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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #DB3397 it is the complementary color #24CC68. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #DB3397. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #DB3397: #E03392, #F145A5, #FF57B8, #FF69CB and #FF7BDE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #DB3397. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #DB3397: #DB3397, #CA2184, #B90F71, #A8005E and #97004B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

Complementary color

CMYK 82 / 0 / 49 / 20

HEX #24CC68

RGB 36 204 104

HSL 144.29, 0.7%, 0.47%

LAB 72.6, -62.32, 38.34

 

CMYK 0 / 77 / 35 / 12

HEX #E03392

RGB 224 51 146

HSL 327.05, 0.74%, 0.54%

LAB 52.16, 71.64, -11.38

 

CMYK 0 / 71 / 32 / 5

HEX #F145A5

RGB 241 69 165

HSL 326.51, 0.86%, 0.61%

LAB 57.73, 72.48, -13.91

 

CMYK 0 / 66 / 28 / 0

HEX #FF57B8

RGB 255 87 184

HSL 325.36, 1%, 0.67%

LAB 62.96, 71.98, -16.74

 

CMYK 0 / 59 / 20 / 0

HEX #FF69CB

RGB 255 105 203

HSL 320.8, 1%, 0.71%

LAB 66.27, 67.21, -22.47

 

CMYK 0 / 52 / 13 / 0

HEX #FF7BDE

RGB 255 123 222

HSL 315, 1%, 0.74%

LAB 69.97, 61.94, -27.4

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 84 / 35 / 21

HEX #CA2184

RGB 202 33 132

HSL 324.85, 0.72%, 0.46%

LAB 46.06, 69.38, -12.55

 

CMYK 0 / 92 / 39 / 27

HEX #B90F71

RGB 185 15 113

HSL 325.41, 0.85%, 0.39%

LAB 40.97, 66.72, -8.8

 

CMYK 0 / 100 / 44 / 34

HEX #A8005E

RGB 168 0 94

HSL 326.43, 1%, 0.33%

LAB 36.24, 62.86, -4.18

 

CMYK 0 / 100 / 50 / 41

HEX #97004B

RGB 151 0 75

HSL 330.2, 1%, 0.3%

LAB 32, 57.35, 1.57

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 77 / 44 / 14

HEX #DB337B

RGB 219 51 123

HSL 334.29, 0.7%, 0.53%

LAB 50.52, 68.11, -0.1

 

CMYK 0 / 77 / 57 / 14

HEX #DB335F

RGB 219 51 95

HSL 344.29, 0.7%, 0.53%

LAB 49.8, 65.87, 15.89

 

CMYK 0 / 77 / 69 / 14

HEX #DB3344

RGB 219 51 68

HSL 353.93, 0.7%, 0.53%

LAB 49.31, 64.3, 31.51

 

CMYK 0 / 72 / 77 / 14

HEX #DB3E33

RGB 219 62 51

HSL 3.93, 0.7%, 0.53%

LAB 50.39, 59.99, 42.42

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 80 / 33 / 94

HEX #0F030A

RGB 15 3 10

HSL 325, 0.67%, 0.04%

LAB 1.7, 4.31, -1.48

 

CMYK 0 / 77 / 30 / 74

HEX #420F2E

RGB 66 15 46

HSL 323.53, 0.63%, 0.16%

LAB 13.81, 27.94, -7.35

 

CMYK 0 / 77 / 31 / 54

HEX #751B51

RGB 117 27 81

HSL 324, 0.63%, 0.28%

LAB 27.19, 43.54, -10.33

 

CMYK 0 / 77 / 31 / 34

HEX #A82774

RGB 168 39 116

HSL 324.19, 0.62%, 0.41%

LAB 39.64, 57.69, -13.01

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 77 / 0 / 0 / 14

HEX #33DBDB

RGB 51 219 219

HSL 180, 0.7%, 0.53%

LAB 79.89, -40.23, -11.96

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 31 / 0 / 77 / 14

HEX #97DB33

RGB 151 219 51

HSL 84.29, 0.7%, 0.53%

LAB 80.45, -45.17, 69.91

 

CMYK 77 / 31 / 0 / 14

HEX #3397DB

RGB 51 151 219

HSL 204.29, 0.7%, 0.53%

LAB 59.84, -5.63, -42.73

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 31 / 77 / 14

HEX #DB9733

RGB 219 151 51

HSL 35.71, 0.7%, 0.53%

LAB 67.6, 17.07, 59.67

 

CMYK 77 / 0 / 46 / 14

HEX #33DB76

RGB 51 219 118

HSL 143.93, 0.7%, 0.53%

LAB 77.68, -63.5, 37.88

 

CMYK 77 / 46 / 0 / 14

HEX #3376DB

RGB 51 118 219

HSL 216.07, 0.7%, 0.53%

LAB 50.42, 14.18, -57.72

 

CMYK 0 / 77 / 31 / 14

HEX #DB3397

RGB 219 51 151

HSL 324.29, 0.7%, 0.53%

LAB 51.45, 70.96, -15.52

 

CMYK 0 / 8 / 77 / 14

HEX #DBCA33

RGB 219 202 51

HSL 53.93, 0.7%, 0.53%

LAB 80.48, -9.75, 71.66

 

CMYK 77 / 0 / 46 / 14

HEX #33DB76

RGB 51 219 118

HSL 143.93, 0.7%, 0.53%

LAB 77.68, -63.5, 37.88

 

CMYK 77 / 69 / 0 / 14

HEX #3344DB

RGB 51 68 219

HSL 233.93, 0.7%, 0.53%

LAB 37.76, 45.62, -78.34

 

Description

Color code: HEX #DB3397 | qconv.com Color code: HEX #DB3397 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 51 green and 151 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 51 151 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 77 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 77% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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