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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 93 93 it is the complementary color RGB 38 162 162. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 93 93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 217 93 93: RGB 222 93 88, RGB 239 111 107, RGB 255 129 126, RGB 255 147 145 and RGB 255 165 164

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 93 93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 217 93 93: RGB 217 93 93, RGB 200 75 74, RGB 183 57 55, RGB 166 39 36 and RGB 149 21 17

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

Complementary color

CMYK 77 / 0 / 0 / 36

HEX #26A2A2

RGB 38 162 162

HSL 180, 0.62%, 0.39%

LAB 60.66, -31.84, -9.48

 

CMYK 0 / 58 / 60 / 13

HEX #DE5D58

RGB 222 93 88

HSL 2.24, 0.67%, 0.61%

LAB 56.15, 50.1, 28.53

 

CMYK 0 / 54 / 55 / 6

HEX #EF6F6B

RGB 239 111 107

HSL 1.82, 0.8%, 0.68%

LAB 62.32, 49, 26.22

 

CMYK 0 / 49 / 51 / 0

HEX #FF817E

RGB 255 129 126

HSL 1.4, 1%, 0.75%

LAB 68.36, 47.54, 24.01

 

CMYK 0 / 42 / 43 / 0

HEX #FF9391

RGB 255 147 145

HSL 1.09, 1%, 0.78%

LAB 72.34, 40.33, 18.9

 

CMYK 0 / 35 / 36 / 0

HEX #FFA5A4

RGB 255 165 164

HSL 0.66, 1%, 0.82%

LAB 76.59, 33.13, 14.39

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 63 / 63 / 22

HEX #C84B4A

RGB 200 75 74

HSL 0.48, 0.53%, 0.54%

LAB 49.26, 49.69, 27.17

 

CMYK 0 / 69 / 70 / 28

HEX #B73937

RGB 183 57 55

HSL 0.94, 0.54%, 0.47%

LAB 43.17, 50.48, 30.23

 

CMYK 0 / 77 / 78 / 35

HEX #A62724

RGB 166 39 36

HSL 1.38, 0.64%, 0.4%

LAB 37.27, 50.82, 33.85

 

CMYK 0 / 86 / 89 / 42

HEX #951511

RGB 149 21 17

HSL 1.82, 0.8%, 0.33%

LAB 31.73, 50.31, 37.76

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 47 / 57 / 15

HEX #D9725D

RGB 217 114 93

HSL 10.16, 0.62%, 0.61%

LAB 59.5, 38.34, 29.84

 

CMYK 0 / 38 / 57 / 15

HEX #D9865D

RGB 217 134 93

HSL 19.84, 0.62%, 0.61%

LAB 63.83, 27.82, 35.3

 

CMYK 0 / 29 / 57 / 15

HEX #D99B5D

RGB 217 155 93

HSL 30, 0.62%, 0.61%

LAB 68.74, 16.52, 41.34

 

CMYK 0 / 19 / 57 / 15

HEX #D9B05D

RGB 217 176 93

HSL 40.16, 0.62%, 0.61%

LAB 73.93, 5.27, 47.53

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 0 / 54 / 54 / 95

HEX #0D0606

RGB 13 6 6

HSL 0, 0.37%, 0.04%

LAB 2.07, 1.9, 0.67

 

CMYK 0 / 58 / 58 / 75

HEX #401B1B

RGB 64 27 27

HSL 0, 0.41%, 0.18%

LAB 15.24, 17.99, 8.49

 

CMYK 0 / 57 / 57 / 55

HEX #733131

RGB 115 49 49

HSL 0, 0.4%, 0.32%

LAB 29.57, 29.11, 14.28

 

CMYK 0 / 57 / 57 / 35

HEX #A64747

RGB 166 71 71

HSL 0, 0.4%, 0.46%

LAB 42.87, 39.22, 19.6

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 12 / 0 / 57 / 15

HEX #C0D95D

RGB 192 217 93

HSL 72.1, 0.62%, 0.61%

LAB 82.71, -25.86, 57.09

 

CMYK 57 / 34 / 0 / 15

HEX #5D8FD9

RGB 93 143 217

HSL 215.81, 0.62%, 0.61%

LAB 58.96, 5.03, -42.91

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 57 / 0 / 57 / 15

HEX #5DD95D

RGB 93 217 93

HSL 120, 0.62%, 0.61%

LAB 77.72, -58.69, 50.05

 

CMYK 57 / 57 / 0 / 15

HEX #5D5DD9

RGB 93 93 217

HSL 240, 0.62%, 0.61%

LAB 45.86, 35.41, -63.85

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 12 / 0 / 57 / 15

HEX #C0D95D

RGB 192 217 93

HSL 72.1, 0.62%, 0.61%

LAB 82.71, -25.86, 57.09

 

CMYK 57 / 0 / 0 / 15

HEX #5DD9D9

RGB 93 217 217

HSL 180, 0.62%, 0.61%

LAB 80.16, -34.09, -10.39

 

CMYK 46 / 57 / 0 / 15

HEX #765DD9

RGB 118 93 217

HSL 252.1, 0.62%, 0.61%

LAB 47.87, 40.34, -60.51

 

CMYK 0 / 57 / 57 / 15

HEX #D95D5D

RGB 217 93 93

HSL 0, 0.62%, 0.61%

LAB 55.45, 48.7, 24.59

 

CMYK 29 / 0 / 57 / 15

HEX #9BD95D

RGB 155 217 93

HSL 90, 0.62%, 0.61%

LAB 80.4, -39.85, 53.84

 

CMYK 57 / 0 / 0 / 15

HEX #5DD9D9

RGB 93 217 217

HSL 180, 0.62%, 0.61%

LAB 80.16, -34.09, -10.39

 

CMYK 29 / 57 / 0 / 15

HEX #9B5DD9

RGB 155 93 217

HSL 270, 0.62%, 0.61%

LAB 51.62, 48.81, -54.28

 

Description

Color code: RGB 217 93 93 | qconv.com Color code: RGB 217 93 93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 93 green and 93 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 93 93 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 57 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 57% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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