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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 53 152 it is the complementary color RGB 36 202 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 53 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 219 53 152 shade: RGB 224 53 147, RGB 241 71 166, RGB 255 89 185, RGB 255 107 204 and RGB 255 125 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 53 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 219 53 152 shade: RGB 219 53 152, RGB 202 35 133, RGB 185 17 114, RGB 168 0 95 and RGB 151 0 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 219 53 152 shade: RGB 219 51 151, RGB 219 51 106, RGB 219 51 61 and RGB 219 51 51

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 219 53 152 shade: RGB 219 51 151, RGB 219 51 197, RGB 196 51 219, RGB 151 51 219 and RGB 106 51 219

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 219 53 152 shade matches the following richer shades: RGB 219 51 151 and RGB 238 32 155

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 219 53 152 shade: RGB 219 51 151, RGB 200 71 148, RGB 180 90 144, RGB 161 109 140 and RGB 141 129 136

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 219 53 152 shade: RGB 197 51 219, RGB 219 51 197, RGB 219 51 152, RGB 219 51 107 and RGB 219 51 62

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 219 53 152 shade: RGB 160 28 107, RGB 195 34 130, RGB 219 51 151, RGB 225 86 169 and RGB 231 121 187

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 219 53 152 shade: RGB 219 53 152, RGB 219 152 51 and RGB 51 219 219

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 219 53 152 shade: RGB 219 53 152, RGB 152 219 51 and RGB 51 152 219

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 219 53 152 shade: RGB 219 53 152, RGB 219 152 51, RGB 51 219 118 and RGB 51 118 219

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 219 53 152 shade: RGB 219 53 152, RGB 219 202 51, RGB 51 219 118 and RGB 51 68 219

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 76 / 31 / 14

HEX #DB3598

RGB 219 53 152

HSL 324.22, 0.7%, 0.53%

LAB 51.69, 70.5, -15.75

 

Complementary color

CMYK 82 / 0 / 49 / 21

HEX #24CA67

RGB 36 202 103

HSL 144.22, 0.7%, 0.47%

LAB 71.96, -61.8, 38.03

 

CMYK 0 / 76 / 34 / 12

HEX #E03593

RGB 224 53 147

HSL 327.02, 0.73%, 0.54%

LAB 52.4, 71.18, -11.63

 

CMYK 0 / 71 / 31 / 5

HEX #F147A6

RGB 241 71 166

HSL 326.47, 0.86%, 0.61%

LAB 58, 71.92, -14.08

 

CMYK 0 / 65 / 27 / 0

HEX #FF59B9

RGB 255 89 185

HSL 325.3, 1%, 0.67%

LAB 63.27, 71.35, -16.84

 

CMYK 0 / 58 / 20 / 0

HEX #FF6BCC

RGB 255 107 204

HSL 320.68, 1%, 0.71%

LAB 66.62, 66.49, -22.49

 

CMYK 0 / 51 / 13 / 0

HEX #FF7DDF

RGB 255 125 223

HSL 314.77, 1%, 0.75%

LAB 70.35, 61.17, -27.36

 

CMYK 0 / 76 / 31 / 14

HEX #DB3598

RGB 219 53 152

HSL 324.22, 0.7%, 0.53%

LAB 51.69, 70.5, -15.75

 

CMYK 0 / 83 / 34 / 21

HEX #CA2385

RGB 202 35 133

HSL 324.79, 0.7%, 0.46%

LAB 46.25, 69.04, -12.87

 

CMYK 0 / 91 / 38 / 27

HEX #B91172

RGB 185 17 114

HSL 325.36, 0.83%, 0.4%

LAB 41.1, 66.54, -9.23

 

CMYK 0 / 100 / 43 / 34

HEX #A8005F

RGB 168 0 95

HSL 326.07, 1%, 0.33%

LAB 36.27, 62.95, -4.77

 

CMYK 0 / 100 / 50 / 41

HEX #97004C

RGB 151 0 76

HSL 329.8, 1%, 0.3%

LAB 32.04, 57.43, 0.96

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 77 / 52 / 14

HEX #DB336A

RGB 219 51 106

HSL 340.36, 0.7%, 0.53%

LAB 50.06, 66.68, 9.55

 

CMYK 0 / 77 / 72 / 14

HEX #DB333D

RGB 219 51 61

HSL 356.43, 0.7%, 0.53%

LAB 49.21, 63.98, 35.5

 

CMYK 0 / 77 / 77 / 14

HEX #DB3333

RGB 219 51 51

HSL 0, 0.7%, 0.53%

LAB 49.09, 63.6, 41.04

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 77 / 10 / 14

HEX #DB33C5

RGB 219 51 197

HSL 307.86, 0.7%, 0.53%

LAB 53.45, 76.83, -39.38

 

CMYK 11 / 77 / 0 / 14

HEX #C433DB

RGB 196 51 219

HSL 291.79, 0.7%, 0.53%

LAB 50.94, 75.67, -56.2

 

CMYK 31 / 77 / 0 / 14

HEX #9733DB

RGB 151 51 219

HSL 275.71, 0.7%, 0.53%

LAB 44.32, 67.59, -67.22

 

CMYK 52 / 77 / 0 / 14

HEX #6A33DB

RGB 106 51 219

HSL 259.64, 0.7%, 0.53%

LAB 38.81, 60.74, -76.47

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 87 / 35 / 7

HEX #EE209B

RGB 238 32 155

HSL 324.17, 0.86%, 0.53%

LAB 53.57, 80.02, -14.36

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 65 / 26 / 22

HEX #C84794

RGB 200 71 148

HSL 324.19, 0.54%, 0.53%

LAB 50.6, 58.65, -15.34

 

CMYK 0 / 50 / 20 / 29

HEX #B45A90

RGB 180 90 144

HSL 324, 0.38%, 0.53%

LAB 50.72, 43.16, -13.06

 

CMYK 0 / 32 / 13 / 37

HEX #A16D8C

RGB 161 109 140

HSL 324.23, 0.22%, 0.53%

LAB 52.3, 25.56, -8.58

 

CMYK 0 / 9 / 4 / 45

HEX #8D8188

RGB 141 129 136

HSL 325, 0.05%, 0.53%

LAB 55.22, 5.86, -2.13

 

CMYK 10 / 77 / 0 / 14

HEX #C533DB

RGB 197 51 219

HSL 292.14, 0.7%, 0.53%

LAB 51.1, 75.86, -55.94

 

CMYK 0 / 77 / 10 / 14

HEX #DB33C5

RGB 219 51 197

HSL 307.86, 0.7%, 0.53%

LAB 53.45, 76.83, -39.38

 

CMYK 0 / 77 / 31 / 14

HEX #DB3398

RGB 219 51 152

HSL 323.93, 0.7%, 0.53%

LAB 51.49, 71.07, -16.06

 

CMYK 0 / 77 / 51 / 14

HEX #DB336B

RGB 219 51 107

HSL 340, 0.7%, 0.53%

LAB 50.08, 66.76, 8.98

 

CMYK 0 / 77 / 72 / 14

HEX #DB333E

RGB 219 51 62

HSL 356.07, 0.7%, 0.53%

LAB 49.22, 64.03, 34.93

 

CMYK 0 / 83 / 33 / 37

HEX #A01C6B

RGB 160 28 107

HSL 324.09, 0.7%, 0.37%

LAB 36.68, 57.74, -11.99

 

CMYK 0 / 83 / 33 / 24

HEX #C32282

RGB 195 34 130

HSL 324.22, 0.7%, 0.45%

LAB 44.74, 67.3, -13.45

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 62 / 25 / 12

HEX #E156A9

RGB 225 86 169

HSL 324.17, 0.7%, 0.61%

LAB 57.59, 62.26, -16.69

 

CMYK 0 / 48 / 19 / 9

HEX #E779BB

RGB 231 121 187

HSL 324, 0.7%, 0.69%

LAB 65.16, 50.43, -15.44

 

CMYK 0 / 76 / 31 / 14

HEX #DB3598

RGB 219 53 152

HSL 324.22, 0.7%, 0.53%

LAB 51.69, 70.5, -15.75

 

CMYK 0 / 31 / 77 / 14

HEX #DB9833

RGB 219 152 51

HSL 36.07, 0.7%, 0.53%

LAB 67.84, 16.53, 59.9

 

CMYK 77 / 0 / 0 / 14

HEX #33DBDB

RGB 51 219 219

HSL 180, 0.7%, 0.53%

LAB 79.89, -40.23, -11.96

 

CMYK 0 / 76 / 31 / 14

HEX #DB3598

RGB 219 53 152

HSL 324.22, 0.7%, 0.53%

LAB 51.69, 70.5, -15.75

 

CMYK 31 / 0 / 77 / 14

HEX #98DB33

RGB 152 219 51

HSL 83.93, 0.7%, 0.53%

LAB 80.5, -44.8, 69.98

 

CMYK 77 / 31 / 0 / 14

HEX #3398DB

RGB 51 152 219

HSL 203.93, 0.7%, 0.53%

LAB 60.14, -6.2, -42.27

 

CMYK 0 / 76 / 31 / 14

HEX #DB3598

RGB 219 53 152

HSL 324.22, 0.7%, 0.53%

LAB 51.69, 70.5, -15.75

 

CMYK 0 / 31 / 77 / 14

HEX #DB9833

RGB 219 152 51

HSL 36.07, 0.7%, 0.53%

LAB 67.84, 16.53, 59.9

 

CMYK 77 / 0 / 46 / 14

HEX #33DB76

RGB 51 219 118

HSL 143.93, 0.7%, 0.53%

LAB 77.68, -63.5, 37.88

 

CMYK 77 / 46 / 0 / 14

HEX #3376DB

RGB 51 118 219

HSL 216.07, 0.7%, 0.53%

LAB 50.42, 14.18, -57.72

 

CMYK 0 / 76 / 31 / 14

HEX #DB3598

RGB 219 53 152

HSL 324.22, 0.7%, 0.53%

LAB 51.69, 70.5, -15.75

 

CMYK 0 / 8 / 77 / 14

HEX #DBCA33

RGB 219 202 51

HSL 53.93, 0.7%, 0.53%

LAB 80.48, -9.75, 71.66

 

CMYK 77 / 0 / 46 / 14

HEX #33DB76

RGB 51 219 118

HSL 143.93, 0.7%, 0.53%

LAB 77.68, -63.5, 37.88

 

CMYK 77 / 69 / 0 / 14

HEX #3344DB

RGB 51 68 219

HSL 233.93, 0.7%, 0.53%

LAB 37.76, 45.62, -78.34

 

Description

Color code: RGB 219 53 152 | qconv.com Color code: RGB 219 53 152 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 53 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 53 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 76 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 76% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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