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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 217 149 71 it is the complementary color RGB 38 106 184. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 217 149 71. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 217 149 71: RGB 222 149 66, RGB 239 167 85, RGB 255 185 104, RGB 255 203 123 and RGB 255 221 142

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 217 149 71. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 217 149 71: RGB 217 149 71, RGB 200 131 52, RGB 183 113 33, RGB 166 95 14 and RGB 149 77 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

Complementary color

CMYK 79 / 42 / 0 / 28

HEX #266AB8

RGB 38 106 184

HSL 212.05, 0.66%, 0.44%

LAB 44.49, 7.07, -47.19

 

CMYK 0 / 33 / 70 / 13

HEX #DE9542

RGB 222 149 66

HSL 31.92, 0.7%, 0.56%

LAB 67.59, 20.1, 53.37

 

CMYK 0 / 30 / 64 / 6

HEX #EFA755

RGB 239 167 85

HSL 31.95, 0.83%, 0.64%

LAB 73.96, 18.68, 52.03

 

CMYK 0 / 27 / 59 / 0

HEX #FFB968

RGB 255 185 104

HSL 32.19, 1%, 0.7%

LAB 80.16, 17.03, 50.47

 

CMYK 0 / 20 / 52 / 0

HEX #FFCB7B

RGB 255 203 123

HSL 36.36, 1%, 0.74%

LAB 84.69, 9.14, 46.61

 

CMYK 0 / 13 / 44 / 0

HEX #FFDD8E

RGB 255 221 142

HSL 41.95, 1%, 0.78%

LAB 89.36, 1.62, 43.02

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 0 / 35 / 74 / 22

HEX #C88334

RGB 200 131 52

HSL 32.03, 0.59%, 0.49%

LAB 60.57, 19.8, 51.58

 

CMYK 0 / 38 / 82 / 28

HEX #B77121

RGB 183 113 33

HSL 32, 0.69%, 0.42%

LAB 54.01, 21.57, 52.46

 

CMYK 0 / 43 / 92 / 35

HEX #A65F0E

RGB 166 95 14

HSL 31.97, 0.84%, 0.35%

LAB 47.4, 23.63, 52.33

 

CMYK 0 / 48 / 100 / 42

HEX #954D00

RGB 149 77 0

HSL 31.01, 1%, 0.29%

LAB 40.73, 25.96, 50.25

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 0 / 20 / 69 / 15

HEX #D8AC44

RGB 216 172 68

HSL 42.16, 0.65%, 0.56%

LAB 72.58, 5.33, 57.53

 

CMYK 0 / 9 / 69 / 15

HEX #D8C544

RGB 216 197 68

HSL 52.3, 0.65%, 0.56%

LAB 79.01, -7.72, 64.15

 

CMYK 2 / 0 / 69 / 15

HEX #D3D844

RGB 211 216 68

HSL 62.03, 0.65%, 0.56%

LAB 83.64, -19.34, 68.65

 

CMYK 13 / 0 / 69 / 15

HEX #BBD844

RGB 187 216 68

HSL 71.76, 0.65%, 0.56%

LAB 81.89, -29.11, 66.32

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 0 / 31 / 69 / 95

HEX #0D0904

RGB 13 9 4

HSL 33.33, 0.53%, 0.03%

LAB 2.62, 0.42, 2.28

 

CMYK 0 / 31 / 67 / 75

HEX #402C15

RGB 64 44 21

HSL 32.09, 0.51%, 0.17%

LAB 19.82, 6.2, 18.37

 

CMYK 0 / 31 / 67 / 55

HEX #734F26

RGB 115 79 38

HSL 31.95, 0.5%, 0.3%

LAB 36.7, 10.58, 29.76

 

CMYK 0 / 31 / 67 / 35

HEX #A67236

RGB 166 114 54

HSL 32.14, 0.51%, 0.43%

LAB 52.3, 14.51, 40.61

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 50 / 0 / 69 / 15

HEX #6CD844

RGB 108 216 68

HSL 103.78, 0.65%, 0.56%

LAB 77.71, -56.86, 60.69

 

CMYK 59 / 69 / 0 / 15

HEX #5844D8

RGB 88 68 216

HSL 248.11, 0.65%, 0.56%

LAB 39.86, 48.92, -73.08

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 69 / 0 / 32 / 15

HEX #44D893

RGB 68 216 147

HSL 152.03, 0.65%, 0.56%

LAB 77.55, -54.64, 22.95

 

CMYK 32 / 69 / 0 / 15

HEX #9344D8

RGB 147 68 216

HSL 272.03, 0.65%, 0.56%

LAB 46.04, 59.22, -62.75

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 50 / 0 / 69 / 15

HEX #6CD844

RGB 108 216 68

HSL 103.78, 0.65%, 0.56%

LAB 77.71, -56.86, 60.69

 

CMYK 69 / 37 / 0 / 15

HEX #4489D8

RGB 68 137 216

HSL 212.03, 0.65%, 0.56%

LAB 56.17, 3.75, -46.83

 

CMYK 18 / 69 / 0 / 15

HEX #B144D8

RGB 177 68 216

HSL 284.19, 0.65%, 0.56%

LAB 50.02, 65.38, -56.11

 

CMYK 0 / 31 / 67 / 15

HEX #D99547

RGB 217 149 71

HSL 32.05, 0.66%, 0.56%

LAB 67.05, 18.26, 50.3

 

CMYK 69 / 0 / 66 / 15

HEX #44D849

RGB 68 216 73

HSL 122.03, 0.65%, 0.56%

LAB 76.57, -65.76, 57.17

 

CMYK 69 / 37 / 0 / 15

HEX #4489D8

RGB 68 137 216

HSL 212.03, 0.65%, 0.56%

LAB 56.17, 3.75, -46.83

 

CMYK 0 / 69 / 2 / 15

HEX #D844D3

RGB 216 68 211

HSL 302.03, 0.65%, 0.56%

LAB 55.52, 73, -44.16

 

Description

Color code: RGB 217 149 71 | qconv.com Color code: RGB 217 149 71 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 217 red, 149 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
217 149 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 67 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 67% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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