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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 92 91 it is the complementary color RGB 41 163 164. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 92 91. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 92 91: RGB 219 92 86, RGB 236 110 105, RGB 253 128 124, RGB 255 146 143 and RGB 255 164 162

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 92 91. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 92 91: RGB 214 92 91, RGB 197 74 72, RGB 180 56 53, RGB 163 38 34 and RGB 146 20 15

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

Complementary color

CMYK 75 / 1 / 0 / 36

HEX #29A3A4

RGB 41 163 164

HSL 180.49, 0.6%, 0.4%

LAB 61.09, -31.38, -9.97

 

CMYK 0 / 58 / 61 / 14

HEX #DB5C56

RGB 219 92 86

HSL 2.71, 0.65%, 0.6%

LAB 55.47, 49.37, 28.71

 

CMYK 0 / 53 / 56 / 7

HEX #EC6E69

RGB 236 110 105

HSL 2.29, 0.78%, 0.67%

LAB 61.66, 48.26, 26.4

 

CMYK 0 / 49 / 51 / 1

HEX #FD807C

RGB 253 128 124

HSL 1.86, 0.97%, 0.74%

LAB 67.86, 47.14, 24.39

 

CMYK 0 / 43 / 44 / 0

HEX #FF928F

RGB 255 146 143

HSL 1.61, 1%, 0.78%

LAB 72.1, 40.63, 19.66

 

CMYK 0 / 36 / 36 / 0

HEX #FFA4A2

RGB 255 164 162

HSL 1.29, 1%, 0.82%

LAB 76.33, 33.42, 15.12

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 0 / 62 / 63 / 23

HEX #C54A48

RGB 197 74 72

HSL 0.96, 0.52%, 0.53%

LAB 48.56, 48.98, 27.35

 

CMYK 0 / 69 / 71 / 29

HEX #B43835

RGB 180 56 53

HSL 1.42, 0.55%, 0.46%

LAB 42.44, 49.78, 30.43

 

CMYK 0 / 77 / 79 / 36

HEX #A32622

RGB 163 38 34

HSL 1.86, 0.65%, 0.39%

LAB 36.53, 50.13, 34.05

 

CMYK 0 / 86 / 90 / 43

HEX #92140F

RGB 146 20 15

HSL 2.29, 0.81%, 0.32%

LAB 30.99, 49.62, 37.88

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 0 / 48 / 57 / 16

HEX #D6705B

RGB 214 112 91

HSL 10.24, 0.6%, 0.6%

LAB 58.64, 38.07, 29.77

 

CMYK 0 / 38 / 57 / 16

HEX #D6845B

RGB 214 132 91

HSL 20, 0.6%, 0.6%

LAB 62.97, 27.53, 35.23

 

CMYK 0 / 29 / 57 / 16

HEX #D6995B

RGB 214 153 91

HSL 30.24, 0.6%, 0.6%

LAB 67.9, 16.2, 41.27

 

CMYK 0 / 19 / 57 / 16

HEX #D6AD5B

RGB 214 173 91

HSL 40, 0.6%, 0.6%

LAB 72.85, 5.45, 47.16

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 0 / 60 / 60 / 96

HEX #0A0404

RGB 10 4 4

HSL 0, 0.43%, 0.03%

LAB 1.45, 1.57, 0.55

 

CMYK 0 / 57 / 57 / 76

HEX #3D1A1A

RGB 61 26 26

HSL 0, 0.4%, 0.17%

LAB 14.43, 17.14, 8.02

 

CMYK 0 / 57 / 57 / 56

HEX #703030

RGB 112 48 48

HSL 0, 0.4%, 0.31%

LAB 28.83, 28.35, 13.86

 

CMYK 0 / 57 / 58 / 36

HEX #A34645

RGB 163 70 69

HSL 0.64, 0.41%, 0.45%

LAB 42.15, 38.44, 19.78

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 12 / 0 / 57 / 16

HEX #BDD65B

RGB 189 214 91

HSL 72.2, 0.6%, 0.6%

LAB 81.66, -25.77, 56.73

 

CMYK 57 / 35 / 0 / 16

HEX #5B8CD6

RGB 91 140 214

HSL 216.1, 0.6%, 0.6%

LAB 57.88, 5.42, -42.94

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 57 / 0 / 57 / 16

HEX #5BD65B

RGB 91 214 91

HSL 120, 0.6%, 0.6%

LAB 76.72, -58.3, 49.77

 

CMYK 57 / 57 / 0 / 16

HEX #5B5BD6

RGB 91 91 214

HSL 240, 0.6%, 0.6%

LAB 45.03, 35.3, -63.5

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 12 / 0 / 57 / 16

HEX #BDD65B

RGB 189 214 91

HSL 72.2, 0.6%, 0.6%

LAB 81.66, -25.77, 56.73

 

CMYK 57 / 0 / 0 / 16

HEX #5BD6D6

RGB 91 214 214

HSL 180, 0.6%, 0.6%

LAB 79.14, -33.84, -10.31

 

CMYK 46 / 57 / 0 / 16

HEX #745BD6

RGB 116 91 214

HSL 252.2, 0.6%, 0.6%

LAB 47.04, 40.22, -60.14

 

CMYK 0 / 57 / 57 / 16

HEX #D65C5B

RGB 214 92 91

HSL 0.49, 0.6%, 0.6%

LAB 54.77, 47.97, 24.77

 

CMYK 29 / 0 / 57 / 16

HEX #99D65B

RGB 153 214 91

HSL 89.76, 0.6%, 0.6%

LAB 79.4, -39.42, 53.56

 

CMYK 57 / 0 / 0 / 16

HEX #5BD6D6

RGB 91 214 214

HSL 180, 0.6%, 0.6%

LAB 79.14, -33.84, -10.31

 

CMYK 29 / 57 / 0 / 16

HEX #995BD6

RGB 153 91 214

HSL 270.24, 0.6%, 0.6%

LAB 50.82, 48.67, -53.87

 

Description

Color code: RGB 214 92 91 | qconv.com Color code: RGB 214 92 91 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 92 green and 91 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 92 91 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 57 magenta, 57 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 57% 57% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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