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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 44 14 it is the complementary color RGB 36 211 241. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 44 14. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 44 14: RGB 224 44 9, RGB 241 62 28, RGB 255 80 47, RGB 255 98 66 and RGB 255 116 85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 44 14. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 44 14: RGB 219 44 14, RGB 202 26 0, RGB 185 8 0, RGB 168 0 0 and RGB 151 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

Complementary color

CMYK 85 / 12 / 0 / 5

HEX #24D3F1

RGB 36 211 241

HSL 188.78, 0.88%, 0.54%

LAB 78.06, -31.05, -26.5

 

CMYK 0 / 80 / 96 / 12

HEX #E02C09

RGB 224 44 9

HSL 9.77, 0.92%, 0.46%

LAB 49.09, 66.14, 59.47

 

CMYK 0 / 74 / 88 / 5

HEX #F13E1C

RGB 241 62 28

HSL 9.58, 0.88%, 0.53%

LAB 54.27, 66.12, 58.33

 

CMYK 0 / 69 / 82 / 0

HEX #FF502F

RGB 255 80 47

HSL 9.52, 1%, 0.59%

LAB 59.16, 64.63, 55.26

 

CMYK 0 / 62 / 74 / 0

HEX #FF6242

RGB 255 98 66

HSL 10.16, 1%, 0.63%

LAB 61.99, 58.08, 48.77

 

CMYK 0 / 55 / 67 / 0

HEX #FF7455

RGB 255 116 85

HSL 10.94, 1%, 0.67%

LAB 65.28, 50.9, 42.56

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 0 / 87 / 100 / 21

HEX #CA1A00

RGB 202 26 0

HSL 7.72, 1%, 0.4%

LAB 43.2, 63.99, 56.8

 

CMYK 0 / 96 / 100 / 27

HEX #B90800

RGB 185 8 0

HSL 2.59, 1%, 0.36%

LAB 38.7, 62.07, 52.92

 

CMYK 0 / 100 / 100 / 34

HEX #A80000

RGB 168 0 0

HSL 0, 1%, 0.33%

LAB 34.65, 58.61, 48.93

 

CMYK 0 / 100 / 100 / 41

HEX #970000

RGB 151 0 0

HSL 0, 1%, 0.3%

LAB 30.83, 54.19, 44.61

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 0 / 65 / 94 / 14

HEX #DC4C0E

RGB 220 76 14

HSL 18.06, 0.88%, 0.46%

LAB 52.3, 54.07, 59.73

 

CMYK 0 / 50 / 94 / 14

HEX #DC6E0E

RGB 220 110 14

HSL 27.96, 0.88%, 0.46%

LAB 58.41, 38.21, 63.77

 

CMYK 0 / 35 / 94 / 14

HEX #DC900E

RGB 220 144 14

HSL 37.86, 0.88%, 0.46%

LAB 65.9, 20.33, 69

 

CMYK 0 / 19 / 94 / 14

HEX #DCB30E

RGB 220 179 14

HSL 48.06, 0.88%, 0.46%

LAB 74.5, 1.66, 75.26

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 0 / 80 / 93 / 94

HEX #0F0301

RGB 15 3 1

HSL 8.57, 0.88%, 0.03%

LAB 1.53, 3.05, 1.93

 

CMYK 0 / 80 / 94 / 74

HEX #420D04

RGB 66 13 4

HSL 8.71, 0.89%, 0.14%

LAB 12.32, 24.88, 17.4

 

CMYK 0 / 79 / 94 / 54

HEX #751807

RGB 117 24 7

HSL 9.27, 0.89%, 0.24%

LAB 25.11, 39.17, 33.93

 

CMYK 0 / 80 / 93 / 34

HEX #A8220B

RGB 168 34 11

HSL 8.79, 0.88%, 0.35%

LAB 36.92, 52.41, 45.94

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 31 / 0 / 94 / 14

HEX #97DC0E

RGB 151 220 14

HSL 80.1, 0.88%, 0.46%

LAB 80.63, -46.75, 77.75

 

CMYK 94 / 69 / 0 / 14

HEX #0E45DC

RGB 14 69 220

HSL 223.98, 0.88%, 0.46%

LAB 36.96, 43.28, -80.26

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 94 / 0 / 81 / 14

HEX #0EDC29

RGB 14 220 41

HSL 127.86, 0.88%, 0.46%

LAB 76.94, -75.32, 68.11

 

CMYK 81 / 94 / 0 / 14

HEX #290EDC

RGB 41 14 220

HSL 247.86, 0.88%, 0.46%

LAB 29.29, 68.77, -92.96

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 31 / 0 / 94 / 14

HEX #97DC0E

RGB 151 220 14

HSL 80.1, 0.88%, 0.46%

LAB 80.63, -46.75, 77.75

 

CMYK 94 / 13 / 0 / 14

HEX #0EC0DC

RGB 14 192 220

HSL 188.16, 0.88%, 0.46%

LAB 71.53, -29.62, -25.18

 

CMYK 63 / 94 / 0 / 14

HEX #520EDC

RGB 82 14 220

HSL 259.81, 0.88%, 0.46%

LAB 32.43, 70.5, -87.66

 

CMYK 0 / 80 / 94 / 14

HEX #DB2C0E

RGB 219 44 14

HSL 8.78, 0.88%, 0.46%

LAB 48.13, 64.76, 57.06

 

CMYK 60 / 0 / 94 / 14

HEX #59DC0E

RGB 89 220 14

HSL 98.16, 0.88%, 0.46%

LAB 78.08, -65.86, 74.63

 

CMYK 94 / 13 / 0 / 14

HEX #0EC0DC

RGB 14 192 220

HSL 188.16, 0.88%, 0.46%

LAB 71.53, -29.62, -25.18

 

CMYK 35 / 94 / 0 / 14

HEX #900EDC

RGB 144 14 220

HSL 277.86, 0.88%, 0.46%

LAB 40.26, 76.03, -74.46

 

Description

Color code: RGB 219 44 14 | qconv.com Color code: RGB 219 44 14 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 44 green and 14 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 44 14 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 94 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 94% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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