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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone RGB 214 72 0 it is the complementary color RGB 41 183 255. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color RGB 214 72 0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone RGB 214 72 0: RGB 219 72 0, RGB 236 90 14, RGB 253 108 33, RGB 255 126 52 and RGB 255 144 71

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color RGB 214 72 0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone RGB 214 72 0: RGB 214 72 0, RGB 197 54 0, RGB 180 36 0, RGB 163 18 0 and RGB 146 0 0

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

Complementary color

CMYK 84 / 28 / 0 / 0

HEX #29B7FF

RGB 41 183 255

HSL 200.19, 1%, 0.58%

LAB 70.57, -11.71, -45.63

 

CMYK 0 / 67 / 100 / 14

HEX #DB4800

RGB 219 72 0

HSL 19.73, 1%, 0.43%

LAB 51.49, 55.22, 62.39

 

CMYK 0 / 62 / 94 / 7

HEX #EC5A0E

RGB 236 90 14

HSL 20.54, 0.89%, 0.49%

LAB 57.25, 53.68, 64.22

 

CMYK 0 / 57 / 87 / 1

HEX #FD6C21

RGB 253 108 33

HSL 20.45, 0.98%, 0.56%

LAB 63.11, 51.99, 64.16

 

CMYK 0 / 51 / 80 / 0

HEX #FF7E34

RGB 255 126 52

HSL 21.87, 1%, 0.6%

LAB 66.85, 44.69, 60.2

 

CMYK 0 / 44 / 72 / 0

HEX #FF9047

RGB 255 144 71

HSL 23.8, 1%, 0.64%

LAB 70.64, 36.42, 55.54

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 0 / 73 / 100 / 23

HEX #C53600

RGB 197 54 0

HSL 16.45, 1%, 0.39%

LAB 44.95, 54.81, 56.96

 

CMYK 0 / 80 / 100 / 29

HEX #B42400

RGB 180 36 0

HSL 12, 1%, 0.35%

LAB 39.52, 55.34, 52.61

 

CMYK 0 / 89 / 100 / 36

HEX #A31200

RGB 163 18 0

HSL 6.63, 1%, 0.32%

LAB 34.44, 54.72, 48.23

 

CMYK 0 / 100 / 100 / 43

HEX #920000

RGB 146 0 0

HSL 0, 1%, 0.29%

LAB 29.69, 52.87, 43.26

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 0 / 50 / 100 / 16

HEX #D66B00

RGB 214 107 0

HSL 30, 1%, 0.42%

LAB 56.89, 37.2, 64.93

 

CMYK 0 / 34 / 100 / 16

HEX #D68E00

RGB 214 142 0

HSL 39.81, 1%, 0.42%

LAB 64.68, 18.66, 69.84

 

CMYK 0 / 17 / 100 / 16

HEX #D6B200

RGB 214 178 0

HSL 49.91, 1%, 0.42%

LAB 73.63, -0.59, 75.96

 

CMYK 0 / 0 / 100 / 16

HEX #D6D600

RGB 214 214 0

HSL 60, 1%, 0.42%

LAB 83.12, -18.89, 82.78

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 0 / 70 / 100 / 96

HEX #0A0300

RGB 10 3 0

HSL 18, 1%, 0.02%

LAB 1.17, 1.41, 1.78

 

CMYK 0 / 66 / 100 / 76

HEX #3D1500

RGB 61 21 0

HSL 20.66, 1%, 0.12%

LAB 12.79, 18.25, 19.48

 

CMYK 0 / 66 / 100 / 56

HEX #702600

RGB 112 38 0

HSL 20.36, 1%, 0.22%

LAB 26.25, 31.16, 37.48

 

CMYK 0 / 66 / 100 / 36

HEX #A33700

RGB 163 55 0

HSL 20.25, 1%, 0.32%

LAB 38.76, 42.73, 50.37

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 54 / 0 / 100 / 16

HEX #63D600

RGB 99 214 0

HSL 92.24, 1%, 0.42%

LAB 76.52, -61.46, 74.87

 

CMYK 100 / 93 / 0 / 16

HEX #000ED6

RGB 0 14 214

HSL 236.07, 1%, 0.42%

LAB 27.21, 66.61, -93

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 100 / 0 / 67 / 16

HEX #00D647

RGB 0 214 71

HSL 139.91, 1%, 0.42%

LAB 75.17, -71.83, 56.23

 

CMYK 67 / 100 / 0 / 16

HEX #4700D6

RGB 71 0 214

HSL 259.91, 1%, 0.42%

LAB 29.9, 70.77, -88.43

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 54 / 0 / 100 / 16

HEX #63D600

RGB 99 214 0

HSL 92.24, 1%, 0.42%

LAB 76.52, -61.46, 74.87

 

CMYK 100 / 34 / 0 / 16

HEX #008ED6

RGB 0 142 214

HSL 200.19, 1%, 0.42%

LAB 56.29, -5.48, -45.6

 

CMYK 47 / 100 / 0 / 16

HEX #7200D6

RGB 114 0 214

HSL 271.96, 1%, 0.42%

LAB 34.87, 73.49, -80.04

 

CMYK 0 / 66 / 100 / 16

HEX #D64800

RGB 214 72 0

HSL 20.19, 1%, 0.42%

LAB 50.61, 53.52, 61.46

 

CMYK 84 / 0 / 100 / 16

HEX #23D600

RGB 35 214 0

HSL 110.19, 1%, 0.42%

LAB 75.11, -73.46, 73.15

 

CMYK 100 / 34 / 0 / 16

HEX #008ED6

RGB 0 142 214

HSL 200.19, 1%, 0.42%

LAB 56.29, -5.48, -45.6

 

CMYK 17 / 100 / 0 / 16

HEX #B200D6

RGB 178 0 214

HSL 289.91, 1%, 0.42%

LAB 44.69, 80.72, -63.57

 

Description

Color code: RGB 214 72 0 | qconv.com Color code: RGB 214 72 0 | qconv.com - big

With this color, red stands out from the other colors. The value that represents the red hue is greater than the other two values. It is far different from the value for the green and blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 214 red, 72 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
214 72 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 66 magenta, 100 yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 66% 100% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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