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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 216 112 89 it is the complementary color RGB 39 143 166. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 216 112 89. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 216 112 89: RGB 221 112 84, RGB 238 130 103, RGB 255 148 122, RGB 255 166 141 and RGB 255 184 160

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 216 112 89. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 216 112 89: RGB 216 112 89, RGB 199 94 70, RGB 182 76 51, RGB 165 58 32 and RGB 148 40 13

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

Complementary color

CMYK 77 / 14 / 0 / 35

HEX #278FA6

RGB 39 143 166

HSL 190.87, 0.62%, 0.4%

LAB 54.9, -20.91, -20.48

 

CMYK 0 / 49 / 62 / 13

HEX #DD7054

RGB 221 112 84

HSL 12.26, 0.67%, 0.6%

LAB 59.53, 40.24, 34.99

 

CMYK 0 / 45 / 57 / 7

HEX #EE8267

RGB 238 130 103

HSL 12, 0.8%, 0.67%

LAB 65.84, 38.91, 32.99

 

CMYK 0 / 42 / 52 / 0

HEX #FF947A

RGB 255 148 122

HSL 11.73, 1%, 0.74%

LAB 72.12, 37.67, 31.2

 

CMYK 0 / 35 / 45 / 0

HEX #FFA68D

RGB 255 166 141

HSL 13.16, 1%, 0.78%

LAB 76.35, 30.11, 26.54

 

CMYK 0 / 28 / 37 / 0

HEX #FFB8A0

RGB 255 184 160

HSL 15.16, 1%, 0.81%

LAB 80.78, 22.73, 22.38

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 0 / 53 / 65 / 22

HEX #C75E46

RGB 199 94 70

HSL 11.16, 0.54%, 0.53%

LAB 52.5, 40.04, 33.44

 

CMYK 0 / 58 / 72 / 29

HEX #B64C33

RGB 182 76 51

HSL 11.45, 0.56%, 0.46%

LAB 46.11, 41.45, 35.9

 

CMYK 0 / 65 / 81 / 35

HEX #A53A20

RGB 165 58 32

HSL 11.73, 0.68%, 0.39%

LAB 39.8, 42.8, 38.59

 

CMYK 0 / 73 / 91 / 42

HEX #94280D

RGB 148 40 13

HSL 12, 0.84%, 0.32%

LAB 33.65, 43.89, 41.01

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 0 / 39 / 59 / 15

HEX #D88359

RGB 216 131 89

HSL 19.84, 0.62%, 0.6%

LAB 62.97, 28.72, 36.36

 

CMYK 0 / 29 / 59 / 15

HEX #D89959

RGB 216 153 89

HSL 30.24, 0.62%, 0.6%

LAB 68.1, 16.88, 42.58

 

CMYK 0 / 19 / 59 / 15

HEX #D8AE59

RGB 216 174 89

HSL 40.16, 0.62%, 0.6%

LAB 73.28, 5.61, 48.69

 

CMYK 0 / 10 / 59 / 15

HEX #D8C359

RGB 216 195 89

HSL 50.08, 0.62%, 0.6%

LAB 78.67, -5.39, 54.84

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 0 / 50 / 58 / 95

HEX #0C0605

RGB 12 6 5

HSL 8.57, 0.41%, 0.03%

LAB 1.98, 1.46, 0.94

 

CMYK 0 / 48 / 59 / 75

HEX #3F211A

RGB 63 33 26

HSL 11.35, 0.42%, 0.17%

LAB 16.6, 13.55, 10.98

 

CMYK 0 / 48 / 59 / 55

HEX #723B2F

RGB 114 59 47

HSL 10.75, 0.42%, 0.32%

LAB 31.6, 22.85, 18.19

 

CMYK 0 / 48 / 59 / 35

HEX #A55644

RGB 165 86 68

HSL 11.13, 0.42%, 0.46%

LAB 45.73, 30.75, 25.08

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 22 / 0 / 59 / 15

HEX #A9D859

RGB 169 216 89

HSL 82.2, 0.62%, 0.6%

LAB 80.89, -34.61, 56.38

 

CMYK 59 / 45 / 0 / 15

HEX #5977D8

RGB 89 119 216

HSL 225.83, 0.62%, 0.6%

LAB 52.15, 18.34, -53.17

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 59 / 0 / 49 / 15

HEX #59D86E

RGB 89 216 110

HSL 129.92, 0.62%, 0.6%

LAB 77.5, -57.02, 41.75

 

CMYK 49 / 59 / 0 / 15

HEX #6E59D8

RGB 110 89 216

HSL 249.92, 0.62%, 0.6%

LAB 46.2, 40.73, -62.67

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 22 / 0 / 59 / 15

HEX #A9D859

RGB 169 216 89

HSL 82.2, 0.62%, 0.6%

LAB 80.89, -34.61, 56.38

 

CMYK 59 / 10 / 0 / 15

HEX #59C3D8

RGB 89 195 216

HSL 189.92, 0.62%, 0.6%

LAB 73.62, -24.42, -19.7

 

CMYK 37 / 59 / 0 / 15

HEX #8859D8

RGB 136 89 216

HSL 262.2, 0.62%, 0.6%

LAB 48.68, 46.27, -58.54

 

CMYK 0 / 48 / 59 / 15

HEX #D87059

RGB 216 112 89

HSL 10.87, 0.62%, 0.6%

LAB 58.89, 38.68, 31.27

 

CMYK 39 / 0 / 59 / 15

HEX #83D859

RGB 131 216 89

HSL 100.16, 0.62%, 0.6%

LAB 78.84, -47.99, 53.52

 

CMYK 59 / 10 / 0 / 15

HEX #59C3D8

RGB 89 195 216

HSL 189.92, 0.62%, 0.6%

LAB 73.62, -24.42, -19.7

 

CMYK 19 / 59 / 0 / 15

HEX #AE59D8

RGB 174 89 216

HSL 280.16, 0.62%, 0.6%

LAB 53.06, 55.24, -51.28

 

Description

Color code: RGB 216 112 89 | qconv.com Color code: RGB 216 112 89 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 216 red, 112 green and 89 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
216 112 89 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 48 magenta, 59 yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 48% 59% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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