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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 194 23 it is the complementary color RGB 38 61 232. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 194 23. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 217 194 23: RGB 222 194 18, RGB 239 212 37, RGB 255 230 56, RGB 255 248 75 and RGB 255 255 94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 194 23. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 217 194 23: RGB 217 194 23, RGB 200 176 4, RGB 183 158 0, RGB 166 140 0 and RGB 149 122 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

Complementary color

CMYK 84 / 74 / 0 / 9

HEX #263DE8

RGB 38 61 232

HSL 232.89, 0.81%, 0.53%

LAB 37.07, 53.15, -86.91

 

CMYK 0 / 13 / 92 / 13

HEX #DEC212

RGB 222 194 18

HSL 51.76, 0.85%, 0.47%

LAB 78.55, -5.21, 77.83

 

CMYK 0 / 11 / 85 / 6

HEX #EFD425

RGB 239 212 37

HSL 51.98, 0.86%, 0.54%

LAB 84.78, -6.72, 79.84

 

CMYK 0 / 10 / 78 / 0

HEX #FFE638

RGB 255 230 56

HSL 52.46, 1%, 0.61%

LAB 90.84, -8.46, 80.64

 

CMYK 0 / 3 / 71 / 0

HEX #FFF84B

RGB 255 248 75

HSL 57.67, 1%, 0.65%

LAB 95.54, -16.54, 78.99

 

CMYK 0 / 0 / 63 / 0

HEX #FFFF5E

RGB 255 255 94

HSL 60, 1%, 0.68%

LAB 97.47, -18.93, 74

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 0 / 12 / 98 / 22

HEX #C8B004

RGB 200 176 4

HSL 52.65, 0.96%, 0.4%

LAB 71.78, -5.67, 73.57

 

CMYK 0 / 14 / 100 / 28

HEX #B79E00

RGB 183 158 0

HSL 51.8, 1%, 0.36%

LAB 65.37, -3.8, 68.73

 

CMYK 0 / 16 / 100 / 35

HEX #A68C00

RGB 166 140 0

HSL 50.6, 1%, 0.33%

LAB 58.85, -1.82, 63.33

 

CMYK 0 / 18 / 100 / 42

HEX #957A00

RGB 149 122 0

HSL 49.13, 1%, 0.29%

LAB 52.18, 0.26, 57.83

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 3 / 0 / 90 / 15

HEX #D2D816

RGB 210 216 22

HSL 61.86, 0.82%, 0.47%

LAB 83.37, -21.3, 80.53

 

CMYK 18 / 0 / 90 / 15

HEX #B2D816

RGB 178 216 22

HSL 71.75, 0.82%, 0.47%

LAB 81.09, -34.48, 77.75

 

CMYK 33 / 0 / 90 / 15

HEX #91D816

RGB 145 216 22

HSL 81.96, 0.82%, 0.47%

LAB 79.15, -47.11, 75.36

 

CMYK 48 / 0 / 90 / 15

HEX #71D816

RGB 113 216 22

HSL 91.86, 0.82%, 0.47%

LAB 77.69, -57.76, 73.55

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 0 / 8 / 92 / 95

HEX #0D0C01

RGB 13 12 1

HSL 55, 0.86%, 0.03%

LAB 3.17, -1.25, 4.31

 

CMYK 0 / 11 / 89 / 75

HEX #403907

RGB 64 57 7

HSL 52.63, 0.8%, 0.14%

LAB 23.78, -3.28, 29.71

 

CMYK 0 / 10 / 90 / 55

HEX #73670C

RGB 115 103 12

HSL 53.01, 0.81%, 0.25%

LAB 43.32, -4.94, 47.01

 

CMYK 0 / 11 / 89 / 35

HEX #A69412

RGB 166 148 18

HSL 52.7, 0.8%, 0.36%

LAB 61.07, -5.87, 62.03

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 90 / 0 / 84 / 15

HEX #16D823

RGB 22 216 35

HSL 124.02, 0.82%, 0.47%

LAB 75.7, -74.1, 68.48

 

CMYK 48 / 90 / 0 / 15

HEX #7116D8

RGB 113 22 216

HSL 268.14, 0.82%, 0.47%

LAB 36.07, 70.43, -79.22

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 90 / 0 / 12 / 15

HEX #16D8BF

RGB 22 216 191

HSL 172.27, 0.82%, 0.47%

LAB 77.9, -48.8, 0.03

 

CMYK 12 / 90 / 0 / 15

HEX #BF16D8

RGB 191 22 216

HSL 292.27, 0.82%, 0.47%

LAB 47.76, 80.68, -59.64

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 90 / 0 / 84 / 15

HEX #16D823

RGB 22 216 35

HSL 124.02, 0.82%, 0.47%

LAB 75.7, -74.1, 68.48

 

CMYK 90 / 78 / 0 / 15

HEX #1630D8

RGB 22 48 216

HSL 231.96, 0.82%, 0.47%

LAB 32.35, 54.27, -85.58

 

CMYK 0 / 90 / 6 / 15

HEX #D816CB

RGB 216 22 203

HSL 304.02, 0.82%, 0.47%

LAB 51.25, 82.9, -46.35

 

CMYK 0 / 11 / 89 / 15

HEX #D9C217

RGB 217 194 23

HSL 52.89, 0.81%, 0.47%

LAB 78.11, -7.3, 76.5

 

CMYK 90 / 0 / 57 / 15

HEX #16D85D

RGB 22 216 93

HSL 141.96, 0.82%, 0.47%

LAB 76.11, -68.92, 47.83

 

CMYK 90 / 78 / 0 / 15

HEX #1630D8

RGB 22 48 216

HSL 231.96, 0.82%, 0.47%

LAB 32.35, 54.27, -85.58

 

CMYK 0 / 90 / 33 / 15

HEX #D81691

RGB 216 22 145

HSL 321.96, 0.82%, 0.47%

LAB 48.53, 75.79, -16.42

 

Description

Color code: RGB 217 194 23 | qconv.com Color code: RGB 217 194 23 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 194 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 194 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 89 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 89% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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