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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 218 165 0 it is the complementary color RGB 37 90 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 218 165 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 218 165 0: RGB 223 165 0, RGB 240 183 14, RGB 255 201 33, RGB 255 219 52 and RGB 255 237 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 218 165 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 218 165 0: RGB 218 165 0, RGB 201 147 0, RGB 184 129 0, RGB 167 111 0 and RGB 150 93 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

Complementary color

CMYK 85 / 65 / 0 / 0

HEX #255AFF

RGB 37 90 255

HSL 225.41, 1%, 0.57%

LAB 45.53, 43.94, -85.89

 

CMYK 0 / 26 / 100 / 13

HEX #DFA500

RGB 223 165 0

HSL 44.39, 1%, 0.44%

LAB 71.28, 10.24, 74.76

 

CMYK 0 / 24 / 94 / 6

HEX #F0B70E

RGB 240 183 14

HSL 44.87, 0.89%, 0.5%

LAB 77.53, 8.25, 78.4

 

CMYK 0 / 21 / 87 / 0

HEX #FFC921

RGB 255 201 33

HSL 45.41, 1%, 0.56%

LAB 83.52, 5.61, 80.34

 

CMYK 0 / 14 / 80 / 0

HEX #FFDB34

RGB 255 219 52

HSL 49.36, 1%, 0.6%

LAB 88.05, -3.08, 79.33

 

CMYK 0 / 7 / 72 / 0

HEX #FFED47

RGB 255 237 71

HSL 54.13, 1%, 0.64%

LAB 92.7, -11.35, 77.62

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 0 / 27 / 100 / 21

HEX #C99300

RGB 201 147 0

HSL 43.88, 1%, 0.39%

LAB 64.39, 10.23, 68.92

 

CMYK 0 / 30 / 100 / 28

HEX #B88100

RGB 184 129 0

HSL 42.07, 1%, 0.36%

LAB 57.93, 12.49, 63.63

 

CMYK 0 / 34 / 100 / 35

HEX #A76F00

RGB 167 111 0

HSL 39.88, 1%, 0.33%

LAB 51.36, 14.86, 58.25

 

CMYK 0 / 38 / 100 / 41

HEX #965D00

RGB 150 93 0

HSL 37.2, 1%, 0.29%

LAB 44.68, 17.33, 52.8

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 0 / 8 / 100 / 14

HEX #DBC900

RGB 219 201 0

HSL 55.07, 1%, 0.43%

LAB 80.09, -10.27, 80.76

 

CMYK 8 / 0 / 100 / 14

HEX #C9DB00

RGB 201 219 0

HSL 64.93, 1%, 0.43%

LAB 83.48, -26.76, 82.6

 

CMYK 25 / 0 / 100 / 14

HEX #A4DB00

RGB 164 219 0

HSL 75.07, 1%, 0.43%

LAB 81.05, -41.62, 79.69

 

CMYK 42 / 0 / 100 / 14

HEX #7FDB00

RGB 127 219 0

HSL 85.21, 1%, 0.43%

LAB 79.14, -54.87, 77.39

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 0 / 21 / 100 / 95

HEX #0E0B00

RGB 14 11 0

HSL 47.14, 1%, 0.03%

LAB 3.01, -0.63, 4.49

 

CMYK 0 / 25 / 100 / 75

HEX #413100

RGB 65 49 0

HSL 45.23, 1%, 0.13%

LAB 21.28, 2.05, 30

 

CMYK 0 / 24 / 100 / 55

HEX #745800

RGB 116 88 0

HSL 45.52, 1%, 0.23%

LAB 39.06, 4.05, 46.98

 

CMYK 0 / 25 / 100 / 35

HEX #A77E00

RGB 167 126 0

HSL 45.27, 1%, 0.33%

LAB 55.21, 6.41, 60.85

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 95 / 0 / 100 / 14

HEX #0ADB00

RGB 10 219 0

HSL 117.26, 1%, 0.43%

LAB 76.51, -76.47, 74.2

 

CMYK 65 / 100 / 0 / 14

HEX #4C00DB

RGB 76 0 219

HSL 260.82, 1%, 0.43%

LAB 31, 72.15, -89.48

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 100 / 0 / 25 / 14

HEX #00DBA4

RGB 0 219 164

HSL 164.93, 1%, 0.43%

LAB 78.08, -57.55, 14.64

 

CMYK 25 / 100 / 0 / 14

HEX #A400DB

RGB 164 0 219

HSL 284.93, 1%, 0.43%

LAB 42.77, 79.74, -69.66

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 95 / 0 / 100 / 14

HEX #0ADB00

RGB 10 219 0

HSL 117.26, 1%, 0.43%

LAB 76.51, -76.47, 74.2

 

CMYK 100 / 75 / 0 / 14

HEX #0036DB

RGB 0 54 219

HSL 225.21, 1%, 0.43%

LAB 33.46, 51.52, -85.48

 

CMYK 5 / 100 / 0 / 14

HEX #D000DB

RGB 208 0 219

HSL 296.99, 1%, 0.43%

LAB 50.13, 85.88, -57.4

 

CMYK 0 / 24 / 100 / 15

HEX #DAA500

RGB 218 165 0

HSL 45.41, 1%, 0.43%

LAB 70.74, 8.05, 74.14

 

CMYK 100 / 0 / 75 / 14

HEX #00DB36

RGB 0 219 54

HSL 134.79, 1%, 0.43%

LAB 76.64, -74.73, 63.96

 

CMYK 100 / 75 / 0 / 14

HEX #0036DB

RGB 0 54 219

HSL 225.21, 1%, 0.43%

LAB 33.46, 51.52, -85.48

 

CMYK 0 / 100 / 25 / 14

HEX #DB00A4

RGB 219 0 164

HSL 315.07, 1%, 0.43%

LAB 49.18, 80.53, -26.75

 

Description

Color code: RGB 218 165 0 | qconv.com Color code: RGB 218 165 0 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 218 red, 165 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
218 165 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 24 magenta, 100 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 24% 100% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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