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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 96 5 it is the complementary color RGB 40 159 250. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 96 5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 215 96 5: RGB 220 96 0, RGB 237 114 19, RGB 254 132 38, RGB 255 150 57 and RGB 255 168 76

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 96 5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 215 96 5: RGB 215 96 5, RGB 198 78 0, RGB 181 60 0, RGB 164 42 0 and RGB 147 24 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

Complementary color

CMYK 84 / 36 / 0 / 2

HEX #289FFA

RGB 40 159 250

HSL 206, 0.95%, 0.57%

LAB 63.47, -0.11, -54.13

 

CMYK 0 / 56 / 100 / 14

HEX #DC6000

RGB 220 96 0

HSL 26.18, 1%, 0.43%

LAB 55.67, 44.98, 64.7

 

CMYK 0 / 52 / 92 / 7

HEX #ED7213

RGB 237 114 19

HSL 26.15, 0.86%, 0.5%

LAB 61.73, 42.94, 66.12

 

CMYK 0 / 48 / 85 / 0

HEX #FE8426

RGB 254 132 38

HSL 26.11, 0.99%, 0.57%

LAB 67.81, 40.96, 66.31

 

CMYK 0 / 41 / 78 / 0

HEX #FF9639

RGB 255 150 57

HSL 28.18, 1%, 0.61%

LAB 71.8, 32.78, 62.82

 

CMYK 0 / 34 / 70 / 0

HEX #FFA84C

RGB 255 168 76

HSL 30.84, 1%, 0.65%

LAB 75.94, 24.24, 58.87

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 0 / 61 / 100 / 22

HEX #C64E00

RGB 198 78 0

HSL 23.64, 1%, 0.39%

LAB 48.83, 45.2, 59.02

 

CMYK 0 / 67 / 100 / 29

HEX #B53C00

RGB 181 60 0

HSL 19.89, 1%, 0.35%

LAB 42.85, 47.04, 54.27

 

CMYK 0 / 74 / 100 / 36

HEX #A42A00

RGB 164 42 0

HSL 15.37, 1%, 0.32%

LAB 37.02, 48.34, 49.63

 

CMYK 0 / 84 / 100 / 42

HEX #931800

RGB 147 24 0

HSL 9.8, 1%, 0.29%

LAB 31.48, 48.67, 44.66

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 0 / 39 / 98 / 16

HEX #D58205

RGB 213 130 5

HSL 36.06, 0.95%, 0.43%

LAB 61.76, 24.74, 67.09

 

CMYK 0 / 23 / 98 / 16

HEX #D5A505

RGB 213 165 5

HSL 46.15, 0.95%, 0.43%

LAB 70.22, 5.9, 72.92

 

CMYK 0 / 7 / 98 / 16

HEX #D5C705

RGB 213 199 5

HSL 55.96, 0.95%, 0.43%

LAB 79.04, -11.8, 79.28

 

CMYK 10 / 0 / 98 / 16

HEX #C0D505

RGB 192 213 5

HSL 66.06, 0.95%, 0.43%

LAB 81.18, -27.59, 80.14

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 0 / 55 / 100 / 96

HEX #0B0500

RGB 11 5 0

HSL 27.27, 1%, 0.02%

LAB 1.62, 0.88, 2.45

 

CMYK 0 / 55 / 98 / 76

HEX #3E1C01

RGB 62 28 1

HSL 26.56, 0.97%, 0.12%

LAB 14.72, 14.44, 21.65

 

CMYK 0 / 56 / 97 / 56

HEX #713203

RGB 113 50 3

HSL 25.64, 0.95%, 0.23%

LAB 28.9, 25.29, 38.59

 

CMYK 0 / 55 / 98 / 36

HEX #A44904

RGB 164 73 4

HSL 25.88, 0.95%, 0.33%

LAB 42.26, 34.5, 51.19

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 62 / 0 / 98 / 16

HEX #51D505

RGB 81 213 5

HSL 98.08, 0.95%, 0.43%

LAB 75.67, -65.57, 73.47

 

CMYK 94 / 98 / 0 / 16

HEX #0C05D5

RGB 12 5 213

HSL 242.02, 0.95%, 0.43%

LAB 26.71, 68.24, -93.26

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 98 / 0 / 55 / 16

HEX #05D55F

RGB 5 213 95

HSL 145.96, 0.95%, 0.43%

LAB 75.11, -68.45, 45.69

 

CMYK 55 / 98 / 0 / 16

HEX #5F05D5

RGB 95 5 213

HSL 265.96, 0.95%, 0.43%

LAB 32.58, 71.11, -83.32

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 62 / 0 / 98 / 16

HEX #51D505

RGB 81 213 5

HSL 98.08, 0.95%, 0.43%

LAB 75.67, -65.57, 73.47

 

CMYK 98 / 42 / 0 / 16

HEX #057BD5

RGB 5 123 213

HSL 205.96, 0.95%, 0.43%

LAB 50.69, 5.69, -53.94

 

CMYK 36 / 98 / 0 / 16

HEX #8905D5

RGB 137 5 213

HSL 278.08, 0.95%, 0.43%

LAB 38.25, 74.9, -73.77

 

CMYK 0 / 55 / 98 / 16

HEX #D76005

RGB 215 96 5

HSL 26, 0.95%, 0.43%

LAB 54.89, 43.12, 62.84

 

CMYK 91 / 0 / 98 / 16

HEX #13D505

RGB 19 213 5

HSL 115.96, 0.95%, 0.43%

LAB 74.66, -74.35, 72.24

 

CMYK 98 / 42 / 0 / 16

HEX #057BD5

RGB 5 123 213

HSL 205.96, 0.95%, 0.43%

LAB 50.69, 5.69, -53.94

 

CMYK 7 / 98 / 0 / 16

HEX #C705D5

RGB 199 5 213

HSL 295.96, 0.95%, 0.43%

LAB 48.33, 83.2, -56.94

 

Description

Color code: RGB 215 96 5 | qconv.com Color code: RGB 215 96 5 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 96 green and 5 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 96 5 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 55 magenta, 98 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 55% 98% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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