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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 89 32 it is the complementary color RGB 41 166 223. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 89 32. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 89 32: RGB 219 89 27, RGB 236 107 46, RGB 253 125 65, RGB 255 143 84 and RGB 255 161 103

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 89 32. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 89 32: RGB 214 89 32, RGB 197 71 13, RGB 180 53 0, RGB 163 35 0 and RGB 146 17 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

Complementary color

CMYK 82 / 26 / 0 / 13

HEX #29A6DF

RGB 41 166 223

HSL 198.79, 0.74%, 0.52%

LAB 64.22, -13.59, -38.11

 

CMYK 0 / 59 / 88 / 14

HEX #DB591B

RGB 219 89 27

HSL 19.38, 0.78%, 0.48%

LAB 54.33, 48.23, 57.06

 

CMYK 0 / 55 / 81 / 7

HEX #EC6B2E

RGB 236 107 46

HSL 19.26, 0.83%, 0.55%

LAB 60.38, 46.54, 55.71

 

CMYK 0 / 51 / 74 / 1

HEX #FD7D41

RGB 253 125 65

HSL 19.15, 0.98%, 0.62%

LAB 66.47, 44.9, 53.9

 

CMYK 0 / 44 / 67 / 0

HEX #FF8F54

RGB 255 143 84

HSL 20.7, 1%, 0.66%

LAB 70.56, 37.58, 49.18

 

CMYK 0 / 37 / 60 / 0

HEX #FFA167

RGB 255 161 103

HSL 22.89, 1%, 0.7%

LAB 74.65, 29.5, 44.4

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 0 / 64 / 93 / 23

HEX #C5470D

RGB 197 71 13

HSL 18.91, 0.88%, 0.41%

LAB 47.5, 48.14, 54.92

 

CMYK 0 / 71 / 100 / 29

HEX #B43500

RGB 180 53 0

HSL 17.67, 1%, 0.35%

LAB 41.61, 49.55, 53.55

 

CMYK 0 / 79 / 100 / 36

HEX #A32300

RGB 163 35 0

HSL 12.88, 1%, 0.32%

LAB 35.96, 50.4, 49.03

 

CMYK 0 / 88 / 100 / 43

HEX #921100

RGB 146 17 0

HSL 6.99, 1%, 0.29%

LAB 30.67, 50.05, 43.99

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 0 / 45 / 85 / 17

HEX #D4741F

RGB 212 116 31

HSL 28.18, 0.74%, 0.48%

LAB 58.59, 32.19, 58.67

 

CMYK 0 / 31 / 85 / 17

HEX #D4921F

RGB 212 146 31

HSL 38.12, 0.74%, 0.48%

LAB 65.48, 16.1, 64.37

 

CMYK 0 / 17 / 85 / 17

HEX #D4B01F

RGB 212 176 31

HSL 48.07, 0.74%, 0.48%

LAB 72.99, 0.04, 70.55

 

CMYK 0 / 3 / 85 / 17

HEX #D4CE1F

RGB 212 206 31

HSL 58.01, 0.74%, 0.48%

LAB 80.87, -15.35, 76.99

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 0 / 60 / 90 / 96

HEX #0A0401

RGB 10 4 1

HSL 20, 0.82%, 0.02%

LAB 1.39, 1.15, 1.69

 

CMYK 0 / 59 / 85 / 76

HEX #3D1909

RGB 61 25 9

HSL 18.46, 0.74%, 0.14%

LAB 13.87, 16.33, 17.25

 

CMYK 0 / 58 / 85 / 56

HEX #702F11

RGB 112 47 17

HSL 18.95, 0.74%, 0.25%

LAB 28.16, 26.92, 31.83

 

CMYK 0 / 58 / 85 / 36

HEX #A34418

RGB 163 68 24

HSL 18.99, 0.74%, 0.37%

LAB 41.2, 37.03, 43.61

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 42 / 0 / 85 / 17

HEX #7AD41F

RGB 122 212 31

HSL 89.83, 0.74%, 0.48%

LAB 76.87, -53.15, 71.34

 

CMYK 85 / 77 / 0 / 17

HEX #1F31D4

RGB 31 49 212

HSL 234.03, 0.74%, 0.48%

LAB 32.35, 52.77, -83.27

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 85 / 0 / 59 / 17

HEX #1FD456

RGB 31 212 86

HSL 138.23, 0.74%, 0.48%

LAB 74.86, -67.93, 49.55

 

CMYK 59 / 85 / 0 / 17

HEX #561FD4

RGB 86 31 212

HSL 258.23, 0.74%, 0.48%

LAB 33.38, 64.46, -81.46

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 42 / 0 / 85 / 17

HEX #7AD41F

RGB 122 212 31

HSL 89.83, 0.74%, 0.48%

LAB 76.87, -53.15, 71.34

 

CMYK 85 / 25 / 0 / 17

HEX #1F9ED4

RGB 31 158 212

HSL 197.9, 0.74%, 0.48%

LAB 61.22, -13.87, -36.7

 

CMYK 42 / 85 / 0 / 17

HEX #7A1FD4

RGB 122 31 212

HSL 270.17, 0.74%, 0.48%

LAB 37.61, 68.29, -74.33

 

CMYK 0 / 58 / 85 / 16

HEX #D65920

RGB 214 89 32

HSL 18.79, 0.74%, 0.48%

LAB 53.54, 46.5, 54.19

 

CMYK 68 / 0 / 85 / 17

HEX #44D41F

RGB 68 212 31

HSL 107.73, 0.74%, 0.48%

LAB 75.09, -67.31, 69.09

 

CMYK 85 / 25 / 0 / 17

HEX #1F9ED4

RGB 31 158 212

HSL 197.9, 0.74%, 0.48%

LAB 61.22, -13.87, -36.7

 

CMYK 17 / 85 / 0 / 17

HEX #B01FD4

RGB 176 31 212

HSL 288.07, 0.74%, 0.48%

LAB 45.58, 76.03, -60.99

 

Description

Color code: RGB 214 89 32 | qconv.com Color code: RGB 214 89 32 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 89 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 89 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 85 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 85% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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