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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 234 193 it is the complementary color RGB 39 21 62. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 234 193. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 234 193: RGB 221 234 188, RGB 238 252 207, RGB 255 255 226, RGB 255 255 245

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 234 193. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 234 193: RGB 216 234 193, RGB 199 216 174, RGB 182 198 155, RGB 165 180 136 and RGB 148 162 117

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

Complementary color

CMYK 37 / 66 / 0 / 76

HEX #27153E

RGB 39 21 62

HSL 266.34, 0.49%, 0.16%

LAB 11.38, 19.42, -22.98

 

CMYK 6 / 0 / 20 / 8

HEX #DDEABC

RGB 221 234 188

HSL 76.96, 0.52%, 0.83%

LAB 90.71, -12.07, 20.93

 

CMYK 6 / 0 / 18 / 1

HEX #EEFCCF

RGB 238 252 207

HSL 78.67, 0.88%, 0.9%

LAB 96.94, -12.14, 20.04

 

CMYK 0 / 0 / 11 / 0

HEX #FFFFE2

RGB 255 255 226

HSL 60, 1%, 0.94%

LAB 99.33, -4.79, 13.87

 

CMYK 0 / 0 / 4 / 0

HEX #FFFFF5

RGB 255 255 245

HSL 60, 1%, 0.98%

LAB 99.76, -1.71, 4.76

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 8 / 0 / 19 / 15

HEX #C7D8AE

RGB 199 216 174

HSL 84.29, 0.35%, 0.76%

LAB 84.13, -13.04, 18.83

 

CMYK 8 / 0 / 22 / 22

HEX #B6C69B

RGB 182 198 155

HSL 82.33, 0.27%, 0.69%

LAB 77.7, -13.01, 19.77

 

CMYK 8 / 0 / 24 / 29

HEX #A5B488

RGB 165 180 136

HSL 80.45, 0.23%, 0.62%

LAB 71.16, -12.98, 20.76

 

CMYK 9 / 0 / 28 / 36

HEX #94A275

RGB 148 162 117

HSL 78.67, 0.19%, 0.55%

LAB 64.5, -12.93, 21.81

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 10 / 0 / 17 / 8

HEX #D2EAC2

RGB 210 234 194

HSL 96, 0.49%, 0.84%

LAB 90.06, -15, 16.81

 

CMYK 13 / 0 / 17 / 8

HEX #CBEAC2

RGB 203 234 194

HSL 106.5, 0.49%, 0.84%

LAB 89.6, -17.4, 16.08

 

CMYK 16 / 0 / 17 / 8

HEX #C4EAC2

RGB 196 234 194

HSL 117, 0.49%, 0.84%

LAB 89.15, -19.76, 15.38

 

CMYK 17 / 0 / 15 / 8

HEX #C2EAC6

RGB 194 234 198

HSL 126, 0.49%, 0.84%

LAB 89.11, -19.74, 13.23

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 7 / 0 / 17 / 88

HEX #1C1E19

RGB 28 30 25

HSL 84, 0.09%, 0.11%

LAB 10.89, -2.17, 3.11

 

CMYK 7 / 0 / 17 / 68

HEX #4B5143

RGB 75 81 67

HSL 85.71, 0.09%, 0.29%

LAB 33.53, -5.36, 7.43

 

CMYK 8 / 0 / 17 / 48

HEX #7A846D

RGB 122 132 109

HSL 86.09, 0.1%, 0.47%

LAB 53.75, -8.12, 11.19

 

CMYK 8 / 0 / 17 / 28

HEX #A9B797

RGB 169 183 151

HSL 86.25, 0.18%, 0.65%

LAB 72.59, -10.67, 14.66

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 17 / 0 / 6 / 8

HEX #C2EADB

RGB 194 234 219

HSL 157.5, 0.49%, 0.84%

LAB 89.59, -15.86, 2.97

 

CMYK 0 / 17 / 1 / 8

HEX #EAC2E8

RGB 234 194 232

HSL 303, 0.49%, 0.84%

LAB 82.86, 20.6, -13.5

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 17 / 8 / 0 / 8

HEX #C2D8EA

RGB 194 216 234

HSL 207, 0.49%, 0.84%

LAB 85.26, -3.65, -11.31

 

CMYK 0 / 17 / 8 / 8

HEX #EAC2D8

RGB 234 194 216

HSL 327, 0.49%, 0.84%

LAB 82.4, 17.78, -5.63

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 17 / 0 / 6 / 8

HEX #C2EADB

RGB 194 234 219

HSL 157.5, 0.49%, 0.84%

LAB 89.59, -15.86, 2.97

 

CMYK 10 / 17 / 0 / 8

HEX #D3C2EA

RGB 211 194 234

HSL 265.5, 0.49%, 0.84%

LAB 80.95, 13.43, -17.65

 

CMYK 0 / 17 / 11 / 8

HEX #EAC2D0

RGB 234 194 208

HSL 339, 0.49%, 0.84%

LAB 82.18, 16.44, -1.66

 

CMYK 8 / 0 / 18 / 8

HEX #D8EAC1

RGB 216 234 193

HSL 86.34, 0.49%, 0.84%

LAB 90.46, -13.07, 17.94

 

CMYK 17 / 0 / 1 / 8

HEX #C2EAE7

RGB 194 234 231

HSL 175.5, 0.49%, 0.84%

LAB 89.9, -13.48, -2.86

 

CMYK 10 / 17 / 0 / 8

HEX #D3C2EA

RGB 211 194 234

HSL 265.5, 0.49%, 0.84%

LAB 80.95, 13.43, -17.65

 

CMYK 0 / 17 / 16 / 8

HEX #EAC2C4

RGB 234 194 196

HSL 357, 0.49%, 0.84%

LAB 81.87, 14.52, 4.33

 

Description

Color code: RGB 216 234 193 | qconv.com Color code: RGB 216 234 193 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 234 green and 193 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 234 193 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 18 yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 18% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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