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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 235 199 it is the complementary color RGB 37 20 56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 235 199. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 218 235 199: RGB 223 235 194, RGB 240 253 213, RGB 255 255 232, RGB 255 255 251

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 235 199. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 218 235 199: RGB 218 235 199, RGB 201 217 180, RGB 184 199 161, RGB 167 181 142 and RGB 150 163 123

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

Complementary color

CMYK 34 / 64 / 0 / 78

HEX #251438

RGB 37 20 56

HSL 268.33, 0.47%, 0.15%

LAB 10.4, 17.64, -20.28

 

CMYK 5 / 0 / 17 / 8

HEX #DFEBC2

RGB 223 235 194

HSL 77.56, 0.51%, 0.84%

LAB 91.23, -10.95, 18.58

 

CMYK 5 / 0 / 16 / 1

HEX #F0FDD5

RGB 240 253 213

HSL 79.5, 0.91%, 0.91%

LAB 97.46, -11.01, 17.72

 

CMYK 0 / 0 / 9 / 0

HEX #FFFFE8

RGB 255 255 232

HSL 60, 1%, 0.95%

LAB 99.46, -3.85, 10.99

 

CMYK 0 / 0 / 2 / 0

HEX #FFFFFB

RGB 255 255 251

HSL 60, 1%, 0.99%

LAB 99.9, -0.69, 1.9

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 7 / 0 / 17 / 15

HEX #C9D9B4

RGB 201 217 180

HSL 85.95, 0.33%, 0.78%

LAB 84.66, -11.88, 16.44

 

CMYK 8 / 0 / 19 / 22

HEX #B8C7A1

RGB 184 199 161

HSL 83.68, 0.25%, 0.71%

LAB 78.23, -11.85, 17.34

 

CMYK 8 / 0 / 22 / 29

HEX #A7B58E

RGB 167 181 142

HSL 81.54, 0.21%, 0.63%

LAB 71.7, -11.82, 18.29

 

CMYK 8 / 0 / 25 / 36

HEX #96A37B

RGB 150 163 123

HSL 79.5, 0.18%, 0.56%

LAB 65.05, -11.78, 19.29

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 10 / 0 / 15 / 8

HEX #D3EAC6

RGB 211 234 198

HSL 98.33, 0.46%, 0.85%

LAB 90.22, -14, 14.95

 

CMYK 12 / 0 / 15 / 8

HEX #CDEAC6

RGB 205 234 198

HSL 108.33, 0.46%, 0.85%

LAB 89.81, -16.05, 14.33

 

CMYK 15 / 0 / 15 / 8

HEX #C7EAC6

RGB 199 234 198

HSL 118.33, 0.46%, 0.85%

LAB 89.42, -18.07, 13.72

 

CMYK 15 / 0 / 13 / 8

HEX #C6EACB

RGB 198 234 203

HSL 128.33, 0.46%, 0.85%

LAB 89.47, -17.53, 11.17

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 6 / 0 / 16 / 88

HEX #1D1F1A

RGB 29 31 26

HSL 84, 0.09%, 0.11%

LAB 11.39, -2.16, 3.1

 

CMYK 7 / 0 / 16 / 68

HEX #4C5245

RGB 76 82 69

HSL 87.69, 0.09%, 0.3%

LAB 33.98, -5.15, 6.82

 

CMYK 8 / 0 / 15 / 48

HEX #7B8571

RGB 123 133 113

HSL 90, 0.08%, 0.48%

LAB 54.22, -7.57, 9.55

 

CMYK 7 / 0 / 15 / 28

HEX #ABB89C

RGB 171 184 156

HSL 87.86, 0.16%, 0.67%

LAB 73.11, -9.62, 12.71

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 15 / 0 / 5 / 8

HEX #C6EADE

RGB 198 234 222

HSL 160, 0.46%, 0.85%

LAB 89.92, -14.01, 1.9

 

CMYK 0 / 15 / 1 / 8

HEX #EAC6E8

RGB 234 198 232

HSL 303.33, 0.46%, 0.85%

LAB 83.81, 18.47, -12.08

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 15 / 7 / 0 / 8

HEX #C6D9EA

RGB 198 217 234

HSL 208.33, 0.46%, 0.85%

LAB 85.79, -2.92, -10.49

 

CMYK 0 / 15 / 7 / 8

HEX #EAC6D9

RGB 234 198 217

HSL 328.33, 0.46%, 0.85%

LAB 83.38, 15.83, -4.7

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 15 / 0 / 5 / 8

HEX #C6EADE

RGB 198 234 222

HSL 160, 0.46%, 0.85%

LAB 89.92, -14.01, 1.9

 

CMYK 8 / 15 / 0 / 8

HEX #D7C6EA

RGB 215 198 234

HSL 268.33, 0.46%, 0.85%

LAB 82.26, 12.59, -15.64

 

CMYK 0 / 15 / 10 / 8

HEX #EAC6D2

RGB 234 198 210

HSL 340, 0.46%, 0.85%

LAB 83.2, 14.65, -1.24

 

CMYK 7 / 0 / 15 / 8

HEX #DAEBC7

RGB 218 235 199

HSL 88.33, 0.47%, 0.85%

LAB 90.98, -11.91, 15.58

 

CMYK 15 / 0 / 0 / 8

HEX #C6EAE9

RGB 198 234 233

HSL 178.33, 0.46%, 0.85%

LAB 90.2, -11.84, -3.44

 

CMYK 8 / 15 / 0 / 8

HEX #D7C6EA

RGB 215 198 234

HSL 268.33, 0.46%, 0.85%

LAB 82.26, 12.59, -15.64

 

CMYK 0 / 15 / 15 / 8

HEX #EAC6C7

RGB 234 198 199

HSL 358.33, 0.46%, 0.85%

LAB 82.92, 12.87, 4.24

 

Description

Color code: RGB 218 235 199 | qconv.com Color code: RGB 218 235 199 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 235 green and 199 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 235 199 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 7 cyan, none magenta, 15 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
7% 0% 15% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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