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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 185 152 it is the complementary color RGB 36 70 103. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 185 152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 185 152: RGB 224 185 147, RGB 241 203 166, RGB 255 221 185, RGB 255 239 204 and RGB 255 255 223

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 185 152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 185 152: RGB 219 185 152, RGB 202 167 133, RGB 185 149 114, RGB 168 131 95 and RGB 151 113 76

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

Complementary color

CMYK 65 / 32 / 0 / 60

HEX #244667

RGB 36 70 103

HSL 209.55, 0.48%, 0.27%

LAB 28.73, -1, -22.99

 

CMYK 0 / 17 / 34 / 12

HEX #E0B993

RGB 224 185 147

HSL 29.61, 0.55%, 0.73%

LAB 77.67, 8.72, 24.55

 

CMYK 0 / 16 / 31 / 5

HEX #F1CBA6

RGB 241 203 166

HSL 29.6, 0.73%, 0.8%

LAB 84.05, 8.16, 23.46

 

CMYK 0 / 13 / 27 / 0

HEX #FFDDB9

RGB 255 221 185

HSL 30.86, 1%, 0.86%

LAB 90.08, 6.54, 22.03

 

CMYK 0 / 6 / 20 / 0

HEX #FFEFCC

RGB 255 239 204

HSL 41.18, 1%, 0.9%

LAB 94.89, -0.04, 18.89

NCS® S0510-Y20R

CMYK 0 / 0 / 13 / 0

HEX #FFFFDF

RGB 255 255 223

HSL 60, 1%, 0.94%

LAB 99.26, -5.26, 15.31

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 0 / 17 / 34 / 21

HEX #CAA785

RGB 202 167 133

HSL 29.57, 0.39%, 0.66%

LAB 70.79, 7.96, 22.4

 

CMYK 0 / 19 / 38 / 27

HEX #B99572

RGB 185 149 114

HSL 29.58, 0.34%, 0.59%

LAB 64.18, 8.61, 23.59

 

CMYK 0 / 22 / 43 / 34

HEX #A8835F

RGB 168 131 95

HSL 29.59, 0.3%, 0.52%

LAB 57.45, 9.36, 24.88

 

CMYK 0 / 25 / 50 / 41

HEX #97714C

RGB 151 113 76

HSL 29.6, 0.33%, 0.45%

LAB 50.58, 10.26, 26.3

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 0 / 11 / 30 / 14

HEX #DBC499

RGB 219 196 153

HSL 39.09, 0.48%, 0.73%

LAB 80.09, 1.73, 24.58

 

CMYK 0 / 5 / 30 / 14

HEX #DBCF99

RGB 219 207 153

HSL 49.09, 0.48%, 0.73%

LAB 82.91, -3.99, 28.39

 

CMYK 0 / 0 / 30 / 14

HEX #DBDA99

RGB 219 218 153

HSL 59.09, 0.48%, 0.73%

LAB 85.76, -9.61, 32.2

 

CMYK 5 / 0 / 30 / 14

HEX #D1DB99

RGB 209 219 153

HSL 69.09, 0.48%, 0.73%

LAB 85.26, -13.89, 31.4

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 0 / 13 / 33 / 94

HEX #0F0D0A

RGB 15 13 10

HSL 36, 0.2%, 0.05%

LAB 3.72, 0.2, 1.46

 

CMYK 0 / 15 / 30 / 74

HEX #42382E

RGB 66 56 46

HSL 30, 0.18%, 0.22%

LAB 24.27, 2.54, 7.88

 

CMYK 0 / 15 / 31 / 54

HEX #756351

RGB 117 99 81

HSL 30, 0.18%, 0.39%

LAB 43.21, 4.25, 12.91

 

CMYK 0 / 15 / 30 / 34

HEX #A88E75

RGB 168 142 117

HSL 29.41, 0.23%, 0.56%

LAB 60.74, 5.95, 16.97

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 21 / 0 / 30 / 14

HEX #AEDB99

RGB 174 219 153

HSL 100.91, 0.48%, 0.73%

LAB 82.89, -26.61, 27.82

 

CMYK 28 / 30 / 0 / 14

HEX #9E99DB

RGB 158 153 219

HSL 244.55, 0.48%, 0.73%

LAB 65.88, 16.32, -32.9

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 30 / 0 / 16 / 14

HEX #99DBB9

RGB 153 219 185

HSL 149.09, 0.48%, 0.73%

LAB 82.35, -27.88, 10.11

 

CMYK 16 / 30 / 0 / 14

HEX #B999DB

RGB 185 153 219

HSL 269.09, 0.48%, 0.73%

LAB 68.18, 24.5, -29.16

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 21 / 0 / 30 / 14

HEX #AEDB99

RGB 174 219 153

HSL 100.91, 0.48%, 0.73%

LAB 82.89, -26.61, 27.82

 

CMYK 30 / 15 / 0 / 14

HEX #99BBDB

RGB 153 187 219

HSL 209.09, 0.48%, 0.73%

LAB 74.46, -4.03, -19.77

 

CMYK 10 / 30 / 0 / 14

HEX #C699DB

RGB 198 153 219

HSL 280.91, 0.48%, 0.73%

LAB 69.4, 28.59, -27.18

 

CMYK 0 / 16 / 31 / 14

HEX #DBB998

RGB 219 185 152

HSL 29.55, 0.48%, 0.73%

LAB 77.3, 7.4, 21.3

 

CMYK 30 / 0 / 30 / 14

HEX #9ADB99

RGB 154 219 153

HSL 119.09, 0.48%, 0.73%

LAB 81.75, -33.34, 26.08

 

CMYK 30 / 15 / 0 / 14

HEX #99BBDB

RGB 153 187 219

HSL 209.09, 0.48%, 0.73%

LAB 74.46, -4.03, -19.77

 

CMYK 0 / 30 / 0 / 14

HEX #DA99DB

RGB 218 153 219

HSL 299.09, 0.48%, 0.73%

LAB 71.42, 34.97, -23.9

 

Description

Color code: RGB 219 185 152 | qconv.com Color code: RGB 219 185 152 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 185 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 185 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 31 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 31% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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