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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 213 57 it is the complementary color RGB 37 42 198. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 213 57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 218 213 57: RGB 223 213 52, RGB 240 231 71, RGB 255 249 90, RGB 255 255 109 and RGB 255 255 128

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 213 57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 218 213 57: RGB 218 213 57, RGB 201 195 38, RGB 184 177 19, RGB 167 159 0 and RGB 150 141 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

Complementary color

CMYK 81 / 79 / 0 / 22

HEX #252AC6

RGB 37 42 198

HSL 238.14, 0.69%, 0.46%

LAB 29.73, 52.21, -79.45

 

CMYK 0 / 4 / 77 / 13

HEX #DFD534

RGB 223 213 52

HSL 56.49, 0.73%, 0.54%

LAB 83.72, -13.55, 74.41

 

CMYK 0 / 4 / 70 / 6

HEX #F0E747

RGB 240 231 71

HSL 56.8, 0.85%, 0.61%

LAB 89.92, -14.58, 74.51

 

CMYK 0 / 2 / 65 / 0

HEX #FFF95A

RGB 255 249 90

HSL 57.82, 1%, 0.68%

LAB 95.89, -16.27, 73.91

 

CMYK 0 / 0 / 57 / 0

HEX #FFFF6D

RGB 255 255 109

HSL 60, 1%, 0.71%

LAB 97.59, -17.98, 68.07

 

CMYK 0 / 0 / 50 / 0

HEX #FFFF80

RGB 255 255 128

HSL 60, 1%, 0.75%

LAB 97.77, -16.54, 59.98

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 0 / 3 / 81 / 21

HEX #C9C326

RGB 201 195 38

HSL 57.79, 0.68%, 0.47%

LAB 77.03, -14.36, 71.78

 

CMYK 0 / 4 / 90 / 28

HEX #B8B113

RGB 184 177 19

HSL 57.45, 0.81%, 0.4%

LAB 70.65, -13.05, 70.11

 

CMYK 0 / 5 / 100 / 35

HEX #A79F00

RGB 167 159 0

HSL 57.13, 1%, 0.33%

LAB 64.17, -11.55, 67.19

 

CMYK 0 / 6 / 100 / 41

HEX #968D00

RGB 150 141 0

HSL 56.4, 1%, 0.29%

LAB 57.59, -9.73, 61.73

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 10 / 0 / 74 / 15

HEX #C5DA38

RGB 197 218 56

HSL 67.78, 0.69%, 0.54%

LAB 83.07, -26.63, 71.85

 

CMYK 22 / 0 / 74 / 15

HEX #AADA38

RGB 170 218 56

HSL 77.78, 0.69%, 0.54%

LAB 81.28, -37.37, 69.51

 

CMYK 34 / 0 / 74 / 15

HEX #8FDA38

RGB 143 218 56

HSL 87.78, 0.69%, 0.54%

LAB 79.77, -47.33, 67.53

 

CMYK 47 / 0 / 74 / 15

HEX #74DA38

RGB 116 218 56

HSL 97.78, 0.69%, 0.54%

LAB 78.54, -56.14, 65.93

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 0 / 0 / 71 / 95

HEX #0E0E04

RGB 14 14 4

HSL 60, 0.56%, 0.04%

LAB 3.76, -1.46, 3.96

 

CMYK 0 / 2 / 74 / 75

HEX #414011

RGB 65 64 17

HSL 58.75, 0.59%, 0.16%

LAB 26.25, -6.54, 27.77

 

CMYK 0 / 3 / 74 / 55

HEX #74711E

RGB 116 113 30

HSL 57.91, 0.59%, 0.29%

LAB 46.47, -9.4, 43.87

 

CMYK 0 / 2 / 74 / 35

HEX #A7A32C

RGB 167 163 44

HSL 58.05, 0.58%, 0.41%

LAB 65.43, -12.5, 58.39

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 74 / 0 / 62 / 15

HEX #38DA53

RGB 56 218 83

HSL 130, 0.69%, 0.54%

LAB 77.05, -67.33, 53.46

 

CMYK 32 / 74 / 0 / 15

HEX #9438DA

RGB 148 56 218

HSL 274.07, 0.69%, 0.54%

LAB 44.5, 64.97, -66.38

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 74 / 0 / 2 / 15

HEX #38DAD5

RGB 56 218 213

HSL 178.15, 0.69%, 0.54%

LAB 79.49, -40.98, -9.34

 

CMYK 2 / 74 / 0 / 15

HEX #D538DA

RGB 213 56 218

HSL 298.15, 0.69%, 0.54%

LAB 54.07, 77.34, -50.48

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 74 / 0 / 62 / 15

HEX #38DA53

RGB 56 218 83

HSL 130, 0.69%, 0.54%

LAB 77.05, -67.33, 53.46

 

CMYK 74 / 72 / 0 / 15

HEX #383EDA

RGB 56 62 218

HSL 237.78, 0.69%, 0.54%

LAB 36.65, 49.2, -79.59

 

CMYK 0 / 74 / 12 / 15

HEX #DA38BF

RGB 218 56 191

HSL 310, 0.69%, 0.54%

LAB 53.49, 74.34, -35.87

 

CMYK 0 / 2 / 74 / 15

HEX #DAD539

RGB 218 213 57

HSL 58.14, 0.69%, 0.54%

LAB 83.33, -15.46, 72.34

 

CMYK 74 / 0 / 39 / 15

HEX #38DA84

RGB 56 218 132

HSL 148.15, 0.69%, 0.54%

LAB 77.67, -60.06, 30.83

 

CMYK 74 / 72 / 0 / 15

HEX #383EDA

RGB 56 62 218

HSL 237.78, 0.69%, 0.54%

LAB 36.65, 49.2, -79.59

 

CMYK 0 / 74 / 34 / 15

HEX #DA388F

RGB 218 56 143

HSL 327.78, 0.69%, 0.54%

LAB 51.52, 68.34, -10.67

 

Description

Color code: RGB 218 213 57 | qconv.com Color code: RGB 218 213 57 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 213 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 213 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 2 magenta, 74 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 2% 74% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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