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Color name
RGB 214 89 142

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 89 142 it is the complementary color RGB 41 166 113. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 89 142. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the RGB 214 89 142 shade: RGB 219 89 137, RGB 236 107 156, RGB 253 125 175, RGB 255 143 194 and RGB 255 161 213

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 89 142. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the RGB 214 89 142 shade: RGB 214 89 142, RGB 197 71 123, RGB 180 53 104, RGB 163 35 85 and RGB 146 17 66

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the RGB 214 89 142 shade: RGB 213 87 140, RGB 213 87 107 and RGB 213 87 87

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the RGB 214 89 142 shade: RGB 213 87 140, RGB 213 87 174, RGB 213 87 208, RGB 183 87 213 and RGB 150 87 213

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The RGB 214 89 142 shade matches the following richer shades: RGB 213 87 140, RGB 230 70 138 and RGB 247 53 135

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the RGB 214 89 142 shade: RGB 213 87 140, RGB 196 104 143, RGB 179 121 146, RGB 162 138 148 and RGB 145 155 151

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the RGB 214 89 142 shade: RGB 213 87 208, RGB 213 87 175, RGB 213 87 142, RGB 213 87 108 and RGB 213 100 87

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the RGB 214 89 142 shade: RGB 174 43 99, RGB 204 54 118, RGB 213 87 140, RGB 221 120 163 and RGB 229 153 185

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the RGB 214 89 142 shade: RGB 214 89 142, RGB 213 183 87 and RGB 87 192 213

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the RGB 214 89 142 shade: RGB 214 89 142, RGB 142 213 87 and RGB 87 142 213

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the RGB 214 89 142 shade: RGB 214 89 142, RGB 213 183 87, RGB 87 213 158 and RGB 87 116 213

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the RGB 214 89 142 shade: RGB 214 89 142, RGB 204 213 87, RGB 87 213 158 and RGB 96 87 213

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 58 / 34 / 16

HEX #D6598E

RGB 214 89 142

HSL 334.56, 0.6%, 0.59%

LAB 55.48, 54.3, -4.25

 

Complementary color

CMYK 75 / 0 / 32 / 35

HEX #29A671

RGB 41 166 113

HSL 154.56, 0.6%, 0.41%

LAB 60.73, -46.09, 18.06

 

CMYK 0 / 59 / 37 / 14

HEX #DB5989

RGB 219 89 137

HSL 337.85, 0.64%, 0.6%

LAB 56.1, 55.3, -0.3

 

CMYK 0 / 55 / 34 / 7

HEX #EC6B9C

RGB 236 107 156

HSL 337.21, 0.77%, 0.67%

LAB 62.29, 54.66, -1.97

 

CMYK 0 / 51 / 31 / 1

HEX #FD7DAF

RGB 253 125 175

HSL 336.56, 0.97%, 0.74%

LAB 68.49, 53.92, -3.39

 

CMYK 0 / 44 / 24 / 0

HEX #FF8FC2

RGB 255 143 194

HSL 332.68, 1%, 0.78%

LAB 72.76, 48.23, -7.66

 

CMYK 0 / 37 / 16 / 0

HEX #FFA1D5

RGB 255 161 213

HSL 326.81, 1%, 0.82%

LAB 77.01, 41.83, -11.77

 

CMYK 0 / 58 / 34 / 16

HEX #D6598E

RGB 214 89 142

HSL 334.56, 0.6%, 0.59%

LAB 55.48, 54.3, -4.25

 

CMYK 0 / 64 / 38 / 23

HEX #C5477B

RGB 197 71 123

HSL 335.24, 0.52%, 0.53%

LAB 49.26, 54.75, -2.4

 

CMYK 0 / 71 / 42 / 29

HEX #B43568

RGB 180 53 104

HSL 335.91, 0.55%, 0.46%

LAB 43.14, 54.84, -0.09

 

CMYK 0 / 79 / 48 / 36

HEX #A32355

RGB 163 35 85

HSL 336.56, 0.65%, 0.39%

LAB 37.2, 54.31, 2.88

 

CMYK 0 / 88 / 55 / 43

HEX #921142

RGB 146 17 66

HSL 337.21, 0.79%, 0.32%

LAB 31.59, 52.74, 6.8

 

CMYK 0 / 59 / 34 / 16

HEX #D5578C

RGB 213 87 140

HSL 334.76, 0.6%, 0.59%

LAB 54.92, 54.65, -3.9

 

CMYK 0 / 59 / 50 / 16

HEX #D5576B

RGB 213 87 107

HSL 350.48, 0.6%, 0.59%

LAB 54.05, 51.25, 14.38

 

CMYK 0 / 59 / 59 / 16

HEX #D55757

RGB 213 87 87

HSL 0, 0.6%, 0.59%

LAB 53.65, 49.65, 25.61

 

CMYK 0 / 59 / 34 / 16

HEX #D5578C

RGB 213 87 140

HSL 334.76, 0.6%, 0.59%

LAB 54.92, 54.65, -3.9

 

CMYK 0 / 59 / 18 / 16

HEX #D557AE

RGB 213 87 174

HSL 318.57, 0.6%, 0.59%

LAB 56.11, 59.11, -22.02

 

CMYK 0 / 59 / 2 / 16

HEX #D557D0

RGB 213 87 208

HSL 302.38, 0.6%, 0.59%

LAB 57.58, 64.41, -39.25

 

CMYK 14 / 59 / 0 / 16

HEX #B757D5

RGB 183 87 213

HSL 285.71, 0.6%, 0.59%

LAB 53.69, 57.8, -48.49

 

CMYK 30 / 59 / 0 / 16

HEX #9657D5

RGB 150 87 213

HSL 270, 0.6%, 0.59%

LAB 49.62, 49.82, -55.23

 

CMYK 0 / 59 / 34 / 16

HEX #D5578C

RGB 213 87 140

HSL 334.76, 0.6%, 0.59%

LAB 54.92, 54.65, -3.9

 

CMYK 0 / 70 / 40 / 10

HEX #E6468A

RGB 230 70 138

HSL 334.5, 0.76%, 0.59%

LAB 55.11, 66.33, -2.13

 

CMYK 0 / 79 / 45 / 3

HEX #F73587

RGB 247 53 135

HSL 334.64, 0.92%, 0.59%

LAB 56.16, 75.78, 1.54

 

CMYK 0 / 59 / 34 / 16

HEX #D5578C

RGB 213 87 140

HSL 334.76, 0.6%, 0.59%

LAB 54.92, 54.65, -3.9

 

CMYK 0 / 47 / 27 / 23

HEX #C4688F

RGB 196 104 143

HSL 334.57, 0.44%, 0.59%

LAB 55.7, 41.19, -4.79

 

CMYK 0 / 32 / 18 / 30

HEX #B37992

RGB 179 121 146

HSL 334.14, 0.28%, 0.59%

LAB 57.4, 26.37, -4.27

 

CMYK 0 / 15 / 9 / 36

HEX #A28A94

RGB 162 138 148

HSL 335, 0.11%, 0.59%

LAB 59.89, 10.8, -1.96

 

CMYK 6 / 0 / 3 / 39

HEX #919B97

RGB 145 155 151

HSL 156, 0.05%, 0.59%

LAB 63.09, -4.37, 0.85

 

CMYK 0 / 59 / 2 / 16

HEX #D557D0

RGB 213 87 208

HSL 302.38, 0.6%, 0.59%

LAB 57.58, 64.41, -39.25

 

CMYK 0 / 59 / 18 / 16

HEX #D557AF

RGB 213 87 175

HSL 318.1, 0.6%, 0.59%

LAB 56.15, 59.26, -22.54

 

CMYK 0 / 59 / 33 / 16

HEX #D5578E

RGB 213 87 142

HSL 333.81, 0.6%, 0.59%

LAB 54.99, 54.89, -4.99

 

CMYK 0 / 59 / 49 / 16

HEX #D5576C

RGB 213 87 108

HSL 350, 0.6%, 0.59%

LAB 54.07, 51.34, 13.82

 

CMYK 0 / 53 / 59 / 16

HEX #D56457

RGB 213 100 87

HSL 6.19, 0.6%, 0.59%

LAB 56.04, 43.45, 28.68

 

CMYK 0 / 75 / 43 / 32

HEX #AE2B63

RGB 174 43 99

HSL 334.35, 0.6%, 0.43%

LAB 40.62, 56.16, -0.78

 

CMYK 0 / 74 / 42 / 20

HEX #CC3676

RGB 204 54 118

HSL 334.4, 0.6%, 0.51%

LAB 47.99, 62.69, -1.1

 

CMYK 0 / 59 / 34 / 16

HEX #D5578C

RGB 213 87 140

HSL 334.76, 0.6%, 0.59%

LAB 54.92, 54.65, -3.9

 

CMYK 0 / 46 / 26 / 13

HEX #DD78A3

RGB 221 120 163

HSL 334.46, 0.6%, 0.67%

LAB 62.89, 44.25, -5.35

 

CMYK 0 / 33 / 19 / 10

HEX #E599B9

RGB 229 153 185

HSL 334.74, 0.59%, 0.75%

LAB 71.52, 32.92, -4.86

 

CMYK 0 / 58 / 34 / 16

HEX #D6598E

RGB 214 89 142

HSL 334.56, 0.6%, 0.59%

LAB 55.48, 54.3, -4.25

 

CMYK 0 / 14 / 59 / 16

HEX #D5B757

RGB 213 183 87

HSL 45.71, 0.6%, 0.59%

LAB 75.27, -0.55, 51.84

 

CMYK 59 / 10 / 0 / 16

HEX #57C0D5

RGB 87 192 213

HSL 190, 0.6%, 0.59%

LAB 72.58, -24.15, -19.65

 

CMYK 0 / 58 / 34 / 16

HEX #D6598E

RGB 214 89 142

HSL 334.56, 0.6%, 0.59%

LAB 55.48, 54.3, -4.25

 

CMYK 33 / 0 / 59 / 16

HEX #8ED557

RGB 142 213 87

HSL 93.81, 0.6%, 0.59%

LAB 78.48, -43.24, 54.13

 

CMYK 59 / 33 / 0 / 16

HEX #578ED5

RGB 87 142 213

HSL 213.81, 0.6%, 0.59%

LAB 58.2, 3.11, -41.88

 

CMYK 0 / 58 / 34 / 16

HEX #D6598E

RGB 214 89 142

HSL 334.56, 0.6%, 0.59%

LAB 55.48, 54.3, -4.25

 

CMYK 0 / 14 / 59 / 16

HEX #D5B757

RGB 213 183 87

HSL 45.71, 0.6%, 0.59%

LAB 75.27, -0.55, 51.84

 

CMYK 59 / 0 / 26 / 16

HEX #57D59E

RGB 87 213 158

HSL 153.81, 0.6%, 0.59%

LAB 77.33, -47.71, 16.95

 

CMYK 59 / 46 / 0 / 16

HEX #5774D5

RGB 87 116 213

HSL 226.19, 0.6%, 0.59%

LAB 51.06, 18.8, -53.22

 

CMYK 0 / 58 / 34 / 16

HEX #D6598E

RGB 214 89 142

HSL 334.56, 0.6%, 0.59%

LAB 55.48, 54.3, -4.25

 

CMYK 4 / 0 / 59 / 16

HEX #CCD557

RGB 204 213 87

HSL 64.29, 0.6%, 0.59%

LAB 82.44, -19.57, 59.64

 

CMYK 59 / 0 / 26 / 16

HEX #57D59E

RGB 87 213 158

HSL 153.81, 0.6%, 0.59%

LAB 77.33, -47.71, 16.95

 

CMYK 55 / 59 / 0 / 16

HEX #6057D5

RGB 96 87 213

HSL 244.29, 0.6%, 0.59%

LAB 44.39, 38.31, -63.95

 

Description

Color code: RGB 214 89 142 | qconv.com Color code: RGB 214 89 142 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 89 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 89 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 58 magenta, 34 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 58% 34% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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