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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 215 45 109 it is the complementary color RGB 40 210 146. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 215 45 109. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 215 45 109: RGB 220 45 104, RGB 237 63 123, RGB 254 81 142, RGB 255 99 161 and RGB 255 117 180

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 215 45 109. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 215 45 109: RGB 215 45 109, RGB 198 27 90, RGB 181 9 71, RGB 164 0 52 and RGB 147 0 33

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

 

Complementary color

CMYK 81 / 0 / 30 / 18

HEX #28D292

RGB 40 210 146

HSL 157.41, 0.68%, 0.49%

LAB 75.21, -56.13, 20.2

 

CMYK 0 / 80 / 53 / 14

HEX #DC2D68

RGB 220 45 104

HSL 339.77, 0.71%, 0.52%

LAB 49.61, 68.46, 10.16

 

CMYK 0 / 73 / 48 / 7

HEX #ED3F7B

RGB 237 63 123

HSL 339.31, 0.83%, 0.59%

LAB 55.06, 69.26, 6.87

 

CMYK 0 / 68 / 44 / 0

HEX #FE518E

RGB 254 81 142

HSL 338.84, 0.99%, 0.66%

LAB 60.7, 69.49, 4.15

 

CMYK 0 / 61 / 37 / 0

HEX #FF63A1

RGB 255 99 161

HSL 336.15, 1%, 0.69%

LAB 63.96, 64.62, -2.06

 

CMYK 0 / 54 / 29 / 0

HEX #FF75B4

RGB 255 117 180

HSL 332.61, 1%, 0.73%

LAB 67.48, 58.92, -7.67

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 0 / 86 / 55 / 22

HEX #C61B5A

RGB 198 27 90

HSL 337.89, 0.76%, 0.44%

LAB 43.55, 65.92, 9.69

 

CMYK 0 / 95 / 61 / 29

HEX #B50947

RGB 181 9 71

HSL 338.37, 0.91%, 0.37%

LAB 38.68, 63.14, 14.49

 

CMYK 0 / 100 / 68 / 36

HEX #A40034

RGB 164 0 52

HSL 340.98, 1%, 0.32%

LAB 34.27, 58.98, 20.3

 

CMYK 0 / 100 / 78 / 42

HEX #930021

RGB 147 0 33

HSL 346.53, 1%, 0.29%

LAB 30.19, 53.87, 26.79

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 0 / 79 / 62 / 16

HEX #D72D51

RGB 215 45 81

HSL 347.29, 0.68%, 0.51%

LAB 48.16, 65.58, 22.08

 

CMYK 0 / 79 / 75 / 16

HEX #D72D35

RGB 215 45 53

HSL 357.18, 0.68%, 0.51%

LAB 47.73, 64.25, 38.22

 

CMYK 0 / 70 / 79 / 16

HEX #D7402D

RGB 215 64 45

HSL 6.71, 0.68%, 0.51%

LAB 49.86, 57.79, 44.84

 

CMYK 0 / 57 / 79 / 16

HEX #D75D2D

RGB 215 93 45

HSL 16.94, 0.68%, 0.51%

LAB 54.52, 45.37, 49.44

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 0 / 82 / 45 / 96

HEX #0B0206

RGB 11 2 6

HSL 333.33, 0.69%, 0.03%

LAB 1.15, 2.92, -0.68

 

CMYK 0 / 79 / 50 / 76

HEX #3E0D1F

RGB 62 13 31

HSL 337.96, 0.65%, 0.15%

LAB 12.03, 25.42, 0.99

 

CMYK 0 / 79 / 50 / 56

HEX #711839

RGB 113 24 57

HSL 337.75, 0.65%, 0.27%

LAB 25.14, 40.67, 2.73

 

CMYK 0 / 79 / 49 / 36

HEX #A42253

RGB 164 34 83

HSL 337.38, 0.66%, 0.39%

LAB 37.23, 54.71, 4.24

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 79 / 17 / 0 / 16

HEX #2DB2D7

RGB 45 178 215

HSL 193.06, 0.68%, 0.51%

LAB 67.51, -22.29, -28.6

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 49 / 0 / 79 / 16

HEX #6ED72D

RGB 110 215 45

HSL 97.06, 0.68%, 0.51%

LAB 77.34, -57.41, 68.09

 

CMYK 79 / 49 / 0 / 16

HEX #2D6ED7

RGB 45 110 215

HSL 217.06, 0.68%, 0.51%

LAB 47.77, 17.08, -59.73

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 0 / 15 / 79 / 16

HEX #D7B72D

RGB 215 183 45

HSL 48.71, 0.68%, 0.51%

LAB 75.14, -1.91, 68.59

 

CMYK 79 / 0 / 31 / 16

HEX #2DD795

RGB 45 215 149

HSL 156.71, 0.68%, 0.51%

LAB 76.88, -56.88, 20.92

 

CMYK 79 / 65 / 0 / 16

HEX #2D4CD7

RGB 45 76 215

HSL 229.06, 0.68%, 0.51%

LAB 38.96, 38.81, -74.08

 

CMYK 0 / 79 / 49 / 16

HEX #D72D6D

RGB 215 45 109

HSL 337.41, 0.68%, 0.51%

LAB 48.79, 67.54, 5.82

RAL® 4010

CMYK 9 / 0 / 79 / 16

HEX #C3D72D

RGB 195 215 45

HSL 67.06, 0.68%, 0.51%

LAB 82.05, -26.46, 74.11

 

CMYK 79 / 0 / 31 / 16

HEX #2DD795

RGB 45 215 149

HSL 156.71, 0.68%, 0.51%

LAB 76.88, -56.88, 20.92

 

CMYK 70 / 79 / 0 / 16

HEX #402DD7

RGB 64 45 215

HSL 246.71, 0.68%, 0.51%

LAB 33.72, 57.8, -82.69

 

Description

Color code: RGB 215 45 109 | qconv.com Color code: RGB 215 45 109 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 215 red, 45 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
215 45 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 49 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 49% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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