06044

RGB 224 96 68

HSL 10.77, 0.72%, 0.57%

LAB 56.71, 48.23, 40.47

 

CMYK 0 / 53 / 64 / 5

HEX #F17257

RGB 241 114 87

HSL 10.52, 0.85%, 0.64%

LAB 62.86, 46.9, 38.09

 

CMYK 0 / 48 / 58 / 0

HEX #FF846A

RGB 255 132 106

HSL 10.47, 1%, 0.71%

LAB 68.61, 44.49, 35.34

 

CMYK 0 / 41 / 51 / 0

HEX #FF967D

RGB 255 150 125

HSL 11.54, 1%, 0.75%

LAB 72.6, 36.9, 30.19

 

CMYK 0 / 34 / 44 / 0

HEX #FFA890

RGB 255 168 144

HSL 12.97, 1%, 0.78%

LAB 76.85, 29.37, 25.59

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 0 / 61 / 73 / 21

HEX #CA4E36

RGB 202 78 54

HSL 9.73, 0.58%, 0.5%

LAB 49.82, 47.96, 39.32

 

CMYK 0 / 68 / 81 / 27

HEX #B93C23

RGB 185 60 35

HSL 10, 0.68%, 0.43%

LAB 43.75, 49.1, 42.13

 

CMYK 0 / 75 / 90 / 34

HEX #A82A10

RGB 168 42 16

HSL 10.26, 0.83%, 0.36%

LAB 37.88, 49.88, 44.69

 

CMYK 0 / 84 / 100 / 41

HEX #971800

RGB 151 24 0

HSL 9.54, 1%, 0.3%

LAB 32.33, 49.88, 45.64

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 0 / 46 / 67 / 15

HEX #DA7647

RGB 218 118 71

HSL 19.18, 0.67%, 0.57%

LAB 60.17, 35.19, 42.62

 

CMYK 0 / 35 / 67 / 15

HEX #DA8E47

RGB 218 142 71

HSL 28.98, 0.67%, 0.57%

LAB 65.52, 22.45, 48.64

 

CMYK 0 / 23 / 67 / 15

HEX #DAA747

RGB 218 167 71

HSL 39.18, 0.67%, 0.57%

LAB 71.55, 9.02, 55.2

 

CMYK 0 / 12 / 67 / 15

HEX #DABF47

RGB 218 191 71

HSL 48.98, 0.67%, 0.57%

LAB 77.65, -3.62, 61.61

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 0 / 53 / 67 / 94

HEX #0F0705

RGB 15 7 5

HSL 12, 0.5%, 0.04%

LAB 2.39, 2.01, 1.56

 

CMYK 0 / 56 / 67 / 74

HEX #421D16

RGB 66 29 22

HSL 9.55, 0.5%, 0.17%

LAB 15.98, 17.15, 13.05

 

CMYK 0 / 56 / 67 / 54

HEX #753327

RGB 117 51 39

HSL 9.23, 0.5%, 0.31%

LAB 30.15, 28.02, 21.49

 

CMYK 0 / 56 / 67 / 34

HEX #A84A38

RGB 168 74 56

HSL 9.64, 0.5%, 0.44%

LAB 43.52, 37.39, 29.45

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 23 / 0 / 67 / 15

HEX #A7DA47

RGB 167 218 71

HSL 80.82, 0.67%, 0.57%

LAB 81.19, -37.64, 64.06

 

CMYK 67 / 50 / 0 / 15

HEX #476CDA

RGB 71 108 218

HSL 224.9, 0.67%, 0.57%

LAB 48.42, 22.75, -60.35

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 67 / 0 / 57 / 15

HEX #47DA5D

RGB 71 218 93

HSL 128.98, 0.67%, 0.57%

LAB 77.44, -63.69, 49.58

 

CMYK 57 / 67 / 0 / 15

HEX #5D47DA

RGB 93 71 218

HSL 248.98, 0.67%, 0.57%

LAB 41.05, 48.6, -72.26

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 23 / 0 / 67 / 15

HEX #A7DA47

RGB 167 218 71

HSL 80.82, 0.67%, 0.57%

LAB 81.19, -37.64, 64.06

 

CMYK 67 / 10 / 0 / 15

HEX #47C4DA

RGB 71 196 218

HSL 188.98, 0.67%, 0.57%

LAB 73.47, -27.28, -21.06

 

CMYK 44 / 67 / 0 / 15

HEX #7B47DA

RGB 123 71 218

HSL 261.22, 0.67%, 0.57%

LAB 43.91, 53.67, -67.46

 

CMYK 0 / 56 / 67 / 14

HEX #DB6049

RGB 219 96 73

HSL 9.45, 0.67%, 0.57%

LAB 55.99, 46.69, 36.7

 

CMYK 44 / 0 / 67 / 15

HEX #7BDA47

RGB 123 218 71

HSL 98.78, 0.67%, 0.57%

LAB 78.93, -52.94, 61.01

 

CMYK 67 / 10 / 0 / 15

HEX #47C4DA

RGB 71 196 218

HSL 188.98, 0.67%, 0.57%

LAB 73.47, -27.28, -21.06

 

CMYK 23 / 67 / 0 / 15

HEX #A747DA

RGB 167 71 218

HSL 279.18, 0.67%, 0.57%

LAB 49.23, 62.42, -58.6

 

Description

Color code: RGB 219 96 73 | qconv.com Color code: RGB 219 96 73 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 96 green and 73 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 96 73 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 56 magenta, 67 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 56% 67% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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