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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 47 238 it is the complementary color RGB 40 208 17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 47 238. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 215 47 238: RGB 220 47 233, RGB 237 65 252, RGB 254 83 255, RGB 255 101 255 and RGB 255 119 255

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 47 238. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 215 47 238: RGB 215 47 238, RGB 198 29 219, RGB 181 11 200, RGB 164 0 181 and RGB 147 0 162

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

Complementary color

CMYK 81 / 0 / 92 / 18

HEX #28D011

RGB 40 208 17

HSL 112.77, 0.85%, 0.44%

LAB 73.29, -70.9, 69.86

 

CMYK 6 / 80 / 0 / 9

HEX #DC2FE9

RGB 220 47 233

HSL 295.81, 0.81%, 0.55%

LAB 55.21, 83.46, -57.07

 

CMYK 6 / 74 / 0 / 1

HEX #ED41FC

RGB 237 65 252

HSL 295.19, 0.97%, 0.62%

LAB 60.62, 84.86, -58.87

 

CMYK 0 / 67 / 0 / 0

HEX #FE53FF

RGB 254 83 255

HSL 299.65, 1%, 0.66%

LAB 65.34, 83.07, -52.86

 

CMYK 0 / 60 / 0 / 0

HEX #FF65FF

RGB 255 101 255

HSL 300, 1%, 0.7%

LAB 67.86, 76.64, -48.86

 

CMYK 0 / 53 / 0 / 0

HEX #FF77FF

RGB 255 119 255

HSL 300, 1%, 0.73%

LAB 70.65, 69.04, -44.48

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 10 / 87 / 0 / 14

HEX #C61DDB

RGB 198 29 219

HSL 293.37, 0.77%, 0.49%

LAB 49.49, 81.17, -58.51

 

CMYK 10 / 95 / 0 / 22

HEX #B50BC8

RGB 181 11 200

HSL 293.97, 0.9%, 0.41%

LAB 44.57, 77.86, -55.66

 

CMYK 9 / 100 / 0 / 29

HEX #A400B5

RGB 164 0 181

HSL 294.36, 1%, 0.35%

LAB 39.96, 73.27, -52.09

 

CMYK 9 / 100 / 0 / 36

HEX #9300A2

RGB 147 0 162

HSL 294.44, 1%, 0.32%

LAB 35.62, 67.55, -47.88

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 0 / 80 / 3 / 7

HEX #EE2FE7

RGB 238 47 231

HSL 302.2, 0.85%, 0.56%

LAB 58.02, 86.46, -51.29

 

CMYK 0 / 80 / 16 / 7

HEX #EE2FC8

RGB 238 47 200

HSL 311.94, 0.85%, 0.56%

LAB 56.47, 82.19, -36.14

 

CMYK 0 / 80 / 29 / 7

HEX #EE2FA8

RGB 238 47 168

HSL 321.99, 0.85%, 0.56%

LAB 55.11, 78.35, -19.68

 

CMYK 0 / 80 / 43 / 7

HEX #EE2F88

RGB 238 47 136

HSL 332.04, 0.85%, 0.56%

LAB 54.01, 75.15, -2.39

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 9 / 79 / 0 / 87

HEX #1F0722

RGB 31 7 34

HSL 293.33, 0.66%, 0.08%

LAB 5.05, 16.21, -12.41

 

CMYK 9 / 80 / 0 / 67

HEX #4D1155

RGB 77 17 85

HSL 292.94, 0.67%, 0.2%

LAB 18.52, 37.32, -27.11

 

CMYK 10 / 80 / 0 / 47

HEX #7B1B88

RGB 123 27 136

HSL 292.84, 0.67%, 0.32%

LAB 31.28, 53.84, -39.15

 

CMYK 10 / 80 / 0 / 27

HEX #A925BB

RGB 169 37 187

HSL 292.8, 0.67%, 0.44%

LAB 43.28, 69.03, -50.24

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 0 / 75 / 80 / 7

HEX #EE3C2F

RGB 238 60 47

HSL 4.08, 0.85%, 0.56%

LAB 53.62, 66.29, 48.93

 

CMYK 80 / 0 / 43 / 7

HEX #2FEE88

RGB 47 238 136

HSL 147.96, 0.85%, 0.56%

LAB 83.72, -67.43, 36.72

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 0 / 11 / 80 / 7

HEX #EED42F

RGB 238 212 47

HSL 51.83, 0.85%, 0.56%

LAB 84.73, -6.88, 77.25

 

CMYK 80 / 0 / 11 / 7

HEX #2FEED4

RGB 47 238 212

HSL 171.83, 0.85%, 0.56%

LAB 85.25, -50.74, -0.33

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 0 / 75 / 80 / 7

HEX #EE3C2F

RGB 238 60 47

HSL 4.08, 0.85%, 0.56%

LAB 53.62, 66.29, 48.93

 

CMYK 70 / 0 / 80 / 7

HEX #48EE2F

RGB 72 238 47

HSL 112.15, 0.85%, 0.56%

LAB 83.3, -73.92, 72.68

 

CMYK 80 / 5 / 0 / 7

HEX #2FE1EE

RGB 47 225 238

HSL 184.08, 0.85%, 0.56%

LAB 82.18, -37.77, -18.63

 

CMYK 10 / 80 / 0 / 7

HEX #D72FEE

RGB 215 47 238

HSL 292.77, 0.85%, 0.56%

LAB 54.71, 83.37, -60.72

 

CMYK 0 / 51 / 80 / 7

HEX #EE752F

RGB 238 117 47

HSL 21.99, 0.85%, 0.56%

LAB 62.6, 42.47, 57.46

 

CMYK 70 / 0 / 80 / 7

HEX #48EE2F

RGB 72 238 47

HSL 112.15, 0.85%, 0.56%

LAB 83.3, -73.92, 72.68

 

CMYK 80 / 29 / 0 / 7

HEX #2FA8EE

RGB 47 168 238

HSL 201.99, 0.85%, 0.56%

LAB 65.58, -8.92, -44.21

 

Description

Color code: RGB 215 47 238 | qconv.com Color code: RGB 215 47 238 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 47 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 47 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 80 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 80% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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