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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 150 79 it is the complementary color RGB 39 105 176. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 150 79. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 150 79: RGB 221 150 74, RGB 238 168 93, RGB 255 186 112, RGB 255 204 131 and RGB 255 222 150

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 150 79. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 150 79: RGB 216 150 79, RGB 199 132 60, RGB 182 114 41, RGB 165 96 22 and RGB 148 78 3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

Complementary color

CMYK 78 / 40 / 0 / 31

HEX #2769B0

RGB 39 105 176

HSL 211.09, 0.64%, 0.42%

LAB 43.75, 4.75, -43.7

 

CMYK 0 / 32 / 67 / 13

HEX #DD964A

RGB 221 150 74

HSL 31.02, 0.68%, 0.58%

LAB 67.78, 19.58, 49.81

 

CMYK 0 / 29 / 61 / 7

HEX #EEA85D

RGB 238 168 93

HSL 31.03, 0.81%, 0.65%

LAB 74.17, 18.26, 48.37

 

CMYK 0 / 27 / 56 / 0

HEX #FFBA70

RGB 255 186 112

HSL 31.05, 1%, 0.72%

LAB 80.49, 17.1, 46.93

 

CMYK 0 / 20 / 49 / 0

HEX #FFCC83

RGB 255 204 131

HSL 35.32, 1%, 0.76%

LAB 85.04, 9.32, 43.06

 

CMYK 0 / 13 / 41 / 0

HEX #FFDE96

RGB 255 222 150

HSL 41.14, 1%, 0.79%

LAB 89.72, 1.92, 39.49

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 0 / 34 / 70 / 22

HEX #C7843C

RGB 199 132 60

HSL 31.08, 0.55%, 0.51%

LAB 60.76, 19.22, 48.06

 

CMYK 0 / 37 / 77 / 29

HEX #B67229

RGB 182 114 41

HSL 31.06, 0.63%, 0.44%

LAB 54.18, 20.88, 49.29

 

CMYK 0 / 42 / 87 / 35

HEX #A56016

RGB 165 96 22

HSL 31.05, 0.76%, 0.37%

LAB 47.52, 22.81, 49.91

 

CMYK 0 / 47 / 98 / 42

HEX #944E03

RGB 148 78 3

HSL 31.03, 0.96%, 0.3%

LAB 40.82, 25.02, 49.32

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 0 / 20 / 63 / 15

HEX #D8AD4F

RGB 216 173 79

HSL 41.17, 0.64%, 0.58%

LAB 72.93, 5.46, 53.01

 

CMYK 0 / 10 / 63 / 15

HEX #D8C34F

RGB 216 195 79

HSL 50.8, 0.64%, 0.58%

LAB 78.57, -6.06, 59.17

 

CMYK 1 / 0 / 63 / 15

HEX #D6D84F

RGB 214 216 79

HSL 60.88, 0.64%, 0.58%

LAB 83.95, -17.48, 64.82

 

CMYK 12 / 0 / 63 / 15

HEX #BFD84F

RGB 191 216 79

HSL 70.95, 0.64%, 0.58%

LAB 82.25, -26.82, 62.5

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 0 / 33 / 67 / 95

HEX #0C0804

RGB 12 8 4

HSL 30, 0.5%, 0.03%

LAB 2.35, 0.52, 1.89

 

CMYK 0 / 30 / 63 / 75

HEX #3F2C17

RGB 63 44 23

HSL 31.5, 0.47%, 0.17%

LAB 19.72, 5.87, 16.95

 

CMYK 0 / 31 / 63 / 55

HEX #724F2A

RGB 114 79 42

HSL 30.83, 0.46%, 0.31%

LAB 36.62, 10.41, 27.4

 

CMYK 0 / 30 / 64 / 35

HEX #A5733C

RGB 165 115 60

HSL 31.43, 0.47%, 0.44%

LAB 52.49, 13.9, 37.73

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 45 / 0 / 63 / 15

HEX #76D84F

RGB 118 216 79

HSL 102.92, 0.64%, 0.58%

LAB 78.19, -53, 56.92

 

CMYK 56 / 63 / 0 / 15

HEX #5F4FD8

RGB 95 79 216

HSL 247.01, 0.64%, 0.58%

LAB 42.74, 43.77, -68.35

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 63 / 0 / 31 / 15

HEX #4FD896

RGB 79 216 150

HSL 151.09, 0.64%, 0.58%

LAB 77.86, -52.14, 21.86

 

CMYK 31 / 63 / 0 / 15

HEX #964FD8

RGB 150 79 216

HSL 271.09, 0.64%, 0.58%

LAB 48.3, 54.61, -59.07

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 45 / 0 / 63 / 15

HEX #76D84F

RGB 118 216 79

HSL 102.92, 0.64%, 0.58%

LAB 78.19, -53, 56.92

 

CMYK 63 / 33 / 0 / 15

HEX #4F91D8

RGB 79 145 216

HSL 211.09, 0.64%, 0.58%

LAB 58.85, 0.86, -42.56

 

CMYK 18 / 63 / 0 / 15

HEX #B14FD8

RGB 177 79 216

HSL 282.92, 0.64%, 0.58%

LAB 51.72, 60.66, -53.39

 

CMYK 0 / 31 / 63 / 15

HEX #D8964F

RGB 216 150 79

HSL 31.09, 0.64%, 0.58%

LAB 67.26, 17.8, 46.63

 

CMYK 63 / 0 / 63 / 15

HEX #4FD851

RGB 79 216 81

HSL 120.88, 0.64%, 0.58%

LAB 76.9, -62.81, 54.29

 

CMYK 63 / 33 / 0 / 15

HEX #4F91D8

RGB 79 145 216

HSL 211.09, 0.64%, 0.58%

LAB 58.85, 0.86, -42.56

 

CMYK 0 / 63 / 1 / 15

HEX #D84FD6

RGB 216 79 214

HSL 300.88, 0.64%, 0.58%

LAB 57.12, 69.41, -43.34

 

Description

Color code: RGB 216 150 79 | qconv.com Color code: RGB 216 150 79 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 150 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 150 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 63 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 63% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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