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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 152 72 it is the complementary color RGB 38 103 183. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 152 72. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 217 152 72: RGB 222 152 67, RGB 239 170 86, RGB 255 188 105, RGB 255 206 124 and RGB 255 224 143

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 152 72. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 217 152 72: RGB 217 152 72, RGB 200 134 53, RGB 183 116 34, RGB 166 98 15 and RGB 149 80 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

Complementary color

CMYK 79 / 44 / 0 / 28

HEX #2667B7

RGB 38 103 183

HSL 213.1, 0.66%, 0.43%

LAB 43.55, 8.59, -48.11

 

CMYK 0 / 32 / 70 / 13

HEX #DE9843

RGB 222 152 67

HSL 32.9, 0.7%, 0.57%

LAB 68.31, 18.54, 53.68

 

CMYK 0 / 29 / 64 / 6

HEX #EFAA56

RGB 239 170 86

HSL 32.94, 0.83%, 0.64%

LAB 74.68, 17.16, 52.36

 

CMYK 0 / 26 / 59 / 0

HEX #FFBC69

RGB 255 188 105

HSL 33.2, 1%, 0.71%

LAB 80.88, 15.53, 50.83

 

CMYK 0 / 19 / 51 / 0

HEX #FFCE7C

RGB 255 206 124

HSL 37.56, 1%, 0.74%

LAB 85.43, 7.67, 47.03

 

CMYK 0 / 12 / 44 / 0

HEX #FFE08F

RGB 255 224 143

HSL 43.39, 1%, 0.78%

LAB 90.12, 0.19, 43.49

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 0 / 33 / 74 / 22

HEX #C88635

RGB 200 134 53

HSL 33.06, 0.58%, 0.5%

LAB 61.3, 18.2, 51.87

 

CMYK 0 / 37 / 81 / 28

HEX #B77422

RGB 183 116 34

HSL 33.02, 0.69%, 0.43%

LAB 54.73, 19.95, 52.73

 

CMYK 0 / 41 / 91 / 35

HEX #A6620F

RGB 166 98 15

HSL 32.98, 0.83%, 0.35%

LAB 48.1, 21.97, 52.6

 

CMYK 0 / 46 / 100 / 42

HEX #955000

RGB 149 80 0

HSL 32.21, 1%, 0.29%

LAB 41.42, 24.28, 50.67

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 0 / 19 / 67 / 15

HEX #D9B048

RGB 217 176 72

HSL 43.03, 0.66%, 0.57%

LAB 73.72, 3.87, 57.04

 

CMYK 0 / 8 / 67 / 15

HEX #D9C848

RGB 217 200 72

HSL 52.97, 0.66%, 0.57%

LAB 79.91, -8.61, 63.51

 

CMYK 3 / 0 / 67 / 15

HEX #D2D948

RGB 210 217 72

HSL 62.9, 0.66%, 0.57%

LAB 83.86, -20.02, 67.35

 

CMYK 14 / 0 / 67 / 15

HEX #BAD948

RGB 186 217 72

HSL 72.83, 0.66%, 0.57%

LAB 82.13, -29.74, 65.03

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 0 / 31 / 69 / 95

HEX #0D0904

RGB 13 9 4

HSL 33.33, 0.53%, 0.03%

LAB 2.62, 0.42, 2.28

 

CMYK 0 / 30 / 67 / 75

HEX #402D15

RGB 64 45 21

HSL 33.49, 0.51%, 0.17%

LAB 20.13, 5.53, 18.73

 

CMYK 0 / 30 / 67 / 55

HEX #735126

RGB 115 81 38

HSL 33.51, 0.5%, 0.3%

LAB 37.24, 9.37, 30.38

 

CMYK 0 / 30 / 67 / 35

HEX #A67437

RGB 166 116 55

HSL 32.97, 0.5%, 0.43%

LAB 52.81, 13.44, 40.68

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 50 / 0 / 67 / 15

HEX #6DD948

RGB 109 217 72

HSL 104.69, 0.66%, 0.57%

LAB 78.08, -56.63, 59.54

 

CMYK 57 / 67 / 0 / 15

HEX #5E48D9

RGB 94 72 217

HSL 249.1, 0.66%, 0.57%

LAB 41.25, 47.9, -71.35

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 67 / 0 / 30 / 15

HEX #48D998

RGB 72 217 152

HSL 153.1, 0.66%, 0.57%

LAB 78.03, -53.36, 21.02

 

CMYK 30 / 67 / 0 / 15

HEX #9848D9

RGB 152 72 217

HSL 273.1, 0.66%, 0.57%

LAB 47.39, 58.62, -61.1

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 50 / 0 / 67 / 15

HEX #6DD948

RGB 109 217 72

HSL 104.69, 0.66%, 0.57%

LAB 78.08, -56.63, 59.54

 

CMYK 67 / 36 / 0 / 15

HEX #488AD9

RGB 72 138 217

HSL 212.69, 0.66%, 0.57%

LAB 56.65, 4.14, -46.62

 

CMYK 17 / 67 / 0 / 15

HEX #B548D9

RGB 181 72 217

HSL 285.1, 0.66%, 0.57%

LAB 51.23, 64.79, -54.72

 

CMYK 0 / 30 / 67 / 15

HEX #D99848

RGB 217 152 72

HSL 33.1, 0.66%, 0.57%

LAB 67.78, 16.71, 50.63

 

CMYK 67 / 0 / 63 / 15

HEX #48D950

RGB 72 217 80

HSL 123.31, 0.66%, 0.57%

LAB 77.03, -64.65, 54.81

 

CMYK 67 / 36 / 0 / 15

HEX #488AD9

RGB 72 138 217

HSL 212.69, 0.66%, 0.57%

LAB 56.65, 4.14, -46.62

 

CMYK 0 / 67 / 3 / 15

HEX #D948D2

RGB 217 72 210

HSL 302.9, 0.66%, 0.57%

LAB 56.13, 71.65, -42.62

 

Description

Color code: RGB 217 152 72 | qconv.com Color code: RGB 217 152 72 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 152 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 152 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 30 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 30% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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