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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 135 141 it is the complementary color RGB 39 120 114. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 135 141. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 135 141: RGB 221 135 136, RGB 238 153 155, RGB 255 171 174, RGB 255 189 193 and RGB 255 207 212

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 135 141. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 135 141: RGB 216 135 141, RGB 199 117 122, RGB 182 99 103, RGB 165 81 84 and RGB 148 63 65

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

Complementary color

CMYK 68 / 0 / 5 / 53

HEX #277872

RGB 39 120 114

HSL 175.56, 0.51%, 0.31%

LAB 45.74, -25.53, -3.86

 

CMYK 0 / 39 / 38 / 13

HEX #DD8788

RGB 221 135 136

HSL 359.3, 0.56%, 0.7%

LAB 65.34, 33.02, 13.54

 

CMYK 0 / 36 / 35 / 7

HEX #EE999B

RGB 238 153 155

HSL 358.59, 0.71%, 0.77%

LAB 71.78, 32.08, 12.27

 

CMYK 0 / 33 / 32 / 0

HEX #FFABAE

RGB 255 171 174

HSL 357.86, 1%, 0.84%

LAB 78.14, 31.22, 11.13

 

CMYK 0 / 26 / 24 / 0

HEX #FFBDC1

RGB 255 189 193

HSL 356.36, 1%, 0.87%

LAB 82.65, 24.3, 7.33

 

CMYK 0 / 19 / 17 / 0

HEX #FFCFD4

RGB 255 207 212

HSL 353.75, 1%, 0.91%

LAB 87.31, 17.63, 3.92

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 0 / 41 / 39 / 22

HEX #C7757A

RGB 199 117 122

HSL 356.34, 0.42%, 0.62%

LAB 58.29, 32.71, 11.23

 

CMYK 0 / 46 / 43 / 29

HEX #B66367

RGB 182 99 103

HSL 357.11, 0.36%, 0.55%

LAB 51.66, 33.75, 12.73

 

CMYK 0 / 51 / 49 / 35

HEX #A55154

RGB 165 81 84

HSL 357.86, 0.34%, 0.48%

LAB 44.98, 34.86, 14.49

 

CMYK 0 / 57 / 56 / 42

HEX #943F41

RGB 148 63 65

HSL 358.59, 0.4%, 0.41%

LAB 38.26, 36, 16.65

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 0 / 34 / 38 / 15

HEX #D88E87

RGB 216 142 135

HSL 5.19, 0.51%, 0.69%

LAB 66.29, 27.26, 15.33

 

CMYK 0 / 28 / 38 / 15

HEX #D89B87

RGB 216 155 135

HSL 14.81, 0.51%, 0.69%

LAB 69.32, 20.24, 19.53

 

CMYK 0 / 22 / 38 / 15

HEX #D8A987

RGB 216 169 135

HSL 25.19, 0.51%, 0.69%

LAB 72.71, 12.68, 24.15

 

CMYK 0 / 16 / 38 / 15

HEX #D8B687

RGB 216 182 135

HSL 34.81, 0.51%, 0.69%

LAB 75.95, 5.73, 28.49

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 0 / 33 / 33 / 95

HEX #0C0808

RGB 12 8 8

HSL 0, 0.2%, 0.04%

LAB 2.43, 1.08, 0.38

 

CMYK 0 / 38 / 35 / 75

HEX #3F2729

RGB 63 39 41

HSL 355, 0.24%, 0.2%

LAB 18.66, 11.64, 3.33

 

CMYK 0 / 38 / 35 / 55

HEX #72474A

RGB 114 71 74

HSL 355.81, 0.23%, 0.36%

LAB 35.16, 18.85, 5.91

 

CMYK 0 / 38 / 35 / 35

HEX #A5676C

RGB 165 103 108

HSL 355.16, 0.26%, 0.53%

LAB 50.43, 25.57, 7.7

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 5 / 0 / 38 / 15

HEX #CED887

RGB 206 216 135

HSL 67.41, 0.51%, 0.69%

LAB 83.96, -15.76, 38.81

 

CMYK 38 / 19 / 0 / 15

HEX #87AED8

RGB 135 174 216

HSL 211.11, 0.51%, 0.69%

LAB 69.74, -2.78, -25.43

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 34 / 0 / 38 / 15

HEX #8ED887

RGB 142 216 135

HSL 114.81, 0.51%, 0.69%

LAB 79.96, -38.67, 32.84

 

CMYK 38 / 34 / 0 / 15

HEX #878ED8

RGB 135 142 216

HSL 234.81, 0.51%, 0.69%

LAB 61.18, 15.37, -38.69

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 5 / 0 / 38 / 15

HEX #CED887

RGB 206 216 135

HSL 67.41, 0.51%, 0.69%

LAB 83.96, -15.76, 38.81

 

CMYK 38 / 0 / 3 / 15

HEX #87D8D1

RGB 135 216 209

HSL 174.81, 0.51%, 0.69%

LAB 81.22, -26.32, -4.38

 

CMYK 33 / 38 / 0 / 15

HEX #9187D8

RGB 145 135 216

HSL 247.41, 0.51%, 0.69%

LAB 60.16, 22.19, -40.23

 

CMYK 0 / 38 / 35 / 15

HEX #D8878D

RGB 216 135 141

HSL 355.56, 0.51%, 0.69%

LAB 64.84, 31.74, 9.93

 

CMYK 16 / 0 / 38 / 15

HEX #B6D887

RGB 182 216 135

HSL 85.19, 0.51%, 0.69%

LAB 82.27, -24.82, 36.3

 

CMYK 38 / 0 / 3 / 15

HEX #87D8D1

RGB 135 216 209

HSL 174.81, 0.51%, 0.69%

LAB 81.22, -26.32, -4.38

 

CMYK 22 / 38 / 0 / 15

HEX #A987D8

RGB 169 135 216

HSL 265.19, 0.51%, 0.69%

LAB 62.27, 29.09, -36.77

 

Description

Color code: RGB 216 135 141 | qconv.com Color code: RGB 216 135 141 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 135 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 135 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 38 magenta, 35 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 38% 35% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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