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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 116 126 it is the complementary color RGB 39 139 129. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 116 126. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 116 126: RGB 221 116 121, RGB 238 134 140, RGB 255 152 159, RGB 255 170 178 and RGB 255 188 197

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 116 126. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 116 126: RGB 216 116 126, RGB 199 98 107, RGB 182 80 88, RGB 165 62 69 and RGB 148 44 50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

Complementary color

CMYK 72 / 0 / 7 / 45

HEX #278B81

RGB 39 139 129

HSL 174, 0.56%, 0.35%

LAB 52.38, -30.47, -2.89

 

CMYK 0 / 48 / 45 / 13

HEX #DD7479

RGB 221 116 121

HSL 357.14, 0.61%, 0.66%

LAB 61, 41.3, 16.02

 

CMYK 0 / 44 / 41 / 7

HEX #EE868C

RGB 238 134 140

HSL 356.54, 0.75%, 0.73%

LAB 67.37, 40.26, 14.44

 

CMYK 0 / 40 / 38 / 0

HEX #FF989F

RGB 255 152 159

HSL 355.92, 1%, 0.8%

LAB 73.69, 39.28, 13.05

 

CMYK 0 / 33 / 30 / 0

HEX #FFAAB2

RGB 255 170 178

HSL 354.35, 1%, 0.83%

LAB 78.01, 32.24, 8.78

 

CMYK 0 / 26 / 23 / 0

HEX #FFBCC5

RGB 255 188 197

HSL 351.94, 1%, 0.87%

LAB 82.52, 25.38, 4.99

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 0 / 51 / 46 / 22

HEX #C7626B

RGB 199 98 107

HSL 354.65, 0.47%, 0.58%

LAB 53.96, 41.03, 13.93

 

CMYK 0 / 56 / 52 / 29

HEX #B65058

RGB 182 80 88

HSL 355.29, 0.41%, 0.51%

LAB 47.48, 42.07, 15.92

 

CMYK 0 / 62 / 58 / 35

HEX #A53E45

RGB 165 62 69

HSL 355.92, 0.45%, 0.45%

LAB 41.02, 43.03, 18.35

 

CMYK 0 / 70 / 66 / 42

HEX #942C32

RGB 148 44 50

HSL 356.54, 0.54%, 0.38%

LAB 34.66, 43.74, 21.39

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 0 / 43 / 47 / 16

HEX #D77A73

RGB 215 122 115

HSL 4.2, 0.56%, 0.65%

LAB 61.31, 35.36, 19.74

 

CMYK 0 / 35 / 47 / 16

HEX #D78B73

RGB 215 139 115

HSL 14.4, 0.56%, 0.65%

LAB 65.08, 26.3, 24.82

 

CMYK 0 / 28 / 47 / 16

HEX #D79B73

RGB 215 155 115

HSL 24, 0.56%, 0.65%

LAB 68.84, 17.66, 29.79

 

CMYK 0 / 20 / 47 / 16

HEX #D7AC73

RGB 215 172 115

HSL 34.2, 0.56%, 0.65%

LAB 73.02, 8.5, 35.19

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 0 / 50 / 42 / 95

HEX #0C0607

RGB 12 6 7

HSL 350, 0.33%, 0.04%

LAB 2.02, 1.74, 0.18

 

CMYK 0 / 46 / 41 / 75

HEX #3F2225

RGB 63 34 37

HSL 353.79, 0.3%, 0.19%

LAB 17.15, 14.34, 4

 

CMYK 0 / 46 / 41 / 55

HEX #723D43

RGB 114 61 67

HSL 353.21, 0.3%, 0.34%

LAB 32.52, 23.87, 6.65

 

CMYK 0 / 46 / 42 / 35

HEX #A55960

RGB 165 89 96

HSL 354.47, 0.3%, 0.5%

LAB 46.96, 31.85, 9.98

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 5 / 0 / 47 / 16

HEX #CDD773

RGB 205 215 115

HSL 66, 0.56%, 0.65%

LAB 83.35, -17.79, 47.89

 

CMYK 47 / 23 / 0 / 16

HEX #73A5D7

RGB 115 165 215

HSL 210, 0.56%, 0.65%

LAB 66.11, -3.23, -30.56

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 42 / 0 / 47 / 16

HEX #7DD773

RGB 125 215 115

HSL 114, 0.56%, 0.65%

LAB 78.58, -46.39, 40.94

 

CMYK 47 / 42 / 0 / 16

HEX #737DD7

RGB 115 125 215

HSL 234, 0.56%, 0.65%

LAB 55.3, 20.02, -47.5

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 5 / 0 / 47 / 16

HEX #CDD773

RGB 205 215 115

HSL 66, 0.56%, 0.65%

LAB 83.35, -17.79, 47.89

 

CMYK 47 / 0 / 5 / 16

HEX #73D7CD

RGB 115 215 205

HSL 174, 0.56%, 0.65%

LAB 79.98, -31.71, -4.16

 

CMYK 42 / 47 / 0 / 16

HEX #7D73D7

RGB 125 115 215

HSL 246, 0.56%, 0.65%

LAB 53.52, 28.43, -50.27

 

CMYK 0 / 46 / 42 / 15

HEX #D8747E

RGB 216 116 126

HSL 354, 0.56%, 0.65%

LAB 60.42, 39.99, 12.24

 

CMYK 19 / 0 / 47 / 16

HEX #AFD773

RGB 175 215 115

HSL 84, 0.56%, 0.65%

LAB 81.27, -29.34, 44.87

 

CMYK 47 / 0 / 5 / 16

HEX #73D7CD

RGB 115 215 205

HSL 174, 0.56%, 0.65%

LAB 79.98, -31.71, -4.16

 

CMYK 28 / 47 / 0 / 16

HEX #9B73D7

RGB 155 115 215

HSL 264, 0.56%, 0.65%

LAB 56.22, 36.21, -45.81

 

Description

Color code: RGB 216 116 126 | qconv.com Color code: RGB 216 116 126 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 116 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 116 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 46 magenta, 42 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 46% 42% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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