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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 16 238 it is the complementary color RGB 39 239 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 16 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 16 238: RGB 221 16 233, RGB 238 34 252, RGB 255 52 255, RGB 255 70 255 and RGB 255 88 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 16 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 16 238: RGB 216 16 238, RGB 199 0 219, RGB 182 0 200, RGB 165 0 181 and RGB 148 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

Complementary color

CMYK 84 / 0 / 93 / 6

HEX #27EF11

RGB 39 239 17

HSL 114.05, 0.87%, 0.5%

LAB 83.02, -79.69, 77.97

 

CMYK 5 / 93 / 0 / 9

HEX #DD10E9

RGB 221 16 233

HSL 296.68, 0.87%, 0.49%

LAB 53.63, 88.74, -59.6

 

CMYK 6 / 87 / 0 / 1

HEX #EE22FC

RGB 238 34 252

HSL 296.15, 0.97%, 0.56%

LAB 58.37, 92.03, -62.47

 

CMYK 0 / 80 / 0 / 0

HEX #FF34FF

RGB 255 52 255

HSL 300, 1%, 0.6%

LAB 62.45, 91.99, -57.43

 

CMYK 0 / 73 / 0 / 0

HEX #FF46FF

RGB 255 70 255

HSL 300, 1%, 0.64%

LAB 64.05, 87.38, -54.9

 

CMYK 0 / 65 / 0 / 0

HEX #FF58FF

RGB 255 88 255

HSL 300, 1%, 0.67%

LAB 66.1, 81.54, -51.64

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 9 / 100 / 0 / 14

HEX #C700DB

RGB 199 0 219

HSL 294.52, 1%, 0.43%

LAB 48.58, 84.53, -59.97

 

CMYK 9 / 100 / 0 / 22

HEX #B600C8

RGB 182 0 200

HSL 294.6, 1%, 0.39%

LAB 44.4, 79.02, -55.92

 

CMYK 9 / 100 / 0 / 29

HEX #A500B5

RGB 165 0 181

HSL 294.7, 1%, 0.35%

LAB 40.14, 73.42, -51.79

 

CMYK 9 / 100 / 0 / 36

HEX #9400A2

RGB 148 0 162

HSL 294.81, 1%, 0.32%

LAB 35.8, 67.71, -47.58

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 0 / 93 / 6 / 7

HEX #EE10DF

RGB 238 16 223

HSL 304.05, 0.87%, 0.5%

LAB 55.96, 90.09, -50.05

 

CMYK 0 / 93 / 22 / 7

HEX #EE10BA

RGB 238 16 186

HSL 314.05, 0.87%, 0.5%

LAB 54.13, 85.43, -31.71

 

CMYK 0 / 93 / 37 / 7

HEX #EE1095

RGB 238 16 149

HSL 324.05, 0.87%, 0.5%

LAB 52.64, 81.53, -12.2

 

CMYK 0 / 93 / 53 / 7

HEX #EE1070

RGB 238 16 112

HSL 334.05, 0.87%, 0.5%

LAB 51.52, 78.51, 8.48

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 9 / 94 / 0 / 87

HEX #1F0222

RGB 31 2 34

HSL 294.38, 0.89%, 0.07%

LAB 4.07, 18.32, -13.92

 

CMYK 9 / 93 / 0 / 67

HEX #4D0655

RGB 77 6 85

HSL 293.92, 0.87%, 0.18%

LAB 17.29, 40.87, -29.07

 

CMYK 10 / 93 / 0 / 47

HEX #7B0988

RGB 123 9 136

HSL 293.86, 0.88%, 0.28%

LAB 29.87, 57.96, -41.41

 

CMYK 9 / 93 / 0 / 27

HEX #AA0DBB

RGB 170 13 187

HSL 294.14, 0.87%, 0.39%

LAB 41.88, 73.81, -52.48

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 0 / 84 / 93 / 7

HEX #EE2610

RGB 238 38 16

HSL 5.95, 0.87%, 0.5%

LAB 51.38, 71.48, 60.31

 

CMYK 93 / 0 / 47 / 7

HEX #10EE7F

RGB 16 238 127

HSL 150, 0.87%, 0.5%

LAB 83.33, -71.08, 40.58

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 0 / 9 / 93 / 7

HEX #EED810

RGB 238 216 16

HSL 54.05, 0.87%, 0.5%

LAB 85.67, -9.52, 84.08

 

CMYK 93 / 0 / 9 / 7

HEX #10EED8

RGB 16 238 216

HSL 174.05, 0.87%, 0.5%

LAB 85.11, -51.43, -2.68

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 0 / 84 / 93 / 7

HEX #EE2610

RGB 238 38 16

HSL 5.95, 0.87%, 0.5%

LAB 51.38, 71.48, 60.31

 

CMYK 84 / 0 / 93 / 7

HEX #26EE10

RGB 38 238 16

HSL 114.05, 0.87%, 0.5%

LAB 82.7, -79.53, 77.82

 

CMYK 93 / 9 / 0 / 7

HEX #10D8EE

RGB 16 216 238

HSL 185.95, 0.87%, 0.5%

LAB 79.27, -35.31, -23.07

 

CMYK 9 / 93 / 0 / 7

HEX #D810EE

RGB 216 16 238

HSL 294.05, 0.87%, 0.5%

LAB 53.11, 88.74, -63.3

 

CMYK 0 / 56 / 93 / 7

HEX #EE6910

RGB 238 105 16

HSL 24.05, 0.87%, 0.5%

LAB 60.17, 47.62, 65.83

 

CMYK 84 / 0 / 93 / 7

HEX #26EE10

RGB 38 238 16

HSL 114.05, 0.87%, 0.5%

LAB 82.7, -79.53, 77.82

 

CMYK 93 / 37 / 0 / 7

HEX #1095EE

RGB 16 149 238

HSL 204.05, 0.87%, 0.5%

LAB 59.69, -0.04, -53.56

 

Description

Color code: RGB 216 16 238 | qconv.com Color code: RGB 216 16 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 16 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 16 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 93 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 93% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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