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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 219 124 105 it is the complementary color RGB 36 131 150. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 219 124 105. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 219 124 105: RGB 224 124 100, RGB 241 142 119, RGB 255 160 138, RGB 255 178 157 and RGB 255 196 176

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 219 124 105. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 219 124 105: RGB 219 124 105, RGB 202 106 86, RGB 185 88 67, RGB 168 70 48 and RGB 151 52 29

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

Complementary color

CMYK 76 / 13 / 0 / 41

HEX #248396

RGB 36 131 150

HSL 190, 0.61%, 0.36%

LAB 50.46, -20.25, -18

 

CMYK 0 / 45 / 55 / 12

HEX #E07C64

RGB 224 124 100

HSL 11.61, 0.67%, 0.64%

LAB 62.66, 36.41, 30.18

 

CMYK 0 / 41 / 51 / 5

HEX #F18E77

RGB 241 142 119

HSL 11.31, 0.81%, 0.71%

LAB 69.02, 35.19, 28.43

 

CMYK 0 / 37 / 46 / 0

HEX #FFA08A

RGB 255 160 138

HSL 11.28, 1%, 0.77%

LAB 74.97, 32.94, 26.31

 

CMYK 0 / 30 / 38 / 0

HEX #FFB29D

RGB 255 178 157

HSL 12.86, 1%, 0.81%

LAB 79.35, 25.53, 22.01

 

CMYK 0 / 23 / 31 / 0

HEX #FFC4B0

RGB 255 196 176

HSL 15.19, 1%, 0.85%

LAB 83.9, 18.37, 18.17

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 0 / 48 / 57 / 21

HEX #CA6A56

RGB 202 106 86

HSL 10.34, 0.52%, 0.56%

LAB 55.62, 36.17, 28.39

 

CMYK 0 / 52 / 64 / 27

HEX #B95843

RGB 185 88 67

HSL 10.68, 0.47%, 0.49%

LAB 49.13, 37.53, 30.55

 

CMYK 0 / 58 / 71 / 34

HEX #A84630

RGB 168 70 48

HSL 11, 0.56%, 0.42%

LAB 42.64, 38.94, 33.02

 

CMYK 0 / 66 / 81 / 41

HEX #97341D

RGB 151 52 29

HSL 11.31, 0.68%, 0.35%

LAB 36.22, 40.29, 35.78

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 0 / 34 / 51 / 14

HEX #DB906B

RGB 219 144 107

HSL 19.82, 0.61%, 0.64%

LAB 66.57, 24.44, 31.26

 

CMYK 0 / 26 / 51 / 14

HEX #DBA36B

RGB 219 163 107

HSL 30, 0.61%, 0.64%

LAB 71.09, 14.21, 37.02

 

CMYK 0 / 17 / 51 / 14

HEX #DBB56B

RGB 219 181 107

HSL 39.64, 0.61%, 0.64%

LAB 75.56, 4.61, 42.58

 

CMYK 0 / 9 / 51 / 14

HEX #DBC86B

RGB 219 200 107

HSL 49.82, 0.61%, 0.64%

LAB 80.42, -5.31, 48.48

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 0 / 47 / 53 / 94

HEX #0F0807

RGB 15 8 7

HSL 7.5, 0.36%, 0.04%

LAB 2.62, 1.88, 1.09

 

CMYK 0 / 44 / 52 / 74

HEX #422520

RGB 66 37 32

HSL 8.82, 0.35%, 0.19%

LAB 18.3, 13.08, 9.17

 

CMYK 0 / 44 / 52 / 54

HEX #754238

RGB 117 66 56

HSL 9.84, 0.35%, 0.34%

LAB 33.91, 20.91, 15.63

 

CMYK 0 / 43 / 52 / 34

HEX #A85F51

RGB 168 95 81

HSL 9.66, 0.35%, 0.49%

LAB 48.39, 28.17, 20.96

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 19 / 0 / 51 / 14

HEX #B2DB6B

RGB 178 219 107

HSL 81.96, 0.61%, 0.64%

LAB 82.48, -30.94, 50.2

 

CMYK 51 / 39 / 0 / 14

HEX #6B85DB

RGB 107 133 219

HSL 226.07, 0.61%, 0.64%

LAB 57.09, 14.6, -46.93

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 51 / 0 / 43 / 14

HEX #6BDB7D

RGB 107 219 125

HSL 129.64, 0.61%, 0.64%

LAB 79.2, -51.62, 36.62

 

CMYK 43 / 51 / 0 / 14

HEX #7D6BDB

RGB 125 107 219

HSL 249.64, 0.61%, 0.64%

LAB 51.83, 34.3, -55.24

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 19 / 0 / 51 / 14

HEX #B2DB6B

RGB 178 219 107

HSL 81.96, 0.61%, 0.64%

LAB 82.48, -30.94, 50.2

 

CMYK 51 / 9 / 0 / 14

HEX #6BC8DB

RGB 107 200 219

HSL 190.18, 0.61%, 0.64%

LAB 75.79, -22.51, -17.97

 

CMYK 32 / 51 / 0 / 14

HEX #946BDB

RGB 148 107 219

HSL 261.96, 0.61%, 0.64%

LAB 53.95, 39.9, -51.73

 

CMYK 0 / 43 / 52 / 14

HEX #DB7C69

RGB 219 124 105

HSL 10, 0.61%, 0.64%

LAB 62.08, 34.9, 26.51

 

CMYK 34 / 0 / 51 / 14

HEX #90DB6B

RGB 144 219 107

HSL 100.18, 0.61%, 0.64%

LAB 80.55, -43.06, 47.42

 

CMYK 51 / 9 / 0 / 14

HEX #6BC8DB

RGB 107 200 219

HSL 190.18, 0.61%, 0.64%

LAB 75.79, -22.51, -17.97

 

CMYK 17 / 51 / 0 / 14

HEX #B56BDB

RGB 181 107 219

HSL 279.64, 0.61%, 0.64%

LAB 57.51, 48.54, -45.84

 

Description

Color code: RGB 219 124 105 | qconv.com Color code: RGB 219 124 105 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 219 red, 124 green and 105 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
219 124 105 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 52 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 52% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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