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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 56 155 it is the complementary color RGB 36 199 100. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 56 155. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 56 155: RGB 224 56 150, RGB 241 74 169, RGB 255 92 188, RGB 255 110 207 and RGB 255 128 226

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 56 155. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 56 155: RGB 219 56 155, RGB 202 38 136, RGB 185 20 117, RGB 168 2 98 and RGB 151 0 79

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

Complementary color

CMYK 82 / 0 / 50 / 22

HEX #24C764

RGB 36 199 100

HSL 143.56, 0.69%, 0.46%

LAB 70.97, -61.26, 38.27

 

CMYK 0 / 75 / 33 / 12

HEX #E03896

RGB 224 56 150

HSL 326.43, 0.73%, 0.55%

LAB 52.82, 70.62, -12.78

 

CMYK 0 / 69 / 30 / 5

HEX #F14AA9

RGB 241 74 169

HSL 325.87, 0.86%, 0.62%

LAB 58.47, 71.23, -15.11

 

CMYK 0 / 64 / 26 / 0

HEX #FF5CBC

RGB 255 92 188

HSL 324.66, 1%, 0.68%

LAB 63.79, 70.56, -17.76

 

CMYK 0 / 57 / 19 / 0

HEX #FF6ECF

RGB 255 110 207

HSL 319.86, 1%, 0.72%

LAB 67.21, 65.61, -23.27

 

CMYK 0 / 50 / 11 / 0

HEX #FF80E2

RGB 255 128 226

HSL 313.7, 1%, 0.75%

LAB 71, 60.22, -28.02

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 0 / 81 / 33 / 21

HEX #CA2688

RGB 202 38 136

HSL 324.15, 0.68%, 0.47%

LAB 46.61, 68.66, -14.15

 

CMYK 0 / 89 / 37 / 27

HEX #B91475

RGB 185 20 117

HSL 324.73, 0.8%, 0.4%

LAB 41.37, 66.38, -10.7

 

CMYK 0 / 99 / 42 / 34

HEX #A80262

RGB 168 2 98

HSL 325.3, 0.98%, 0.33%

LAB 36.46, 62.98, -6.42

 

CMYK 0 / 100 / 48 / 41

HEX #97004F

RGB 151 0 79

HSL 328.61, 1%, 0.3%

LAB 32.13, 57.68, -0.88

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 0 / 74 / 41 / 15

HEX #DA3881

RGB 218 56 129

HSL 332.96, 0.69%, 0.54%

LAB 51.06, 66.9, -2.96

 

CMYK 0 / 74 / 53 / 15

HEX #DA3866

RGB 218 56 102

HSL 342.96, 0.69%, 0.54%

LAB 50.33, 64.56, 12.33

 

CMYK 0 / 74 / 66 / 15

HEX #DA384B

RGB 218 56 75

HSL 352.96, 0.69%, 0.54%

LAB 49.79, 62.8, 27.91

 

CMYK 0 / 71 / 74 / 15

HEX #DA4038

RGB 218 64 56

HSL 2.96, 0.69%, 0.54%

LAB 50.52, 59.14, 39.77

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 0 / 73 / 27 / 94

HEX #0F040B

RGB 15 4 11

HSL 321.82, 0.58%, 0.04%

LAB 1.92, 4.05, -1.58

 

CMYK 0 / 74 / 29 / 74

HEX #42112F

RGB 66 17 47

HSL 323.27, 0.59%, 0.16%

LAB 14.2, 27.15, -7.48

 

CMYK 0 / 74 / 29 / 54

HEX #751E53

RGB 117 30 83

HSL 323.45, 0.59%, 0.29%

LAB 27.67, 42.68, -10.92

 

CMYK 0 / 74 / 29 / 34

HEX #A82B77

RGB 168 43 119

HSL 323.52, 0.59%, 0.41%

LAB 40.22, 56.75, -14

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 0 / 31 / 74 / 15

HEX #DA9738

RGB 218 151 56

HSL 35.19, 0.69%, 0.54%

LAB 67.52, 16.85, 57.53

 

CMYK 74 / 0 / 1 / 15

HEX #38DAD7

RGB 56 218 215

HSL 178.89, 0.69%, 0.54%

LAB 79.55, -40.41, -10.32

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 28 / 0 / 74 / 15

HEX #9CDA38

RGB 156 218 56

HSL 82.96, 0.69%, 0.54%

LAB 80.46, -42.65, 68.44

 

CMYK 74 / 28 / 0 / 15

HEX #389CDA

RGB 56 156 218

HSL 202.96, 0.69%, 0.54%

LAB 61.38, -8.22, -39.76

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 0 / 31 / 74 / 15

HEX #DA9738

RGB 218 151 56

HSL 35.19, 0.69%, 0.54%

LAB 67.52, 16.85, 57.53

 

CMYK 74 / 0 / 46 / 15

HEX #38DA76

RGB 56 218 118

HSL 142.96, 0.69%, 0.54%

LAB 77.45, -62.49, 37.6

 

CMYK 74 / 43 / 0 / 15

HEX #387CDA

RGB 56 124 218

HSL 214.81, 0.69%, 0.54%

LAB 52.19, 10.68, -54.31

 

CMYK 0 / 74 / 29 / 14

HEX #DB389B

RGB 219 56 155

HSL 323.56, 0.69%, 0.54%

LAB 52.12, 69.94, -16.88

 

CMYK 0 / 9 / 74 / 15

HEX #DAC738

RGB 218 199 56

HSL 52.96, 0.69%, 0.54%

LAB 79.64, -8.46, 69.21

 

CMYK 74 / 0 / 46 / 15

HEX #38DA76

RGB 56 218 118

HSL 142.96, 0.69%, 0.54%

LAB 77.45, -62.49, 37.6

 

CMYK 74 / 66 / 0 / 15

HEX #384BDA

RGB 56 75 218

HSL 232.96, 0.69%, 0.54%

LAB 39.47, 41.52, -74.94

 

Description

Color code: RGB 219 56 155 | qconv.com Color code: RGB 219 56 155 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 56 green and 155 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 56 155 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 74 magenta, 29 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 74% 29% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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