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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 187 185 it is the complementary color RGB 39 68 70. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 187 185. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 187 185: RGB 221 187 180, RGB 238 205 199, RGB 255 223 218, RGB 255 241 237

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 187 185. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 187 185: RGB 216 187 185, RGB 199 169 166, RGB 182 151 147, RGB 165 133 128 and RGB 148 115 109

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

Complementary color

CMYK 44 / 3 / 0 / 73

HEX #274446

RGB 39 68 70

HSL 183.87, 0.28%, 0.21%

LAB 26.76, -10.24, -4.65

 

CMYK 0 / 15 / 19 / 13

HEX #DDBBB4

RGB 221 187 180

HSL 10.24, 0.38%, 0.79%

LAB 78.58, 11.05, 8.06

 

CMYK 0 / 14 / 16 / 7

HEX #EECDC7

RGB 238 205 199

HSL 9.23, 0.53%, 0.86%

LAB 84.98, 10.62, 7.26

 

CMYK 0 / 13 / 15 / 0

HEX #FFDFDA

RGB 255 223 218

HSL 8.11, 1%, 0.93%

LAB 91.28, 10.23, 6.5

 

CMYK 0 / 5 / 7 / 0

HEX #FFF1ED

RGB 255 241 237

HSL 13.33, 1%, 0.96%

LAB 96.11, 4.04, 3.6

 

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 0 / 15 / 17 / 22

HEX #C7A9A6

RGB 199 169 166

HSL 5.45, 0.23%, 0.72%

LAB 71.74, 10.43, 5.6

 

CMYK 0 / 17 / 19 / 29

HEX #B69793

RGB 182 151 147

HSL 6.86, 0.19%, 0.65%

LAB 65.11, 10.89, 6.42

 

CMYK 0 / 19 / 22 / 35

HEX #A58580

RGB 165 133 128

HSL 8.11, 0.17%, 0.57%

LAB 58.35, 11.42, 7.31

 

CMYK 0 / 22 / 26 / 42

HEX #94736D

RGB 148 115 109

HSL 9.23, 0.15%, 0.5%

LAB 51.45, 12.03, 8.29

 

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 0 / 11 / 14 / 15

HEX #D8C0BA

RGB 216 192 186

HSL 12, 0.28%, 0.79%

LAB 79.52, 7.5, 6.11

 

CMYK 0 / 9 / 14 / 15

HEX #D8C5BA

RGB 216 197 186

HSL 22, 0.28%, 0.79%

LAB 80.78, 4.85, 7.92

 

CMYK 0 / 6 / 14 / 15

HEX #D8CABA

RGB 216 202 186

HSL 32, 0.28%, 0.79%

LAB 82.05, 2.22, 9.73

 

CMYK 0 / 4 / 14 / 15

HEX #D8CFBA

RGB 216 207 186

HSL 42, 0.28%, 0.79%

LAB 83.32, -0.4, 11.54

SW® 9511

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 0 / 17 / 17 / 95

HEX #0C0A0A

RGB 12 10 10

HSL 0, 0.09%, 0.04%

LAB 2.86, 0.55, 0.19

 

CMYK 0 / 13 / 14 / 75

HEX #3F3736

RGB 63 55 54

HSL 6.67, 0.08%, 0.23%

LAB 23.85, 3.31, 1.91

 

CMYK 0 / 13 / 14 / 55

HEX #726362

RGB 114 99 98

HSL 3.75, 0.08%, 0.42%

LAB 43.33, 5.8, 2.77

 

CMYK 0 / 13 / 15 / 35

HEX #A58F8D

RGB 165 143 141

HSL 5, 0.12%, 0.6%

LAB 61.28, 7.89, 4.09

 

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 4 / 0 / 14 / 15

HEX #D0D8BA

RGB 208 216 186

HSL 76, 0.28%, 0.79%

LAB 85.03, -7.92, 13.88

 

CMYK 14 / 9 / 0 / 15

HEX #BAC4D8

RGB 186 196 216

HSL 220, 0.28%, 0.79%

LAB 78.97, 0.59, -11.14

 

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 14 / 0 / 13 / 15

HEX #BAD8BB

RGB 186 216 187

HSL 122, 0.28%, 0.79%

LAB 83.52, -15.4, 10.99

 

CMYK 13 / 14 / 0 / 15

HEX #BBBAD8

RGB 187 186 216

HSL 242, 0.28%, 0.79%

LAB 76.46, 6.29, -14.89

 

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 4 / 0 / 14 / 15

HEX #D0D8BA

RGB 208 216 186

HSL 76, 0.28%, 0.79%

LAB 85.03, -7.92, 13.88

 

CMYK 14 / 1 / 0 / 15

HEX #BAD6D8

RGB 186 214 216

HSL 184, 0.28%, 0.79%

LAB 83.7, -8.86, -4.13

 

CMYK 11 / 14 / 0 / 15

HEX #C1BAD8

RGB 193 186 216

HSL 254, 0.28%, 0.79%

LAB 76.93, 8.24, -14.14

 

CMYK 0 / 13 / 14 / 15

HEX #D8BBB9

RGB 216 187 185

HSL 3.87, 0.28%, 0.79%

LAB 78.25, 10.01, 4.82

 

CMYK 8 / 0 / 14 / 15

HEX #C7D8BA

RGB 199 216 186

HSL 94, 0.28%, 0.79%

LAB 84.38, -11.09, 12.87

 

CMYK 14 / 1 / 0 / 15

HEX #BAD6D8

RGB 186 214 216

HSL 184, 0.28%, 0.79%

LAB 83.7, -8.86, -4.13

 

CMYK 6 / 14 / 0 / 15

HEX #CABAD8

RGB 202 186 216

HSL 272, 0.28%, 0.79%

LAB 77.66, 11.21, -12.98

 

Description

Color code: RGB 216 187 185 | qconv.com Color code: RGB 216 187 185 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 187 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 187 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 14 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 14% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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